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[Orwell: The Authorised Biography] (By: Michael Sheldon) [published: June, 2006]
Michael Sheldon's superb biography of George Orwell restores a sense of drama and passion to Orwell's life, revealing him as a fascinating, even heroic character struggling to achieve his ambitions against a background of great public and private turmoil. Orwell's life has to rank as one of the most exciting in literary history. An old Etonian and an officer in the Indian Imperial Police, he was also a dishwasher in a Paris hotel, a hop-picker in Kent, an investigative journalist, a wounded veteran of the Spanish Civil War, a celebrated novelist and a dreamer whose life was cut short by tuberculosis. Sheldon's portrait of Orwell is unusually complicated and subtle. Drawing on a wide range of unpublished sources, Orwell is brought vividly to life as a passionate, vital, engaging personality. Meticulously researched and stylishly written, this is one of the most important literary biographies to be published.
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First published January 1, 1991
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June 1, 2024WAIT, WHAT’S THIS? YOU JUST READ AN ORWELL BIOGRAPHY
Yes, this is a different one. This is the Authorised Biography.
ARE YOU SERIOUSLY ASKING US TO BELIEVE THAT AFTER 600 PAGES OF ONE ORWELL BIOGRAPHY YOU HAVE NOW READ 500 PAGES OF ANOTHER ONE?
No… I only read some parts of this one.
EXPLAIN
Well when I read the Bernard Crick one he added a chapter at the end where he gets into this big smackdown cage fight with the other guy, Michael Shelden. Harsh words are said and I became intrigued. With these hoity-toity literary nobs you usually don’t find them slagging each other off.
I SEE THAT SHELDEN’S ONE IS CALLED “THE AUTHORISED BIOGRAPHY”
Yes – that’s the kiss of death for me. Why do they call biographies “authorised”? Isn’t it like saying “the widow and the family have okayed this snow job, everything embarrassing has been removed”? I always avoid authorised biographies.
WHAT’S THIS FIGHT ALL ABOUT THEN?
Well when Sonia Orwell decided there should be a biography she picked Crick to do it, in the late 70s. So he was the authorised guy. But when she read his book she hated it (“too political, too dry and too unsympathetic”) so she de-authorised him! And tried to stop him publishing it! But she had lost the contract she had with him! Literally! Couldn’t find it! So he went right ahead. Then she died. 11 years later Shelden popped up with his authorised one in which he trashed Crick, then Crick republished his book in which he trashed Selden. Pistols at dawn.
WHAT DID CRICK SAY?
He moans that Shelden engaged in “aggressive commercial rivalry”. “He acts as if scholarship is a boxing ring”. But more to the point this whole fight is between two incompatible ideas of what biography should be. Crick says
I grew to be sceptical of much of the fine writing, balanced appraisal and psychological insight that is the hallmark of the English tradition of biography
and more :
readers should realise that they are often being led by the nose or that the biographer is fooling himself by an affable pretence of being able to enter into another person’s mind.
And
I realise that the externality of my method runs the risk that I appear unsympathetic to Orwell
Crick thinks you should report what the person did and wrote and what happened to them. Psychology is out. This is why Sonia thought it was “dry”. Having read it I kinda see her point. There are juicy bits of Orwell’s life that Crick scuttles away from. For instance the embarrassing period after his first wife’s death when he went round proposing marriage to no less than four women, one time using the come-on “would you like to be the widow of a literary man?” and on more than one occasion physically grabbing and pawing them. This sexual harrassment is in Sheldon and not in Crick.
WHY DID SONIA SCREAM AT CRICK “OF COURSE HE SHOT A FUCKING ELEPHANT”?
Crick hemmed and hawed about whether you should take some of the essays Orwell wrote to be the literal truth – his memoir of his prep school was one he doubted, and “Shooting an Elephant” was another.
Sonia Orwell once screamed across the table at Bertorelli’s (to the delight of other clients) “Of course he shot a fucking elephant!” I said that none of the old hands could remember such a remarkable incident and I’d searched the Rangoon Gazette in vain. “Bloody fact-grubber!”
AH YES, SONIA
She is included in the amusing memoir by David Plante called Difficult Women. He says
Sonia was naturally ill-tempered, as if just having to live, day after day, were reason enough .
Crick gives a great example
She drank a great deal and was either shouting at me “Can’t we have lunch like two friends without your taking bloody notes all the time like a policeman?” or demanding “Why am I wasting my bloody time giving you all this when you are not taking a single fucking note!”
There are ten or so pages just about Sonia in Shelden’s book – they’re fun but Crick is quite right to say that a biography of Orwell shouldn’t be about what his widow did after he died, should it? (Sonia was married to Orwell for a whole three months.) There’s something funny here though – Sonia thought Crick was too dry and unemotional; his replacement Selden takes his time to pretty much trash her as an obnoxious gold digger and that the marriage was a fairly cold blooded deal between the two of them (“He needed someone to take care of him and help him stay alive and the reward would be the income from his books”). Sheldon later says
In the meantime Sonia tried to make a new life for herself, with the help of Orwell’s money. Her period of mourning was short.
DEAR GOODREADERS
It’s quite possible that Sheldon’s biography is way more amusing than the one I read.
Yes, this is a different one. This is the Authorised Biography.
ARE YOU SERIOUSLY ASKING US TO BELIEVE THAT AFTER 600 PAGES OF ONE ORWELL BIOGRAPHY YOU HAVE NOW READ 500 PAGES OF ANOTHER ONE?
No… I only read some parts of this one.
EXPLAIN
Well when I read the Bernard Crick one he added a chapter at the end where he gets into this big smackdown cage fight with the other guy, Michael Shelden. Harsh words are said and I became intrigued. With these hoity-toity literary nobs you usually don’t find them slagging each other off.
I SEE THAT SHELDEN’S ONE IS CALLED “THE AUTHORISED BIOGRAPHY”
Yes – that’s the kiss of death for me. Why do they call biographies “authorised”? Isn’t it like saying “the widow and the family have okayed this snow job, everything embarrassing has been removed”? I always avoid authorised biographies.
WHAT’S THIS FIGHT ALL ABOUT THEN?
Well when Sonia Orwell decided there should be a biography she picked Crick to do it, in the late 70s. So he was the authorised guy. But when she read his book she hated it (“too political, too dry and too unsympathetic”) so she de-authorised him! And tried to stop him publishing it! But she had lost the contract she had with him! Literally! Couldn’t find it! So he went right ahead. Then she died. 11 years later Shelden popped up with his authorised one in which he trashed Crick, then Crick republished his book in which he trashed Selden. Pistols at dawn.
WHAT DID CRICK SAY?
He moans that Shelden engaged in “aggressive commercial rivalry”. “He acts as if scholarship is a boxing ring”. But more to the point this whole fight is between two incompatible ideas of what biography should be. Crick says
I grew to be sceptical of much of the fine writing, balanced appraisal and psychological insight that is the hallmark of the English tradition of biography
and more :
readers should realise that they are often being led by the nose or that the biographer is fooling himself by an affable pretence of being able to enter into another person’s mind.
And
I realise that the externality of my method runs the risk that I appear unsympathetic to Orwell
Crick thinks you should report what the person did and wrote and what happened to them. Psychology is out. This is why Sonia thought it was “dry”. Having read it I kinda see her point. There are juicy bits of Orwell’s life that Crick scuttles away from. For instance the embarrassing period after his first wife’s death when he went round proposing marriage to no less than four women, one time using the come-on “would you like to be the widow of a literary man?” and on more than one occasion physically grabbing and pawing them. This sexual harrassment is in Sheldon and not in Crick.
WHY DID SONIA SCREAM AT CRICK “OF COURSE HE SHOT A FUCKING ELEPHANT”?
Crick hemmed and hawed about whether you should take some of the essays Orwell wrote to be the literal truth – his memoir of his prep school was one he doubted, and “Shooting an Elephant” was another.
Sonia Orwell once screamed across the table at Bertorelli’s (to the delight of other clients) “Of course he shot a fucking elephant!” I said that none of the old hands could remember such a remarkable incident and I’d searched the Rangoon Gazette in vain. “Bloody fact-grubber!”
AH YES, SONIA
She is included in the amusing memoir by David Plante called Difficult Women. He says
Sonia was naturally ill-tempered, as if just having to live, day after day, were reason enough .
Crick gives a great example
She drank a great deal and was either shouting at me “Can’t we have lunch like two friends without your taking bloody notes all the time like a policeman?” or demanding “Why am I wasting my bloody time giving you all this when you are not taking a single fucking note!”
There are ten or so pages just about Sonia in Shelden’s book – they’re fun but Crick is quite right to say that a biography of Orwell shouldn’t be about what his widow did after he died, should it? (Sonia was married to Orwell for a whole three months.) There’s something funny here though – Sonia thought Crick was too dry and unemotional; his replacement Selden takes his time to pretty much trash her as an obnoxious gold digger and that the marriage was a fairly cold blooded deal between the two of them (“He needed someone to take care of him and help him stay alive and the reward would be the income from his books”). Sheldon later says
In the meantime Sonia tried to make a new life for herself, with the help of Orwell’s money. Her period of mourning was short.
DEAR GOODREADERS
It’s quite possible that Sheldon’s biography is way more amusing than the one I read.
April 18, 2013
It is a credit to this biography that I almost started crying on the bus when he died. While Shelden occasionally fawns over his subject, the book is full to bursting with anecdotes and quotations from Orwell and those who knew him. Highly recommended for casual fans of Orwell -- you might, like me, become devoted.
November 18, 2025
Finish: 24.01.2024
Title: Orwell – published 1991
Genre: Non-fiction (497 pg)
Author: Michael Shelden
Rating: A
Conclusion:
So sad to have read the last page of this book. (audio).
Sad to say good-bye to a ‘literary’ friend.
I looked forward to my daily 1-2 hours with Eric Blair (George Orwell)
during my morning walks or sleepless nights!
19 hours with excellent narration by Frederick Davidson
Ch 1-8 Early life, at St. Crispin’s school and Eton,, later serving as royal police in Burmua. Orwell leaves civil service, to his father’s dismay, and is dertermined to become a writer. Ch 8 sees him in Paris en filthy flat in Latin Quater. His “lady friend” just stole all his money and luggage and Orwell is literally “Down and Out in Paris….!
Ch 11 (pg 227) I discoverd how Eric Blair choose his penname! 9 hours left to read on this audio version. Perfect book when you cannot sleep…narrator’s accent sounds snobby English…but I love it! It sets the tone b/c Orwell was obsessed with class.
Ch 15 – Homage to Catalonia was so dear to Orwell’s heart but it only sold 700 copies in the first 6 months of publication. Orwell was perplexed…such an important book and nobody cares. Is a bullet wond in the neck that almost killed him worth his indignation…strong displeasure at something considered unjust?”
Orwell is the prophet of the 20th century he was perhaps the only Western author to have understood in the 1930s/1940s the deep nature of the Soviet world and he had prophesied totalitarian drifts.
The manipulation and distortion of language is the primary tool to controle a populace.
This book encourages us to read and reread Orwell especially Orwell’s last two books
Animal Farm and 1984 to discover how prohpetic he really was!
January 18, 2012
George Orwell (Eric Blair) was an amazing writer and reading about his personal life was incredibly inspiring. I thoroughly enjoy reading autobiographies about people like George Orwell because they remind me how productive a person can be if they discover their true passion in life and go after it. While some of his early works were less successful, all of Orwell's have given me great pleasure over the years. This autobiography was the perfect ending to reading his collection. Sheldon paints such a wonderful picture of Orwell's life that it's as if you are reading a novel and not an autobiography. If you're and Orwell fan I highly suggest that you read this book in order to get to know him better and see that his life was truly full of adventures and hard work.
December 4, 2012
One of the best literary biographies I've ever had the pleasure to consume.
December 17, 2021
Next best after Bernard Crick’s biography.
May 15, 2023
A wonderful read. Yes, as others have noted, this is a long book, but so varied and curious were the stages of Orwell's life that, if anything, I found myself wanting more not less. That Sheldon is himself a writer of unusual clarity makes him a perfect match for someone like Orwell who seemed especially to love precision and provocation. Now that I've turned the last page, I'm torn between reading more Sheldon or reading more Orwell.
April 9, 2016
This comes across as a fair and balanced view of the life of George Orwell (though the writer does struggle to hide his dislike of Sonia, Orwell's second wife).
I suppose the trouble any Orwell biographer faces is that Orwell put so much of himself into both his fiction and non-fiction works that a separate account of his life is almost superfluous.
I suppose the trouble any Orwell biographer faces is that Orwell put so much of himself into both his fiction and non-fiction works that a separate account of his life is almost superfluous.
May 22, 2024
A biography, authorised by the literary executors, of Eric Blair who, under the pen name of George Orwell wrote, among other works:
Animal Farm
1984
Down and Out in Paris and London
The Road to Wigan Pier
Homage to Catalonia
Eric Blair was born in Bengal where his father was involved in selling opium under the auspices of the Indian Civil Service, an administrator for the British Raj. He went to a prep school in Eastbourne and then Eton College; he then joined the British Empire as a policeman in Burma, hated working for imperialism, and embarked on a career as a novelist and journalist for the political left wing. To further these goals he became a tramp in London and a dishwasher in Paris, he joined the republican army to fight in the Spanish Civil War, and lived in a cheap lodging house in Wigan. He adopted a baby, ran a village store in remote Hertfordshire, and lived on the Scottish island of Jura 25 miles from the nearest shop. This enormously readable biography not only chronicles the remarkable life of this unusual individual but also gives an insight into his work, both fiction and journalism.
As with many biographies of this sort, some of the delight is in encountering other people were touched by the life of the principal. Thus, Orwell knew Cyril Connolly both at Eastbourne and Eton and in later life. He was at Eton with Steven Runciman who became an expert in the history of Constantinople. As a young man, Orwell worked as a private tutor to, among others, Richard Peters who became Professor of Philosophy of Education at the University of London, one of my alma maters. His second wife had been the lover of Lucian Freud. I love this sort of thing: within seven steps I can link myself to Sigmund Freud ...
That rare biography which is at once comprehensive, and easy-to-read and offers a good insight into its subject. May 2024; 489 pages
Animal Farm
1984
Down and Out in Paris and London
The Road to Wigan Pier
Homage to Catalonia
Eric Blair was born in Bengal where his father was involved in selling opium under the auspices of the Indian Civil Service, an administrator for the British Raj. He went to a prep school in Eastbourne and then Eton College; he then joined the British Empire as a policeman in Burma, hated working for imperialism, and embarked on a career as a novelist and journalist for the political left wing. To further these goals he became a tramp in London and a dishwasher in Paris, he joined the republican army to fight in the Spanish Civil War, and lived in a cheap lodging house in Wigan. He adopted a baby, ran a village store in remote Hertfordshire, and lived on the Scottish island of Jura 25 miles from the nearest shop. This enormously readable biography not only chronicles the remarkable life of this unusual individual but also gives an insight into his work, both fiction and journalism.
As with many biographies of this sort, some of the delight is in encountering other people were touched by the life of the principal. Thus, Orwell knew Cyril Connolly both at Eastbourne and Eton and in later life. He was at Eton with Steven Runciman who became an expert in the history of Constantinople. As a young man, Orwell worked as a private tutor to, among others, Richard Peters who became Professor of Philosophy of Education at the University of London, one of my alma maters. His second wife had been the lover of Lucian Freud. I love this sort of thing: within seven steps I can link myself to Sigmund Freud ...
That rare biography which is at once comprehensive, and easy-to-read and offers a good insight into its subject. May 2024; 489 pages
May 4, 2024
At first I was a little intimidated by this one. Without knowing much about Orwell going into it I expected a dry biography with some references to the big works most of us know (Animal Farm & 1984). On the contrary, this turned out to be a very entertaining read which brought me a newfound appreciation for an author I already enjoyed and a deep desire to read the rest of his work. My favorite part of this biography, being very purposefully "authorized", is that it doesn't shy away from reading between the facts of Orwell's life to paint a portrait of him as a person. The picture Shelden paints of Orwell is complicated and while I can certainly see his faults, I must say that he remains very compelling and relatable. As with Orwell's work there is a definite melancholy that hangs over this whole biography (The question "What if?" comes up frequently) which doesn't negate the bright points. Under all of the sadness and tragedy there remains a sentimentality that I find sweet. To sum up the book I have chosen the following quote:
"There must be a place in the modern world for things that have no power associated with them, things that are not meant to advance someone's cause, or to make someone's fortune, or to assert someone's will over someone else. There must be room, in other words, for paperweights and fishing rods and penny sweets and leather hammers used as children's toys. And there must be time for wandering among old churchyards and making the perfect cup of tea and balancing caterpillars on a stick and falling in love. All these things are derided as sentimental and trivial by intellectuals who have no time for them, but they are the things that form the real texture of a life." - Michael Shelden
"There must be a place in the modern world for things that have no power associated with them, things that are not meant to advance someone's cause, or to make someone's fortune, or to assert someone's will over someone else. There must be room, in other words, for paperweights and fishing rods and penny sweets and leather hammers used as children's toys. And there must be time for wandering among old churchyards and making the perfect cup of tea and balancing caterpillars on a stick and falling in love. All these things are derided as sentimental and trivial by intellectuals who have no time for them, but they are the things that form the real texture of a life." - Michael Shelden
August 28, 2020
This was a slow start for me and about 1/3 the way through the book I didn't think I'd rate it so highly. While some of the details on Orwell's life feel overdone, they culminate to show the development of Orwell's character. From his beginnings as a fairly uninteresting writer he becomes someone rich in life experience to the point where his thoughts and opinions are still pertinent 70 years after his death. I especially liked how Shelden weaves Orwell's personal life in with his books and offers a deeper insight on their interpretation, all without offering spoilers. This book has certainly inspired me to read and reread more of Orwell's novels.
May 27, 2017
A thorough and quite readable literary biography for non-academic readers, but including just enough academic apparatus to verify the content and to lead ambitious readers more deeply into the subject, which is fascinating.
This particular biography came at just the right time to include many interviews with people who had known Orwell in life. Those first-person experiences now are generally no longer available, so kudos to Michael Sheldon for getting them on paper before they were lost.
This particular biography came at just the right time to include many interviews with people who had known Orwell in life. Those first-person experiences now are generally no longer available, so kudos to Michael Sheldon for getting them on paper before they were lost.
February 25, 2019
Great book. I had no idea about Eric Blair life before Animal Farm. good to read if you are interested in Great Brittan between WW1 and WW2. and all of the interesting social reform Eric wanted to happen using the Pen name, George Orwell. I love the parts about Tramping (living off the street) and all of the articles and reviews Eric Blair wrote from the mid-'30s until the end of his life in 1950.
August 6, 2019
Such a thorough and, mostly, dispassionate view of an amazing life. It really gave the reader a dense amount of fact from varied sources and presented it in a very clear and engaging way. I, like another reviewer, was moved at his death and the loss to the literary world.
Read
October 12, 2019Bit of a creeper.
But also rethinking 1984 as a novel written by someone dying and in pain makes a lot of sense. I also would love to read an account of his "death dreams" he'd been having for the last two years of his life. Where are these?
But also rethinking 1984 as a novel written by someone dying and in pain makes a lot of sense. I also would love to read an account of his "death dreams" he'd been having for the last two years of his life. Where are these?
October 15, 2019
Was excited to learn more about the author's life, especiallyy his tramping days. Didn't learn as much as I had hoped. Perhaps there wasn't that much to learn.
February 17, 2020
I love the writing and background Michael provides about Eric Blair/George Orwell. This book has inspired me to read his lesser known works.
April 26, 2020
Fabulous biography of Orwell! I need to reread 1984
March 10, 2021
An excellent biography of E.A. Blair that fills in several issues that were not fully dealt with in the Bernard Crick biography.
August 29, 2024
Great book. Gives a lot of perspective on Orwell's works and motivations.
January 14, 2025
4.3 stars.
April 19, 2020
I already loved Orwell as a writer, now I love him as a man.
January 5, 2026
Michael Shelden’s Orwell: The Authorized Biography is a revealing and deeply researched portrait of one of the 20th century’s most enigmatic and influential writers. For readers drawn to the lives of literary outsiders, truth-tellers, and dissenters, this biography offers a nuanced and compelling account of the man behind Animal Farm and Nineteen Eighty-Four.
Orwell’s early disillusionment with empire—rooted in his years in India and Burma—sparked a lifelong opposition to authoritarianism. Inspired by writers like Jack London, he sought to understand and portray the lives of the marginalized not from a distance, but through direct experience. His decision to live among the poor in London and Paris, and later to fight in the Spanish Civil War, reflects a writer who lived his beliefs. As Shelden shows, these moments weren’t merely backdrops to Orwell’s work; they were its foundation.
What emerges is a portrait of an outsider: a man of the Left mistrusted by the Left, a socialist championed by conservatives, a private, self-effacing intellectual who risked everything for truth. His final years on the remote island of Jura—writing Nineteen Eighty-Four while dying of tuberculosis—are both tragic and triumphant.
Shelden may not unearth many personal secrets, but he illuminates Orwell’s central paradox: a writer who believed his life was secondary to his work, yet whose life shaped that work entirely. For anyone who reads Orwell not just for politics but for moral clarity, this biography deepens the understanding—and the admiration—of the man behind the pen.
Orwell’s early disillusionment with empire—rooted in his years in India and Burma—sparked a lifelong opposition to authoritarianism. Inspired by writers like Jack London, he sought to understand and portray the lives of the marginalized not from a distance, but through direct experience. His decision to live among the poor in London and Paris, and later to fight in the Spanish Civil War, reflects a writer who lived his beliefs. As Shelden shows, these moments weren’t merely backdrops to Orwell’s work; they were its foundation.
What emerges is a portrait of an outsider: a man of the Left mistrusted by the Left, a socialist championed by conservatives, a private, self-effacing intellectual who risked everything for truth. His final years on the remote island of Jura—writing Nineteen Eighty-Four while dying of tuberculosis—are both tragic and triumphant.
Shelden may not unearth many personal secrets, but he illuminates Orwell’s central paradox: a writer who believed his life was secondary to his work, yet whose life shaped that work entirely. For anyone who reads Orwell not just for politics but for moral clarity, this biography deepens the understanding—and the admiration—of the man behind the pen.
September 12, 2015
Shelden, Michael. Orwell.
Subtitled ‘The Authorised Biography’ this very thick and comprehensive study is an essential tool for anyone studying the life, times and obsessions of one of Britain’s finest novelists. After reading Homage to Catalonia I knew I needed to find out more about this man who fought for the Republican cause in Spain and who then fought in words against Communism and its final solution, which involved bowing down to authority even at the cost of surrendering one’s right to disagree.
Orwell is a strange British author who takes nothing on trust and journeys from Burma, to Spain, to Paris, to Marrakech, to the island of Jura and almost to India in search of human nature in all its idiosyncracies. In searching out ordinary people Orwell tested his leftish principles in the slums of London, dishwashing in Paris, and down the mine in Wigan. Orwell needed to see how people lived and what they felt about it.
He seems to have sacrificed his personal life in a quest for freedom. Beginning as a reporter he is soon drawn into political issues, writing for all the major English journals, until Gollancz eventually published his Down and Out in Paris and London (1933). Homage to Catalonia (1938) was in its criticism of Communism too controversial for Gollancz, but he returned to safety with The Road to Wigan Pier (1937) and was finally released from Gollancz for his finest work: Animal Farm (1946) and Nineteen Eighty-Four (1948).
July 25, 2016
This is a very entertaining, enlightening and thought-provoking biography of the writer who contributed two of the most important books to the world's literary canon - "Animal Farm" and "1984".
Not only does it weave in very intimate details of Eric Blair/George Orwell's life, it also examines how his experiences with the institutions he belonged to (e.g. student at private academies, policeman in colonial Burma, volunteer Leftist soldier fighting against Franco during the Spanish Civil War, journalist in the BBC, etc.) finally coalesced in his magnum opus "1984."
I loved every minute of this book, especially since it provides the deliciously funny irony that while Orwell is regarded as a metaphorical brick in the intellectual ramparts of civilization, the man himself was thoroughly anti-establishment.
Highly recommend. It will give you, as it did me, a greater appreciation of Orwell's work.
Not only does it weave in very intimate details of Eric Blair/George Orwell's life, it also examines how his experiences with the institutions he belonged to (e.g. student at private academies, policeman in colonial Burma, volunteer Leftist soldier fighting against Franco during the Spanish Civil War, journalist in the BBC, etc.) finally coalesced in his magnum opus "1984."
I loved every minute of this book, especially since it provides the deliciously funny irony that while Orwell is regarded as a metaphorical brick in the intellectual ramparts of civilization, the man himself was thoroughly anti-establishment.
Highly recommend. It will give you, as it did me, a greater appreciation of Orwell's work.
July 16, 2012
What?!?! He dies at the end???
I enjoyed meeting Mr. Orwell so much I'll give author Michael Shelden a qualified five stars. I almost quit before it began when the introduction referenced details I didn't understand (because I hadn't read the book yet, Mr. Shelden) but the chronicles of Orwell née Blair were such a beautiful blend of chronology, personal reflections from letters, journals and interviews, and the informed, subjective interpretations by the author that I went back and re-read the intro as an epilogue and delighted in its original intent.
Orwell was a genius, a boob, a loving father and a man whose actions mirrored his values. His work meant everything to him, even above his mortality and his wife Eileen. Call him thoughtless or a purist of integrity, he followed his gift and his heart.
I enjoyed meeting Mr. Orwell so much I'll give author Michael Shelden a qualified five stars. I almost quit before it began when the introduction referenced details I didn't understand (because I hadn't read the book yet, Mr. Shelden) but the chronicles of Orwell née Blair were such a beautiful blend of chronology, personal reflections from letters, journals and interviews, and the informed, subjective interpretations by the author that I went back and re-read the intro as an epilogue and delighted in its original intent.
Orwell was a genius, a boob, a loving father and a man whose actions mirrored his values. His work meant everything to him, even above his mortality and his wife Eileen. Call him thoughtless or a purist of integrity, he followed his gift and his heart.
September 17, 2016
This biography does a fantastic job articulating Orwell's life, love and work. The great part about Shelden's analysis of Orwell's work is that he praises what Orwell does right, but doesn't let Orwell get away with anything. Some biographies are books that gush over their subject; books that don't have anything negative to say at all. Shelden isn't negative, but he recognizes that Orwell's earlier works aren't his best, and that his writing was a work in progress. The biography does a beautiful job blending Orwell's personal life with his work, and the book is very through and very well done. It's really great when a biography about a fantastic author is written by a fantastic author.
The book can be a bit slow at times, but Michael Shelden knows his stuff, and it's worth reading by any lover of Orwell.
The book can be a bit slow at times, but Michael Shelden knows his stuff, and it's worth reading by any lover of Orwell.
December 14, 2016
I savored this book, reading a little at a time. The style is a bit dry, but Orwell's early life and the things that influenced him made this an interesting read. Thick and comprehensive, some the facts felt like facts-- dry and a bit slow reading,but the number of things Orwell did in the the short time he was alive is inspiring. 1984 remains one of my favorite novels, and having read it again recently I was intrigued by the similarity of the world we live in today with our own computers spying on us. Power always corrupts and absolute power corrupts absolutely in Orwell's world. Some might see it as dark but look deeper at the reflection of life itself in Orwell's writing. This book offers lot of anecdotes and even those not as familiar with Orwell's work, might become fans after reading this biography.
February 9, 2017
Nearly 30 years ago I read many of Orwell's essays and Animal Farm. They are some of my favorite writings. I had never read much about Eric Blair's life. Shelden does a masterful job of weaving Orwell's writings (books, essays, and letters) with letters and interviews of people who knew him. Blair/Orwell comes to life such that I dreaded the completion of 1984 and his death that quickly followed. This is an excellent biography of an insightful man. I highly recommend this book.
February 7, 2016
A well researched and engaging biography. My knowledge of Orwell going in was much thinner than I had anticipated; for example, I had no idea he had spent five years in Burma and had written about it.
What the author did particularly well is link Blair's life experiences and acquaintances to scenes and characters in his books. What I might have liked a bit more of was the development of Orwell's voice and style. He spends a fair amount of of time asserting how distinctive they are but does little to substantiate or describe their evolution over Orwell's lifetime of writing. That may have strayed into literary criticism so perhaps that is why this topic received less attention. But this is a quibble in the context of a very good read.
What the author did particularly well is link Blair's life experiences and acquaintances to scenes and characters in his books. What I might have liked a bit more of was the development of Orwell's voice and style. He spends a fair amount of of time asserting how distinctive they are but does little to substantiate or describe their evolution over Orwell's lifetime of writing. That may have strayed into literary criticism so perhaps that is why this topic received less attention. But this is a quibble in the context of a very good read.
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