I've been reading some good graphic books aimed at twelve-year-old girls recently. Jane Yolen and Mike Cavallaro's 'Foiled.' Raina Telgemeir's 'Smile.' Amy Ignatow's 'The Popularity Papers.' So good that boys should read them, too.
But 'Doodlebug' is just extraordinary. Doreen Bussey, aka DoDo, aka Doodlebug, chronicles her family's move from Los Angeles to San Francisco, and her adjustment to a new school, in handwritten text and hand-drawn pictures. Her wonderful and not-at-all weird family is not at all like any family I've ever met in children's fiction. Their reasons for moving to San Francisco are not like any plot device I've ever encountered, even though they are totally realistic, and all too likely.
Doodlebug herself is irrepressible and irresistible. Don't you worry, she, and her sister Momo, are going to win the day. And that's not giving anything away.
Plus, her initiation into drawing is a sketch of the post office tower in Ojai, a familiarly comforting sight to me. Some bonus points there.
Like 'The Popularity Papers,' I've seen 'Doodlebug' categorized as another 'Wimpy Kid' spinoff. Oh, come on. Was 'Wimpy Kid' the first ever one of its kind? What about 'Diary of a Part-Time Indian?' By the way, didn't Kinney kind of rip off 'In Ned's Head?'
Anyway, the relationship between 'Wimpy' and 'Doodlebug' is pretty tenuous. Black and white drawings. Doodlebug is no blasé, brash tween. Karen Romano Young has created a unique and enduring character with an original and profound story for fourth graders on up.
Highly recommended.