Jeffrey Chipps Smith "The Northern Renassance" is an excellent introductory work especially for the Northern American reader. In the book Smith uses examples from the Metropolitan Museum (New York), the Cloisters (New York) and the Museum of Fine Art (Boston). He also discusses that are displayed at Louvre (Paris), the National Gallery (London) and El Prado (Madrid) which are on the itinerary of the North American tourist.
The problem is that many of works that are covered are from sites that are a little bit off the beaten path. Examples in this category include: "Les Très Riches Heures du Duc de Berrry" by the Limbourg Brothers (Musée Condée Chanilly); "Angelic Salutation" by Veit Stoss, St. Lorenz's Church Nuremburg; "Fall of Rebel Angels" by Frans Floris, Koninklijk Museum voor Schone Kunsten, Antwerp and "Death and the Maiden", Hans Baldung Grien, Offtenliche Kunst-sammlunt, Basel. In other words, Smith's book left me convinced that it would be neither easy nor straight-forward for me to visit the sites that would allow me to see the complete spectrum of the art of the Northern Renaissance.
Smith argues eloquently that the artistic output of the Northern Renaissance was extremely rich. In Smith's view the Northern Renaissance gave us the new arts of engraving (e.g. Albrecht Dürer) woodcuts (e.g. Albrecht Altdorfer) and finally oil painting (e.g. Jan Van Eyck). Throughout the book, Smith mourns all the great art that was destroyed during the period of Protestant iconoclasm. Only a small portion of what was produced has survived as followers of Luther and Calvin stripped bare the churches of Northern Europe.
Smith's book is not for the person who has studied art history at university or college. For the reader from the general public, however, it is very interesting and insightful.