Lots of good stuff. Most of the last third (after Apple) is VERY skipable. You might also want to skip Tony’s tirades about Yoko. He hates Yoko so much that I couldn't trust what he said about her.
First: Let's give thanks and well-deserved recognition to Rosemary Kingsland, who organized Tony's recollections and told them as propulsive stories. Tony credits Don Short with introducing him to his coauthor, but somehow cannot state the truth clearly: that Rosemary's talent turned his recollections into a book.
Although the book gets a 10 for containing good stories, it gets a 3 for thoughtful analysis and a 10 (not a good grade in this case) for "squandered opportunities to gain understanding" For example: Tony notes, correctly, that Paul and John bonded when they were just teenagers because both were essentially motherless. Did Paul's father or siblings have perspective on this bonding? Similarly, did John's stand-in mother, his Aunt Mimi, have something to say about the wild kid she "inherited?" Tony was there. He had the connections, he could have probed parents, siblings, other family. He didn't.
But, as Tony explains, the boys in his clique (which included Paul and George) had an expression: "don't get real on me, man." It meant (Tony's words) "Keep your feelings to yourself." As he explains: "we just grew up and got on with life."
Very unfortunate, but I guess you have to let Scousers be Scousers.
BTW, one of the book’s charms is the frequent (sometimes puzzling) British slang. This added to the authenticity, even as it required frequent pauses to consult Google.
There are connections Tony misses: the Beatles were Scousers (natives of Liverpool, a port) who spent several formative months in Hamburg, another port. However strange Hamburg may have appeared, they understood the atmosphere of a port city. BTW, Tony, why did you NOT ask this question: What did the parents think about their boys going off to entertain Germans, the same people who had, in 1941 -- less than 20 years earlier -- dropped bombs on Liverpool? The Beatles were too young to remember, but their parents were not. And, BTW, what did George's parents think about their underage 17 year old going off with mates who were barely legal themselves?
John comes off as a mixed personality. Creative, witty, charismatic, yes, but very often, cold and just plain mean. Paul is the best of the four, as talented a songwriter as John, but a natural leader and a far kinder personality. George is described as shy and introverted (and thus the favorite Beatle of the shy, introverted personality typing these words). Ringo appears to be the most level-headed and "normal" of the four.
Although John's short life was full of tragedy, the most tragic character, IMHO, was the doubly-marginalized Brian Epstein. (He was both Jewish and a homosexual; either identity places him outside "normal" British society.) He deserves a great deal of credit for upgrading the act, for guiding the Beatles to success in America, for managing (and sometimes mismanaging) enormous amounts of income. I am a little put off by this part of the arrangement: Epstein took 25 percent of all the income, then split the remaining 75 percent among the four Beatles. So yes, Epstein made more than any one of the Beatles. Did he deserve that? I dunno. Relevant facts: (1) The Beatles agreed to the arrangement (2) Epstein worked VERY hard on their behalf; Tony hypothesizes jokingly that Brian never slept.
Anecdotes from the book I want to remember:
1
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The Beatles agreed to do three films, but after the first two, they made the animated “Yellow Submarine” as movie #3. Animation meant they did not have to appear on sets or “act.” In fact, they did not even voice all of their lines. They hired voice actors for some of the dialogue.
2
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Some years after the breakup, Paul, while in New York, called up John at the Dakota, suggesting a jam session like the ones they'd had back in Liverpool. John declines to meet him, saying that "It's not like it used to be when we were kids."
This sounds awfully cold to me, but is, I suppose, typical John.
4
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Tony sees George Harrison for the last time as he (Tony) is exiting the South Kensington tube station on a chilly winter day. He encounters George walking towards it. They speak briefly, agree to meet later, but never do.
First: I am utterly thrilled to think that George walked through the same tube station I used for trips to the V&A (I know this is silly). Second: This brief encounter seems utterly sad to me. And here is one time (at last) when Tony gets a little emotional and sentimental. As he recalls the missed meeting opportunity, he remembers how it was in the beginning: barreling through the night to a gig, with John saying "Bollocks to [George Martin]. If it sounds good, we'll fooking do it."
That was, as George said, "all those years ago."
Indeed.