“I am the only storm that matters now, and there is no shelter from what I bring.”
So What’s It About?
A god will return
When the earth and sky converge
Under the black sun
In the holy city of Tova, the winter solstice is usually a time for celebration and renewal, but this year it coincides with a solar eclipse, a rare celestial event proscribed by the Sun Priest as an unbalancing of the world.
Meanwhile, a ship launches from a distant city bound for Tova and set to arrive on the solstice. The captain of the ship, Xiala, is a disgraced Teek whose song can calm the waters around her as easily as it can warp a man’s mind. Her ship carries one passenger. Described as harmless, the passenger, Serapio, is a young man, blind, scarred, and cloaked in destiny. As Xiala well knows, when a man is described as harmless, he usually ends up being a villain.
Crafted with unforgettable characters, Rebecca Roanhorse has created an epic adventure exploring the decadence of power amidst the weight of history and the struggle of individuals swimming against the confines of society and their broken pasts in the most original series debut of the decade.
What I Thought
Black Sun is an exciting, fast-paced read and I had so much fun with it. Its world is marvelous, its plot is propulsive and I really can’t wait for the next book. These positives are balanced out by a few negatives as well…and now it is time to talk about both.
To start with, I have very contrasting feelings about the characters. Xiala and Serapio are my favorites and their part of the story feels a lot stronger than the rest. The two of them have a lovely relationship, being two outsiders who are incredibly different but find a strong sense of kinship together. I really liked the scenes where Xiala tells Serapio stories and I loved his relationship with the crows and his wood carvings. Xiala is a loveable disaster and the Teek are super cool, while Serapio is an enigma with humanity hidden underneath the monstrosity of what he was shaped to be. Together they have something really beautiful together in their mutual trust and companionship.
On the other hand I really didn’t care much at all for Naranpa’s sections because she feels just so ineffective and kind of pathetic to me. She basically just gets manipulated over and over, runs from assassination attempts, moons after Iktan and makes bad decisions. The emotional beats in her story didn’t land quite right with me either – I don’t really believe that her brother would forgive her so quickly, and I didn’t really feel anything at all upon her "death." The fourth perspective character, Okoa, barely plays a role in the story at all and I got absolutely no sense of his personality. I am sure that he’ll be playing a bigger role in the future but as it stands now I don’t really know what he contributes besides the revelation that his mother was murdered.
My next quibble has more to do with Roanhorse's editor than the author herself. The first third of the book is somewhat poorly-edited with run-ons and incorrect tenses and one monstrosity of a sentence that I don't think should have gotten past an editor:
“Not only because the riders of the great Sky Made clans’ beasts were lords even among the scions and specially chosen from their clans to train for years before they were allowed mounts, but also because by the time Naranpa did leave her home and move to Otsa to become not just a servant, although she had been that, and not just a dedicant, although she was that, too, but the Sun Priest, its highest honor…by that time, her older brother was dead and her younger brother dead in spirit.”
I’d also mention that there is a piece of really important exposition about the God War at the end of the book, and it felt to me like it was rather awkwardly added at the end and should have been made clearer earlier and more gracefully incorporated throughout the story instead of being mentioned only when it was convenient.
For some reason I'm genuinely terrible at picking up on pacing issues on my own, but when I posted this review on Reddit a couple of commenters pointed out that this book feels like an incomplete story waiting for another part. I can definitely see that now that I look back.
Besides Serapio and Xiala shining as characters, the other star of the book is the pre-colonial-American -inspired secondary setting itself, with is fantastically evoked and incredibly refreshing. In her afterward Roanhorse talks about the way that indigenous cultures are often assumed to be static and primitive in the colonizer's view and telling of history. This book isn’t just a refutation of that idea – it’s a celebration of pretty much everything complex and beautiful about about cultures and histories and people that have been systemically derided, attacked and erased for centuries. I love that this book is a reclamation and a re-invention in that regard. One of my favorite aspects of this is the inclusion of nonbinary gender identities and non-heterosexual sexualities, touching on the way that indigenous ways of being with gender and sexuality are often different and varied from Western ways of being when not leashed by colonial imposition. I’d seen comments about one of the nonbinary characters, Iktan, being misgendered at the end of the book, but I saw a tweet by Roanhorse about this that implied that someone is in xir place during the massacre, and that there are clues as to who is impersonating Iktan. I’ll admit that that went over my head entirely and I’d love it if anyone could mention those clues to me, and who you think was in xir place.
There are touches of meditation on vengeance and faith and loneliness and throughout all of it Black Sun remains compulsively readable, fresh and incredibly enjoyable. As I said in the beginning, I am definitely looking forward to book two!