Flora showcases Cunninghams fascination with nature, with images that range broadly from simple floral arrangements to elaborate compositions of exotic ferns and lilies.
Gorgeous book of Cunningham's botanical images, from the famous magnolia blossom to a few photos never before published. The essay is intelligent (I loved Lorenz's observation that the inclusion of a bowl of narcissus in her early self-portrait may have quite a pointed, self reflective meaning and his explanation about the rank, rotting smell of the voodoo lily Cunningham photographed alongside her own 89-year-old hand) and the reproductions are of very high quality. There are even a few color photos included, but the standouts for me are her black and whites.
Cunningham's high-contrast black and white photographs of plants are her best known, and the few color images seem to pale in comparison. She was a tiny powerhouse of a photographer.
Imogene Cunningham is one of the inspirations for my own work and I was happy to read about her process; not just as a photographer, but as a woman in the early 20th century.