Holy moly I didn't like this one. This is one of those reads where I wanted to chuck it half way through but I felt compelled to keep going just to have it done. That's never a good sign.
If you're interested, this book is a spinoff for a character, Molly Kincaid, that makes appearances in Bradshaw's Rainey Bell series. And like the Rainey Bell series, this is a mystery. I felt this could be read as a stand alone though.
With all of the five star reviews on this and the author's other books I was excited to dive in. The outset wasn't too bad. The description of a North Carolina small town, the introduction of several characters, and the humble and abusive beginnings of our lead character, Molly, actually reeled me in. I'll say this, Bradshaw can write just fine. It's the character choices, over the top drama, and the execution of plot that made this read eye roll and groan worthy.
My biggest beef is with Molly herself. She's a fine character in one respect. I mean, she has integrity. But, she's a hotshot in career, material opulence, and has more money than god. It oozes off of her and we're never made to forget it. She's slick. I don't like hotshots in real life and I don't like them in fiction apparently. And she's made to be a doppelganger of Jodie Foster, where people mistake her for her all the time to the point where some women use her to play out their celebrity fetish fantasies. Just yuck. For Jodie Foster fans, have at it. But, for me, I couldn't get Jodie's face out of my head and I didn't like it at all.
Plus, Molly Kincaid is a lawyer, not an A-list celebrity. Yet, that's how she exists in this world. I'm sorry, but unless you're Michael Avenatti, Michael Cohen, or Gloria Allred that suck up any limelight they can get, doing the talk show and media circuit, and/or are going down for crimes, the world does NOT follow any attorney's life, putting them in publications and treating them like stars. Nope.
The story has a romance but it's about as cardboard as my moving boxes. There's a lot of telling and we get the standard of both leads having perfect bodies and faces, etc, etc, yawn. Molly, the ever elusive one woman show, and Leslie, the ever elusive small town version of that, both FALL IN LOVE with each other in five or six days. As their interactions became more intimate, I felt less and less for them as a couple. I got to the point I was dreading a sex scene and, luckily, it was of the fade to black variety. Small mercies. If their relationship was attraction, intrigue, and a promise of more without all of the commitment, 180s, and throwing in the kitchen sink I could've believed it more but the way it was written pulled me away from them. And granted, Bradshaw does try to modify Molly's behavior and characteristics to show she's progressing in her own issues to move forward in a romance but in less than a week? Again, nope. Not to mention that Molly does a jerk and unsafe move, throwing a tantrum with her car, that made me go, "WHAT?!". I was endeared to Molly in the beginning chapters but it all faded afterwards.
And, there's so much winking going on it could be a drinking game. Winking is another peeve of mine. Find some other way for characters to engage with each other. I'm nearly 45 years of age at this point and have been winked at maybe three times my whole life and two of those times were before 10 years old. It doesn't happen.
As the book goes on, and it does go on and on because it's long, the drama escalates to the point of face palming. I actually started skimming around the 65% mark. I've been in many a movie theater where the same type of dynamic plays out on screen and it's not good. Bradshaw chose to bring Rainey Bell and some other characters into the book, who are all incredible experts in their fields and on her speed dial and available within 24 hrs. I think it would've been a lot better to keep this a Molly Kincaid mystery focusing on what Molly could do and bring without all of the side conversations and extra scenes which became repetitive in some respects. It's a shame because the book had enough drama in the beginning and even middle to carry it. But, as we neared climax, the drama was poured onto like a gas fire and the characters became caricatures. It was too much.
The mystery? It wasn't exactly predictable and, because more drama was thrown in as we went, there were red herrings that kept us guessing to the point where we wouldn't know everything until the final scenes. Bradshaw gives a pretty big hint somewhere along the middle that does point to who is behind it all that I was able to guess.
One good thing was that one of the characters in the book was a person with Aspergers and I thought that was depicted pretty well.
Overall, this was a big miss for me. I know there are plenty of people who like this kind of read who will get enjoyment out of it. I don't say that as an insult, just that this book is a matter of style and preference and it was a complete mismatch for me. I can't recommend.