Rating: 3.5
16-year-old Sophie’s stepdad, Juan, is Mexican-American. He gained legal status when he married her mom nine years ago. An importer, he has many connections with his home country. Late one February night, the family receives a phone call from Border Patrol. A group of migrants has been found dead in the desert outside of Tucson, Arizona, where the family lives. There’s a single survivor: a traumatized little boy, Pablo, who is about five. Sophie’s stepdad’s business card was found in one of the boy’s pants pockets. While Juan has helped migrants in the past, feeding and housing them overnight in emergency situations, he denies knowing anything about this group or this particular child.
When the family arrives at the hospital to see the boy and meet with a Border Patrol officer, Sophie’s Great-Aunt Dika, herself a traumatized refugee of the Bosnian war (whom Sophie’s family has taken in), decides they must foster this child. Eventually, Juan makes contact with the boy’s surviving relatives in Oaxaca, Mexico. It is decided that Pablo, who barely speaks and who insists on sleeping outdoors with the chickens, will stay in Tucson for the school year. Then, in the summer, he will be reunited with his Mexican relatives and make a decision about whether to stay in the US or return to his homeland.
The story mostly revolves around the road trip that Sophie, Dika, and Pablo take in a VW van with Dika’s boyfriend, Lorenzo, and his teenage son, Angel. Lorenzo and Angel made their own dangerous trek across the desert years before, fleeing extreme violence in Guatemala. Lorenzo was, in fact, tortured by government soldiers. Angel feels there’s a chance that his mother may still be alive. At the very least, he wants to retrieve her “jewels”, which he saw her bury when he was a little child. Possibly, too, he may stay on in Guatemala, set up a business there, as he has never felt at home in America. The plan is for the father and son to drop off the women and Pablo at the boy’s Oaxacan village and then proceed by bus to Guatemala. The men are to return in a week to pick up Dika, Sophie, and possibly Pablo (should he decide to live in America) for the drive back to US. However, things go very wrong for Lorenzo and Angel in Guatemala, and it falls upon Sophie to travel south to assist.
Resau’s novel is mostly an engaging one. An anthropologist by training, she apparently taught in the Oaxaca region for two years, and it shows in her convincing descriptions of the landscape and in her understanding of Mexican culture and customs. A large part of the book focuses on Sophie’s growing love for Angel, which is also quite nicely done. At times the writing is a little forcedly lyrical. (There are, for example, a few scenes in which petals drop from flowering trees upon the young lovers.) Symbolism around red glass can be heavy handed as well. Characterization is sometimes less than subtle. Dika is slightly cartoonish, and Sophie’s anxiety issues (OCD) are sometimes described too fulsomely—and they resolve way too easily considering the unhygienic conditions, even squalor, that the girl encounters.
Resau makes considerable use of St. Exupery’s The Little Prince. Passages from that French novel appear as epigraphs for each part of Red Glass, and they work well to underscore themes and provide extra layers of meaning.
In the end, I generally liked this novel, although I found some plot developments implausible and overly convenient. The concluding sections seem a little too tidy, even for a young adult novel.