He graduated from Kyoto University with a degree in Economics. After working for a life insurance company for several years, Kishi started his writing career as a freelancer. He has twice won the Japan Horror Novel Award, and boasts bestselling status in Japan with multiple works adapted to the screen. The Crimson Labyrinth marks his American debut.
In this book Kishi presents us with four challenges to his 'locked rooms' problem-solver Enomoto, from the one where the president of a company dies in his house in the mountains, to the one where a karate-performer dies in a dressing room. In all of them we find the same pattern (even though the last story, the karate-performer one, tries to be more humorous and fails miserably at it): there seems to be an unbreakable locked room death/killing mystery where Enomoto has to, with his intelligence and ability to see through the assassin's mind, find the key to the puzzle.
It all works quite well, even though it is not particularly engaging or original. The thought that most probably will cross your mind while Enomoto finds the solution to the 'mystery' is why the killer made it to look so suspicious in a couple of the cases. The writing seems a little sub-par for Kishi's level, and there is too little in the character's development section. Enomoto and Junko are just there, the mystery is presented, and the solution is found. Not even the locked room cases are particularly original or surprising, and the solutions are a little bit a stretch of the imagination.
Not a bad book, just not particularly memorable.
The best: the way the 'closed rooms' cases are presented
The worst: the last story and its attempts at 'humor'; it is all very dry and detached; there could be more character (or any) development
Other options: Kishi works better with horror than mystery so, if you like horror, go for them; if it is mystery you want, Edogawa (with a drop of horror), Miyabe Miyuki, Akimitsu Takagi, and so many others... Go for classics like 'The Mystery of the Yellow Room', Edgar Allan Poe or Sherlock Holmes.
This was pretty disappointing. The stories were a lot more unbelievable and often felt unnecessarily long. There was a lot of in between and -guess what happened even though I already know, because I'm so smart-. Also, while I'm pretty sure in earlier books Junko had some pretty good ideas/solved things by herself, in this book she felt more like comic relief, solely there to proof how much smarter Enamoto was, and to showcase how silly she herself was. I think I would have possibly enjoyed it a little more if I hadn't seen the tv series, because I already knew the ending to all of it. (Though for some stories the culprit was already revealed at the beginning, with the only mystery being the how). Overall the TV series is a lot better than the books, so if it sounds interesting I'd just watch the TV series and call it a day.
Oh my god, how could short stories about locked-room murder mysteries be so mind-breakingly boring and dull? What a pity, the bookcover is kind of pretty and classy!
I'm seriously considering putting Yusuke Kishi into my blacklist.