$3.65 at the used bookstore, in HARDCOVER no less, and worth every penny! I'd even go as high as $4.00, but not a cent higher. Any one who has read my reviews of recent Cussler collaborations knows well my disappointment in the product, and my self-loathing that I keep reading them, but for under $5 I'm apparently willing to keep touching that same stove to see if it's still hot. In this instance, I was pleasantly surprised to not get burned too badly.
The plot is sound: in the early days of aviation, a coast to coast aeroplane race is sponsored: $50,000 to the pilot who completes the trip in under 50 days. The only female entrant in the race is being chased by her husband, with murder on his mind, and Isaac Bell has been assigned to protect her and capture her stalker (with an unnecessary but nice plot enhancer - Bell and the husband have some ancient history from Bell's earliest days as a Van Dorn rookie. This bookending is reminiscent of classic Cussler, and is a nice addition without being forced).
The setting is interesting: Early 20th century U.S. is a much-overlooked period of US History, and with perhaps the exception of Caleb Carr's works, as well as Devil in the White City, it's a rarely-seen setting (at least in my genres). That period was an age of great innovation and technology, and one of the attractions of the Isaac Bell stories is that it gives the author(s) a nice canvas to expand and expound upon "new" technologies, and to illustrate how those advances force change upon the world, and evolve traditional behavior (such as detective work, pursuit and communication).
The writing is fair: We must all acknowledge that we know there is NO Cussler story in which the hero does not a) prevail and b) get the girl (who is always preturnaturally beautiful, and possessed of a charm and grace that would make Venus envious). Character development and interaction dialogue is decent (and hey - it's Cussler, not Keats), and all in all a decently told story.
The disappointment: While Cussler's works with Justin Scott are in NO WAY nearly the infuriating dung heaps of vomitous pulp that his other collaborations are (Fargo adventures, in particular), my disappointment remains consistent in all of Cussler's later books and collaborations, and points out where he went astray from the Dirk Pitt success: If your hero has a pre-existing reserve of fabulous wealth and powerful connections that allow him to miraculously see his way out of any scrape, or able to procure any resource needed at a moment's notice, you lose your drama. Dirk Pitt made a boat of out a bathtub and a stolen outboard motor; Bell flashes an "all access pass" that lets him commandeer any railroad train in America? Dirk Pitt stole a car, flattened the tires and drove across the desert until it died, then he walked. Bell pulls out his wallet and buys an airplane?
That's my complaint, but one I don't see changing as long as he can turn out 3 "collaborations" a year and watch the money truck back up to his house.
Still - a fair read from the $5 bin.