The true story of the dramatic 1991 Ryder Cup at Kiawah Island, which changed the competition in golf forever.
The 1991 Ryder Cup began in 1985. Up to then, the biennial match between all-star teams of golf professionals from America and Europe was more ceremonial exhibition than real competition, with the Americans consistently beating the Europeans. That all changed in 1985, when the Europeans wrested it away at the Belfry in Sutton Coldfield, England. The Europeans would go on to win again in 1987, and in 1989 the competition ended in a draw. By the time the 1991 Ryder Cup arrived, the American team had vengeance on their minds.
The 1991 Ryder Cup also occurred between the United States’s victories in both the Persian Gulf War and the Cold War that year, and the sense of patriotism that came along with the end of those conflicts permeated the national psyche. The competition was broadcast to over 200 million people in twenty-three countries across the globe. Fans forgot golf ’s gentlemanly code of conduct, and loud boos, jeers, and cheers of “USA!” could be heard from the gallery. The Ryder Cup began to resemble the Super Bowl, and it quickly became evident that this match was about more than just golf.
In The War by the Shore , veteran golf writer and bestselling author Curt Sampson chronicles this pivotal competition. He interviewed dozens of key players from both Team USA and Team Europe, and provides historical context to explain why the tension was ratcheted so high at this particular Ryder Cup. Well-researched, engrossing, and deeply entertaining, The War by the Shore is the story of when golf lost its manners (and, to some extent, its mind).
Curt Sampson, golf professional turned golf writer, came to golf the old-fashioned way—as a caddie. He looped for his father for a few years on summer Saturday’s, then turned pro, in a manner of speaking, at age 12, as one of the scores of disheveled boys and men in the caddie pen at Lake Forest Country Club in Hudson, Ohio. His golf game developed from sneaking on LFCC at twilight, an occasionally nerve-wracking exercise because the greens keeper intimated a readiness to call the cops on trespassers. Sampson—never caught—progressed as a player and as an employee, scoring a job as starter/cart maintenance boy at age 16 at Boston Hills CC, a public course, also in Hudson. His high water mark as a young golfer was a win in the Mid- American Junior in 1970. Sampson attended Kent State University on a golf scholarship and managed a municipal course for two years following graduation, worked a couple more as an assistant pro at clubs in South Carolina and Tennessee, then bummed around as a touring pro in Canada, New Zealand, and Florida.
In November 1988, Sampson began to write full-time, mostly about the game of his father, golf. Texas Golf Legends, his first book, was collaboration with Santa Fe-based artist Paul Milosevich. Researching TGL gained Sampson introductions with people he has written about many times since: Hogan, Nelson, Crenshaw, Trevino, and a few dozen others. His next book–The Eternal Summer, a recreation of golf’s summer of 1960, when Hogan, Palmer, and Nicklaus battled–is still selling 15 years after its debut, a rarity in the publishing world. Sampson’s biography of the enigmatic William Ben Hogan struck a chord. Both Hogan and his next book, The Masters, appeared on the New York Times bestseller lists. Subsequent books and scores of magazine articles cemented Sampson’s reputation as readable and sometimes controversial writer with an eye for humor and the telling detail.
This was an emergency read after a short-notice invitation to play the Ocean Course at Kiawah (which is a fantastic golf course, by the way). I wanted to brush up on my course knowledge/history to enhance the experience. A decent read for golf fans, but not recommended otherwise. As a side note, I’d like to tell you that I birdied the famous 17th hole – not because I think you’ll be particularly interested, but because I’M TELLING EVERYBODY.
An infamous and contentious Ryder Cup that essentially fueled the event to what it is today. The story and the golfers are terrific but I did not appreciate the form at which this was written. The writer insists upon himself. That's right, he insists upon himself. Jumping all over the place like some kind of damned circus monkey, there were flashbacks, flashforwards and I think I even caught a few sideflashes. I give it a three due only to the event.
The Ryder Cup packs more excitement into the game than any event in golf. Curt Sampson captured all that excitement and then some in The War By The Shore: the Incomparable Drama of the 1991 Ryder Cup. His immensely readable account captures all the intrigue leading up to the event, all the out-sized personalities who played in it, and especially the sheer brutality of the ultimate Ryder Cup venue, Pete Dye's Ocean Course at Kiawah Island.
The intensity of Raymond Floyd, the almost physical clashes between Paul Azinger and Seve Balesteros, the crushing collapse by Mark Calcaveccia, the often-overlooked performance of David Feherty, the ever-so-tightly-wound play of Bernhard Langer that lead to the climactic last putt--Sampson brings it all home to the reader in a delightfully entertaining, informed account. He talked to nearly everyone involved in the event and, although the passage of time may have obscured a few details and more than a few axes are still being ground, he did an exemplary job of telling us what was happening in their heads as well as on the course.
The stories are well known, but Sampson makes them come alive with refreshingly cliche-free prose. As a golf writer myself, I particularly appreciate his ability to set the scene, describe the characters, and carry the reader through the action with original verbiage you'll never (unfortunately) see on the sports pages.
The 1991 Ryder Cup is often cited as a turning point in the long history of the event. Sampson takes some issue with that conclusion and I agree with him. There is no question, though, that the War By The Shore woke up America to the powerful spectacle that team golf can be.
Probably the worse Sampson book of his that I've read, but it's by no means bad. It was a short read and seemed to be a bit more surface level and breezy of the topic. A longer gestation on the events would've been preferable and he also takes unnecessary shots at some announcers, which seemed kind of out of place and of no real relevance.
I wasn't a golf fan back in 1991 so I didn't know much of the story. Therefore, it was an exceptionally interesting read that gave me new insight into the history of the Ryder Cup. Would recommend to any new golf fan.