‘What is left of humanity is being transported to a new world on board the Mothership Urba. Over the centuries, most of Urba’s inhabitants have forgotten where they come from and where they are going; they aren’t even aware they’re on a spaceship. the loss of group memory is no disease, but a carefully engineered social experiment devised and implemented by the cruel, tyrannical Elite, the technocrats who rule the Mothership. Prince Kender is the son of one of Urba’s greatest war lords; Jad is his boyhood friend and unwilling sidekick: a failed jester who wants nothing more than to snuggle up with a warm kitchen maid and a cool beer and forget about the cares of the world. But Kender wants adventure and the perfect opportunity presents itself when the Elite suddenly lose their powers and Urba’s downtrodden populace rise up against their now-impotent leaders. Against all of Jad’s screaming instincts he agrees – at blackmail point – to accompany Kender on a mission to find out what happened to the Elite. What no one bargained for is that the Elite have been replaced by a new threat: a threat from deep space itself….’
Blurb from the 2005 Gollancz paperback edition
Prince Kender, known fondly as Ken, heir to the rule of a small kingdom, is sent on a mission to discover what has happened to the Elite (the ruling technocracy which maintains order between the various kingdoms) since ‘The Day of Wonder’ when all the electric power went off throughout the world of Urba. He takes with him the unwilling King’s jester (and Ken’s best friend) Jad.
Along the way the pair rescue a woman, Alucia, from a band of mercenaries and Jad begins to realise that the world he lives in is a vast cylindrical spaceship which has been travelling through space for centuries.
Also, it now appears that humans are not alone in space, and that aliens are in the process of invading their world.
Brosnan employs a fast-paced and witty style, managing to get a surprising amount of comic mileage out of the fact that the protagonists’ entire culture was designed in order to provide a stable civilisation during the time that the ship was flying between stars.
Even dragons exist here in this ‘artificial’ culture, put there by a designer who was a big ‘Lord of The Rings’ fan. There are also many references for genre fans, such as when Alucia saves her companions from a rogue dragon by shouting ‘Klaatu Barada Nicto’ at it. It turns out that this is one of the safety phrases used when training and controlling dragons.
Brosnan deftly balances the fantasy medieval with the hi-tech and succeeds (to a moderate degree) in putting a new spin (no pun intended) on the traditional generation ship story.