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David Bailey: Bailey's democracy

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Everyone is equal before the law. And anyone who accepted David Bailey's recent invitation to his studio to be photographed in the nude became part of this astonishing book. Bailey laid down some strict rules: he shot all subjects in the same light and without props. Makeup and retouching were shunned. He took six photographs of each person, and selection and composition were his own affair. These rules, his imposed democracy, result in a celebration of the naked body in all its lovely (and not-so-lovely) splendor. Naked, Bailey specifies, not nude: "All that worrying about poncy lighting, making people look like landscapes or rocks. If I wanted to photograph a fucking rock, I'd photograph a fucking rock." And of the project's conception 30 years ago? "This is going to sound pretentious, but I was reading Plato's Republic and I thought, why not Bailey's Democracy? I wanted to do something organic. I didn't cast it, I didn't tell people where to sit or how to stand. They chose their own pose. I didn't worry about Rembrandt lighting or any crap like that. You could almost do it in a photo booth."

Hardcover

First published November 7, 2005

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About the author

David Bailey

66 books2 followers
David Bailey is one of the most respected photographers in the world. He worked as a fashion photographer for Vogue magazine, but he is also known for his work on the ‘Swinging London’ scene from the 1960s, which gave him celebrity photographer status.

Bailey’s fashion work and celebrity portraiture, characterized by stark backgrounds and dramatic lighting effects, transformed British fashion and celebrity photography from chic but reserved stylization to something more youthful and direct. His work reflects the 1960s British cultural trend of breaking down antiquated and rigid class barriers by injecting a working-class or “punk” look into both clothing and artistic products. Bailey himself became a celebrity who epitomized “swinging London”; he was known for his affairs with several celebrated women, among them the model Jean Shrimpton and the actress Catherine Deneuve, whom he married in 1965 (divorced 1972). He is thought to have inspired the role of the photographer, Thomas, in Michelangelo Antonioni’s film Blow-up (1966).

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