By reading key Carter texts alongside their Decadent intertexts, Tonkin interrogates the claim that Carter was in thrall to a fetishistic aesthetic antithetical to her feminism. Through historical contextualization of the woman-as-doll, muse and femme fatale, Tonkin tests Carter's own description of her fiction as a form of literary criticism.
A well-researched and considered, knowledgeable and insightful work combining a broad historical perspective and drawing intriguing connections and parallels between Carter and other writers, and incisively analysing and countering the arguments of numerous other critics. A complex subject is made readable, indeed compelling.