Okay, this was a shocker! I loved the first two books in this trilogy so I assumed I'd click with this too, but that is not what happened. What went wrong for me? Mostly these five things:
1.) Setting: This is a huge me-not-the-book thing, so please feel free to skip to the next one, if you're not a randomly picky bitch like myself. Okay, I don't really know why, but cave and cavern settings become boring for me fast. I am not claustrophobic; quite the opposite, I find small, dark, and enclosed spaces very comforting. However, in books? No, thank you. Maybe caves in fiction are too monotonous? Give me a good jungle, give me a coastal enclave, give me a space station, but no caves, please.
2.) The heroine: Don't get me wrong, there's nothing wrong or objectionable about Milaye! I just didn't find her character as interesting as the heroines from the first two books. Issa and Aida felt compelled to go through a lot of danger because they were the future matriarchs of their respective tribes and their people were going extinct before their eyes, a situation which would only worsen as time went on, if they didn't step in and seek solutions. I loved that they looked for dragon mates out of this combination of personal desire AND social responsibility. It mattered to them -- as it then did for me -- that they provide for their community through these adventures. Here, Milaye only has half of that: she's invested in man-hunting because she wants one and has always longed for a daughter of her own. Which is totally fair and completely understandable, it just doesn't set her apart from a lot of other heroines who are motivated by the exact same reason. I couldn't tell why we had Malaye in the starring role.
3.) The hero: For one glorious minute, I thought this book was going to give us a paraplegic hero and I was very, very excited to see that representation in a speculative erotic romance, but then Darzak recovered and the disabilities plaguing him for centuries weren't an issue, and my excitement took a nosedive. As a reader, I don't like it when interesting conflict is right over there, begging to be incorporated into a story in a way that would elevate said story, and the narrative moves on, as if there's nothing to see when we're looking at The Most Interesting Thing Yet. And as a crazy person, I don't like it when fictional people who are physically or psychologically wounded miraculously recover for plot or because authors don't know what to do with the disabled characters they've created. Am I too grouchy about this? Probably, yes! But, I don't know, I've spent at least two decades assuming I'd just wake up one day and be sane, so when fictional characters recover instantaneously, my teeth grind.
Beyond my emotional baggage, I found the hero here to be on the wrong side of the alpha spectrum for my taste. Too possessive, too anti-social, too quick to anger, and too demanding that he be the one in charge 24/7. I understood how he got there, his backstory is perfectly illustrative, yet those traits simply didn't gel with the previous stories in this series, which revolved, at least in part, on family and community cohesion. Learn to compromise, my dude.
4.) Naga boy!!! I loved him! Couldn't get enough! More cowbell?! No, no, no, more naga boy!!! Despite spending an inordinate amount of time on this intriguing secondary character, the book doesn't actually do anything with him. First, I thought, "Okay, they're going to FOR SURE adopt him and they'll be a cross-species family, awwwww, so cute!" That doesn't happen. Then, I was like, "Okay, totally fine, I'm fine, he'll be the hero of the next book in this series!" Nope. The author writes in her afterward that this was her last book in the series...so, while naga boy was my favorite character, I was left totally confused by how much narrative space was given to him. Justice for Naga Boy.
5.) WTF is that twist ending?! To be clear, I do not object to what the twist is. I actually think it's pretty cool that this book went in such a different direction from its predecessors. However, its execution felt rushed and messy and it seemed to work too smoothly to solve one character's problem at the expense of another. One of this book's biggest conflicts is the disagreement between the hero and heroine over traveling to the heroine's village and each character has good reasons to argue for the outcome they want. Dragon-man needs the dark (i.e., his solitary cave home) to regenerate his strength while Milaye is one of her tribe's most successful huntresses and she knows they rely on her. In the end, what solves this is the twist, and it read to me as if Darzak got his way because Milaye experiences what she does, and I was not into that.
Bottom line: I'm glad I completed the Tropical Dragons series and it is always fun to slip into Naomi Lucas's brilliantly done hero POVs (one of my favorite lines: “I will always be inside you,” I groan, telling her like it is. WhAt uTtEr RiDiCuLoUsNeSs!!! :D) but this was still the least successful book of the trilogy.