Artist imaginations continue to grow and stretch the boundaries of traditional animation. Successful animators adept and highly skilled in traditional animation mediums are branching out beyond traditional animation workflows and will often use multiple forms of animation in a single project. With the knowledge of 3D and 2D assets and the integration of multiple animation mediums into a single project, animators have a wealth of creative resources available for a project that is not limited to a specific animation medium, software package or workflow processs.Enhance a poignant scene by choosing to animate the scenic background in 2D while the main character is brought to life with 3D techniques. Balance the budget demands of a project by choosing to integrate a 2D or 3D asset to save time and expense. Choose which medium Hybrid Animation, learn the systematic development of the 2D and 3D assets and the issues surrounding choices made during the creative process.
Tina O’Hailey is an animation professor, a caver, and an occasional mapper of grim, wet, twisty caves (if she owes a friend a favor or loses a bet), whose passion is to be secluded on a mountain and to write whilst surrounded by small, furry dogs and hot coffee. Tina was once struck by lightning.
She has served as an artistic trainer for Walt Disney Feature Animation, Dreamworks, and Electronic Arts. Any movie credit she has is minimal and usually found in the special thanks section. The meager credits do not account for the great honor it was to teach talented artists who worked on numerous feature films and games.
She has authored animation textbooks “Rig it Right”, “Hybrid Animation” published by Focal Press, and the Darkness Universe novels “Absolute Darkness”, “When Darkness Begins” published by Black Rose Writing.
Her favorite motorcycle is her BMW R1200C—mathematically perfect for her short legs, turns on a dime, and is the ugliest bike ever.