DNF: 45%
It was a difficult decision for me to DNF this novel. I was contacted by Penguin Random House’s marketing team to read this ARC novel; but, at the end of the day, I don’t think I was the right audience for this novel. Regardless of how much I read, I do have a few thoughts on what I did experience.
I will admit, there are moments in this book where the writing style and comedy truly shine. For instance, the first chapter was hilarious, and I genuinely laughed out loud (although the phrase “boggy balls” will be something I won’t forget, no matter how hard I try). Henry Fry has a great instinct for knowing when to draw out the comedy and when to back off from it, which is something to admire from a writer's perspective.
Another strength of this novel was the representation in anxiety in Danny, our main character. Mental health journeys are plots that I love to see in a book, as it can explain some character behaviors, motivations, and really steer their character development. Anxiety can alter a person’s personality negatively, which was what we saw in Danny. While I found the anxiety representation to be great, I did struggle with Danny’s characterization at the beginning because of the second-hand embarrassment I felt over his actions. While his self-centered worldview sets him up for development later in the story, his character wasn’t compelling enough for me to see his story through to the end.
I also appreciated the author tackling some difficult cultural/societal issues. That was refreshing to see, as there were actual debates about subjects in the book. All of these issues (from pronoun use, to gay rights) are topics that I am somewhat familiar with but I am by no means a scholar on the topics. It was interesting to see the different sides of the debate within the LGBTQIA+ community.
Although, I had a tough time overlooking some of my personal writing pet peeves, which made it hard for me to continue reading this book. For example, there are a few moments (mainly, in chapter two), where Danny breaks the fourth wall and speaks directly to the reader. That is a narrative mode I have never enjoyed, as I prefer sinking into the character’s head and experiences. Having the main character talk directly to the reader took me out of the novel and I never found my stride after it.
I also found it difficult to bridge the sheer cultural differences from reading a British novel. While I am a fan of British pop culture, but it was difficult at times to get through some of the conversations. There was a definite disconnect between myself, as an American, and the British colloquialisms used in this text.
I would also like to note that I’m not a huge fan of character-driven plots, which this novel is. If you are also someone who struggles with character-driven plots, I’m not sure that this novel would be for you.
Overall, I do think there is an audience for this book out there. This book has great representation, humor, and a character journey that is sure to deliver. I just needed to experience a little less second-hand embarrassment and more development before the 45% mark.
TW: anxiety, homophobia
Thank you to Random House Publishing Group - Ballantine and NetGalley for providing me with an ARC of this book.