Peter Davis lives with his sweet wife, son and daughter. His poems have appeared in places like Atticus, Jacket, and The Best American Poetry anthology. He draws, writes and makes music in Muncie, Indiana while teaching English at Ball State University. More info at artisnecessary.com.
One of the drawbacks of the poetry interaction project was that I often purchased whatever people suggested without even flipping through the book before I spent money on it. It's an act of faith that has worked out almost every time.
Almost.
Hitler's Mustache is relentlessly modernist. It's relentlessly high concept. It's relentlessly repetitive. It's relentless.
I understand why the person who recommended it to me enjoyed reading it. Peter Davis isn't a hack. There are a few poems in here that, were I to have experienced them individually, or as part of a collection that wasn't comprised only of poems called "Hitler's Mustache (subtitle)", I think I might have enjoyed them. But the act of reading the collection bored me. So much so that I realized I would never read the book again. I tried to think of someone other than the person who suggested it who might enjoy the work, and I couldn't. So I took it to one of the used bookstores in town and placed it on the shelves, hoping someone drawn to the book would find it and then be pleasantly surprised when the bookstore sold it to them inexpensively, what with it not being in their computer.
Unsure of what to expect, I opened Peter Davis' collection of poems only to be faced with the poem "Hitler's Mustache (The intersection of fashion and fascism): The List of Facts" and I immediately fell in love. After the list-style poem mentioned above, Davis explores a majority of poetic styles, from sestinas to prose poetry. He uses the well-known and inflammatory image of Hitler (and, of course, his mustache) in every poem until the image loses its power. No longer is it something that inspires rage and fear but it becomes the subject of the abstract and surreal.
Davis' poems range from absolutely hilarious to almost disturbing and his willingness to experiment with multiple styles of poetry makes this collection diverse and entertaining. He's not bound by a specific style, and is thus allowed some artistic breathing room despite his narrow subject.