Schaeffer considered the three books in this trilogy as foundational for all his remaining works. They set forth the concepts, themes, and vocabulary he employs elsewhere. So, getting this foundational understanding of this thought is important if one wants to understand Schaeffer’s apologetic ministry. The God Who Is There, is a wide-ranging look at the intellectual decline of the West. In Escape from Reason, he traces – in somewhat repetitive ways – the ideas of The God Who is There in the theological realm. His focus in He Is There and He Is Not Silent is on epistemology, though he spends considerable time in metaphysics and morality and the interrelation of the three.
Schaeffer sought to demonstrate that modern man lives (or should live) in a state of despair if he understands his true condition. Instead, modern man often deludes himself into believing his life has meaning, but that cannot work for long. Schaeffer traces a line of despair through Western thought and culture over the last 200 years. He contends that the line commences in philosophy, primarily with Hegel, whose thought had corrosive effects on the history of philosophy, then moved in a downward trend, through art, music, culture, and theology, all of which fall like dominoes once the first domino – philosophy – falls. He examines the history of philosophy through the existentialists, then looks briefly at art since Van Gogh. Next, he examines music and general culture together. Finally, in the latter sections of The God Who is There and then in Escape from Reason, he examines how this line of despair influenced theology, turning most of his attention to what he calls modern mysticism.
Schaeffer says presuppositional apologetics would have stopped the decay from the beginning. But now that the decay has progressed as far as it has, Schaeffer’s apologetic method is to lead people to see their despair, help them recognize and confront it honestly, the shares the answer to their despair. “The Christian, lovingly, must remove the shelter and allow the truth of the external world and of what man is to beat upon him. When the roof is off, each man must stand naked and wounded before the truth of what is.” The Gospel is the only escape from that despair. “Christianity,” he said, “is realistic because it says if there is no truth, there is also no hope.” Christianity alone adequately explains the meaninglessness and existential angst that modern man feels or rather should feel.
Schaeffer often claimed he was not a theological or academic apologist but rather an evangelist. There is no denying his profound impact on a generation of apologists through his writings and his tireless work at the L’Abri community he established in Switzerland. While he was certainly well read and had a formidable grasp of the roots of so much of western culture, he tends to make highly generalized and unsupported claims – pronouncements really – that are not rigorously defended, nor are the actual writings of those he discusses ever examined. He offers very few quotes and no analysis of their thought other than general declarations of what they meant. His understanding of the thought of the philosophers he reviews has been disputed. It seems more important to him that they fit the narrative of decline he weaves.
Besides being repetitive at times, the book was just a slog for me. I like philosophy, generally, but he managed to make it dull for me. Perhaps because it was just too general, too much cherry-picking of phrases or themes to use as fodder for his argument. No sustained analysis appears. That just makes what he’s saying highly suspect at times. Is he really telling me what these thinkers, artist, writers think, or only what he wants to emphasize so he can make his points and bolster his narrative of the line of despair?