My Review Four Stars****
I discovered a rare talent when I stumbled across THE BODY READER while back. I subsequently read the author's trilogy of books featuring the unforgettable and haunting heroine of Detective Jude Fontaine.
The remarkably versatile Frazier has demonstrated her writing talent across several genres and has also published works under the pseudonym (Theresa Weir). I decided to try a few of her earlier works and chose HUSH and SLEEP TIGHT. HUSH may have been her debut novel (writing as Anne Frasier) in 2002 and then SLEEP TIGHT was subsequently released in 2003. However, it would seem that she has been a novelist since the '80s as Theresa Weir, and has enjoyed considerable professional success. Anyway, let's just say that I intend to read many more of her works, at least in the mystery, psychological suspense, and crime fiction categories.
I read SLEEP TIGHT [2003], a USA TODAY BESTSELLER, this summer. This was Frasier's book following her debut novel (writing as Anne Frazier) HUSH released the prior year in 2002. That said, I wasn't all that impressed by SLEEP TIGHT (2003). I liked Frasier's writing style but in the final analysis I found the novel to be a generally entertaining but forgettable reading experience, certainly not on the same playing field as the Jude Fontaine series of books.
I almost didn't read HUSH [2002] which I had leap-frogged over out of chronological order because I thought the plot of SLEEP TIGHT sounded more intriguing. I am so happy that I DID read it, because it was a complex, tightly knitted thriller with a cast of fully realized well developed characters. This debut novel from Frasier in the genre of police procedural and crime fiction understandably received high praise (USA TODAY BESTSELLER, RITA FINALIST, AND DAPHNE DU MAURIER FINALIST).
I will make no attempt at providing a synopsis of the story line, since there would be the risk of spoilers. Yes, I know that the novel was published 18 years ago. Jeez! That's nearly two decades. However, I suspect that Frasier has garnered a veritable host of new fans following her trilogy featuring Detective Jude Fontaine AKA THE BODY READER. It follows that new readers are focusing on her earlier works in the crime fiction genre (and if they aren't they should be).
I have a tendency to make Kindle Notes about 25 to 33% into the novel. In the case of HUSH, at the 31% mark I wrote "... excellent so far…serial killer dormant for 16 years resurfaces, Dunlap a complex and intriguing lead character (former victim with a new identity--and a forensic psychologist who is a talented criminal profiler). Ivy must work with a pugilistic lead detective (Max) who is ignorant of her real identity and belittles her degree and her skill set. Promises a great read."
The remainder of the novel fulfilled its early promise. The concept of the "Madonna Murderer" was refreshingly original in my opinion. The author devotes a generous amount of the book to sections of third person narrative devoted to the serial killer. She is successful in that the psychopath is fleshed out and as fully realized as the principal protagonists in the story. Recently I offhandedly referred to a serial killer thriller as akin to the real life "Ed Kemper" narrative. However I meant that remark rather loosely or in general (since the killer was murdering surrogate victims for his dominating wife). In the case of Frasier's thriller HUSH, it is very close indeed to the true life serial killer Ed Kemper. Our man even duplicates the decapitation a la Kemper, but from there the author adds a pinch of Dahmer to the recipe. The child abuse that was suffered by the killer in HUSH is sad and really deals an emotional punch to the reader's gut. In certain parts of the narrative I am reminded of the tortured Francis Dollarhyde in the Harris prequel to the iconic SILENCE OF THE LAMBS [RED DRAGON]. Frasier does a masterful job capturing the thought processes and the subsequent irrational loss of control that occurs when a serial killer decompensates and goes off the rails. The reader has a front row seat when the police investigation reveals a cryptic lead to the press that the killer knows there is just no way for it to be known. It is the beginning of a downward spiral for the killer, and a cunning move by the police to release a "Letter" to him from his latest male infant victim hastens his disintegration.
Rachel Hastings (young female cop on the Task Force) does have a "Clarice Starling" kind of encounter with the killer while simply doing a routine canvas of former mental patients with potential links to the field of mathematics. The female lead character Ivy Dunlap also has a "Friday the 13th Pt.2" moment during the climax of the novel. Yeah, I know that is a cryptic comment but readers (who enjoy the horror genre) will know exactly what I mean by that.
I just cannot praise this author enough for the "bang up job" she did in depicting the MADONNA MURDERER. Yes, I could detects "nods" to the real life Kemper, Harris's prequel to SOL (THE RED DRAGON---with the initial film adaptation MANHUNTER and the later THE RED DRAGON following the success of SILENCE OF THE LAMBS). There was even a "call out" to horror film buffs during Ivy's showdown with the MADONNA MURDERER. Frasier deployed a dash here and a pinch there from a large pot of creative stew out there and certainly created a memorable serial killer who "brought the chill".
Finally, I would like to underscore the compelling and at times visceral writing style of this talented multi-faceted author. There is a point in the evolving plot line that finds the strong Detective Max Irving learning that the merciless Madonna Murderer had kidnapped his son. Ivy is at his side and at first she literally though that her partner was about to faint.
"...He let his fist drop away from his face. Bloodshot eyes stared hard at her, as if trying to figure out who she was, and what she was doing there. Then she saw the recognition, saw the detective taking over for the father who couldn’t function. "
Later, Ivy uses her profiling skills to extrapolate the likely whereabouts of the killer and where he has taken Ethan, her partner's teenaged son. It is of course a prerequisite that the Swat Team and air support are at the killer's residence and pulling their hair out. Alone, Ivy finds herself only a few feet away and looking into the eyes of the MADDONNA MURDERER. She is holding a weapon, knows how to use it, and reflects:
" The woman who cried when Jinx killed a rabbit, the woman who took in baby robins that had fallen from their nests, now imagined the way it would feel to pull the trigger, to put a bullet through the center of Grant Ruby’s forehead."
This is an outstanding standalone novel that is superbly executed, and is sure to please the most discriminating fans. Personally, I have purchased all of Frasier's more topical current Ellie Sandburg series, and am thrilled at the prospect of enjoying more from this exceptional author.