Painters use the term “fugitive pigments” to describe those colours most prone to fading after a brief exposure to light. In Self-Portrait Without a Bicycle, poet and visual artist Jessica Hiemstra uses the idea of fugitive colour to explore the grieving process; whether her subject is a lost grandparent, language, child, painting or cat, Hiemstra renders the fleetingness of life with fine, delicate strokes.
“The poet listens, tastes and remembers, senses afloat, dipping into the past and then surfacing again, drawn by a perfect but fleeting moment.” — Descant
When I was twelve Dad put a gun in my hands. It wasn't the first time I'd held a weapon. We made bows and arrows from saplings. But this time it had heft because I knew what it was for. I went inside and opened Colville, the book with the binocular picture, the woman who looked past me each time I went inside for juice. Now I know what I was looking for - Pacific, ironed pants, the weapon. Alex
has been accused of emotional sterility but a woman with a revolver looking for a midnight snack, anyone who tried to paint the arc of wings, a hunting dog, has heart. Alex left a message for me in Prince Edward Island, Infantry Near Nijmegen. Guns always say something.
- I learned about guns from Alex Colville, pg. 22
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I was painting a door when my sweetheart's drained face
phone in hand like a limp mouse, said call you sister, the baby - and then - is dead. The universe hit the door and vanished. I found a bag, wrapped my paintbrush and set it on the floor. And then I called through cable acrossdormant Saskatchewan, graffiti on the granite shield. I love you, I said
and tried not to weep. And then details:
I baked cookies Friday, she stopped moving, her name is Keira Jo. For the last several months I'd probed for the secret name of the girl but now the name premature, and the little ones late. Yesterday, Rachel said, she was fine. She was spinning in infinity, pressing her soles against my sister who wonders if she was trying to kick her way out, if she was looking for the door with her heels, if she could have done anything.
- pg. 49
* * *
I wrote about fading Mondrians (and it was after that)
I wonder if it's my fault. I left my bike outside all winter without riding it. Come spring I didn't fix it. I should have asked for help but not knowing how I hauled it to the curb for someone to steal, make it work, take hope in the broken thing -
a seat-less bicycle leaning against Dad's hayloft, too small to ride though I'm grinding gears to make it fly.
Again I had the pleasure of meeting Jessica and listening to her recite her work. Listening to her read aloud was nothing short of delightful! Her poetry is personable and storylike! I will watch for other publications and reading from her works.