What a delight! Hale does something remarkable here. She justaposes 3 seemingly opposite genres, and combines them in an amazingly successful way. She appeals to those of us who love anything Jane Austen, with the balls, empire waist dresses, restrained emotions and communications, dashingly handsome men saying wonderfully romantic things to women, etc.
Then she takes the Gothic side of the Regency-plus Era that produced, at one extreme, the sinister predatory mansion that possibly harbors vampire-werewolf-like (think Twilight) humans, and the less extreme Northanger Abbey hysteria of a supposed (turns out to be real) murder-mystery.
She combines these two with modern day cliched women suffering from the malaise of victimhood, depression, not-good-enough-for-man syndrome, and yet liberated financially (thanks to the Women's Movement) (ha). One such hiding out in Austenland is pudgy, flighty Miss Charming (oh, the Names!) whose killer boobs define her; one is pop-culture rock star, overcoming drug addiction, again, like Miss Gardenside (grows her own?); and one, our heroine, Mrs. Cordial, (nicer than Kinder) the typical clueless, abused-by-adulterous-Xhusband, guilt-ridden, well-intentioned-mother of teens.
All three find their very capable selves through the Austenland experience, thanks to the actions of men (oh, oh), one Colonel Andrews, "a little light in the loafers, who potentially would be a very good hair dresser", one a Heathcliff-like, but real murderer, too caught up in the power of the sinister mansion to see clearly, and one, just a great brother figure-turned love interest. (This sounds absurd, doesn't it?!)
And yet or because of, this seemingly impossible 3 genre-scenario, with actor/characters constantly moving in and out of real and pretend life in thought, action and vocabulary, she produces hilarity. The Humorous tone is slippery because at some point it borders on Farce, (making fun of Austen-attachment-dilusions, which some readers may feel slightly offended by), and/or Irreverent Bathos (trivializing murder ((oh, well, he deserved it anyway)) which might also put off some readers), and Satire poking fun at the "liberated" but man driven modern woman, (which criticizes modern woman at her core: family versus self versus business success).
What a juggling act!!! And still, this is, as others have said, a laugh-out-loud novella. Others have quoted the fun laugh lines, but the one that kept me laughing for days as I rethought about it was: "Colonel Andrews clasped his hands together, his face aglow. (think hair dresser) Charlotte was so elated by his happiness that she wanted to squeeze his cheeks. His face cheeks, that is. Not that he didn't look great in breeches, ..."
And this quote brings to mind another writing technique Hale imploys that produces hilarity, and that is the constant double mindedness of the insecure narrator/heroine, where her reckless-couragous self is constantly being brought up short by her Inner Thought self. It is a riot. And the fact that this heroine actually becomes the heroine and saves the day, as well as herself, gives hope to all of us modern day women who relate with Charlotte Mrs Cordial in so many ways! Wonderful!