1.25 stars
Reading this left me with a lot of questions, mostly, "was this edited?", "how was this published?", and of course, "why am I being made to imagine 16-year-old boy penis?"
I keep trying to write a short review but I have so so so much to say, so here is my attempt to be concise about this with examples (because I feel like its so unbelievable without them).
* All of my references are based off the first publication of the book. Page numbers may differ and I understand that some errors I mentioned have been fixed in later publications but that doesn't change that this still hit the shelves as it is.
** Please note the merfolk character uses the name "Crest" in water and "Ross" on land to other people. I'm going to be using just "Crest" for the review.
*** No major spoilers, but some minor references. I do not recommend reading this book spoiler free or at all. Unless you're really down to just turn your brain off and consume something or you really really want a mermaid romance.
Pros:
- Amazing cover art.
- Love the descriptions of Sean's chubbiness (pg. 57).
- I like the whole absence of homophobia. Nice escapist thing.
- Some scenes with Crest and Sean were actually kind of cute, especially when Sean is guiding Crest through new experiences for the first time (pg. 71).
- The messages the book is trying to actually send are great. I especially really liked the whole self love route it ended up taking.
Cons:
- What.
- The most gratuitous violation of "show don't tell" I have ever seen in a published novel. This book takes place over the course of the month that the mer character (Crest) has on land before they go back to sea or choose to stay, and I shit you not, OVER TWO WEEKS of the characters bonding occurs off screen (“the week goes by in a blur” (pg. 148) and “a whole week wasted in the bungalow watching more and more movies” (pg. 197) SHOW ME. THIS IS A ROMANCE?????? The mer lore is explained in a horrific infodump not once but SEVERAL TIMES, the same information repeated in very clear fashion.
- MULTIPLE occasions of nonbinary characters being misgendered by the text itself, as if it was the author's mistake. "Kavya hooks an elbow around Ross's neck and gives him a noogie" (pg. 194), as well as in the literal second chapter, "I curl up my fin to stop him" (pg. 12) (in reference to Elder Kelp who, aside from this, is referred to using only they/them pronouns).
- Possibly my biggest complaint is the carelessness and inconsistency of the mer lore. I don't need a Brandon-Sanderson-level, epic-fantasy magic system, but it at the very least needs to have some thought put into it. Apparently, all mer have "knowledge and clarity magic" which allows them to understand all human sayings and norms, but this is only relevant when the author decides it's relevant apparently because oh my god it is SO FUCKING INCONSISTENT. On page 26, this magic let's Crest understand what "time-out" means but on pages 39-40 they don't understand what "dumped" or "broken-up-with" means. Also, they know how to use a phone and how to write by hand but don't know what crosswalks are or what CPR is? There is a magic house where the merpeople who come here stay which brings up an insane amount of questions on it's own but inside the house is a "human customs document". Why do they even need a human customs document if they have the Clarity magic? Theres also just some merfolk mechanics that get added for no reason (for example the whole “mer don’t make facial expressions like humans” was added randomly and is never relevant again. It just brings up more and more questions and inconsistencies. There’s nothing wrong with stupid books. Especially fun stupid wish-fulfillment books for queer people. Out of the Blue just reeks with carelessness to me. It doesn’t feel earnest or well thought out and that makes me upset.
- First few chapters have some of the most insane run-on sentences I have ever read. Several of which are genuinely grammatically incorrect and generally just difficult to read.
- Nothing happens for the first like 100 pages and when stuff happens after that it is by random chance or very poorly thought out reasons. For example, a truck happens to crash into a fire hydrant (pgs. 165-174), Crest happens to spill their drink (pg. 290) and a kid happens to push Sean (pg. 356).
- So incredibly immature. Several scenes literally read as fake tumblr stories. The first scene being an incredibly gratuitous example but there’s also the Alex/Omar promposal scene (two characters we never see before or after), and many of the later scenes.
- Incredibly sexualized. Too much. Not inherently bad, but this is YA and these characters are 16. It's so bad, more than just mentioning sex like it's so bad I don't want to think about it. I know teenagers have sex. Mention it, sure. I do not, however, want to read a 30+ year old grown adult write about 16-year-old boy penis. Please don't make me imagine 16-year-old boy penis. The amount of sex talk is insane. I genuinely don't think there is a span of more than two chapters where there is no mention of sex—which is okay on a surface level I suppose (especially if directed to an older audience or written about older characters). But not for me.
I did not like reading in detail how one character felt another character hard under their thighs and other wonderful (sarcastic) descriptions of high school students.
- Sean. Sean is a creep. Sean is genuinely so fucking weird and annoying I hated him violently until the last 25% of the book. He makes these insane director shot lists of when he is going to kiss Crest in front of Dominic without ever asking Crest first and telling everyone they're fucking??? Can you imagine if someone did this in real life? He is so whiny and self centered and infuriating.
- Sean and Crest are the same character, one uses fish references, the other uses film references. That is legitimately it. They feel like cardboard. Some of the most frustrating characters i’ve ever read.
- No chemistry. They're just horny. Also an insane power dynamic. Crest agrees to help Sean both in exchange for him not revealing their secret and for their journey. Except this "help" is like... dating him? And kissing him? Crest’s life as they know it is dependent on this and Sean kind of takes advantage of that and I don’t like it. I didn't put that much thought into it when I read it but now looking back it's very uncomfortable.
- Small complaint but people fall, and get pushed, and impulsively jump into pools on multiple occasions. But also everyone has their phone on them all the time? It's just not an issue?
- No homophobia in this world but there's transphobia? (Crest getting misgendered and judged/stared at for being gender noncomforming) Why is this a safe, happy, escapist LGB positive world that simultaneously has prejudice towards trans people, just upsetting.
- Crest's gender. They're a genderless merfolk that has to now exist within a male body on land. This would be an interesting way to explore gender dysphoria, gender identity, and the trans experience but this is not delved into AT ALL. Which brings me to my next point, why does Crest have to have male anatomy? It's presented that they have this body because they're human and obviously all humans have to be either have male or female anatomy... but that's not true, intersex people exist and are actually a significant part of the population? I know not every intersex person has visible genital differences yes, but my point still stands. The idea that they can't be physically genderless because they have to "be human" is kind of insulting? But maybe this is a bit of a reach.
- I get the feeling that June only has a vague idea of what the terms "masculine-presenting" and "feminine-presenting" mean. There is a segment where Crest is literally looking for a "masculine-presenting" person to be Sean's BOYfriend. They are not looking for a masculine-presenting person, they're looking for a boy, women can be masculine-presenting and they would not be your BOYfriend? Also 90% of the time that a character is described as "masculine/feminine presenting" it's just not relevant at all, wouldn't they just refer to people as "that person in red" if their gender isn't important, instead of "that feminine-presenting person in red"? This is also inconsistent though, Crest only uses "masculine/feminine presenting person" to refer to people they don't know, but at one point refers to a stranger as a "woman"???? (pg. 274). Also the whole thing about making a big deal out of referring to animals by they/them is kind of insane. I cannot comprehend this actually happening in real life.
- Kavya's portrayal. It is definitely careless that the first dark-skinned character we meet is immediately aggressive and physically violent. I know this is almost certainly just June’s attempt to have a diverse cast, which is great, but there are literally people whose job it is to catch things like this, sensitivity readers. When you’re including marginalized characters—especially if their identity is different from your own—you have to do more than just pick an identity and slap it on. You also have to consider how the stereotypes affecting that group unconsciously affect your portrayal of them, and how your character won’t perpetuate anything harmful. I don’t think that all of your characters have to defy stereotypes, but having your only major dark-skinned woman be masculine AND vulgar AND rowdy AND very sexual AND aggressive AND insensitive AND vilified by the story towards the end (for an incredibly stupid reason) all at the same time is definitely not great. That is not something that you want to perpetuate unconsciously (which I assume that this is.) Apparently, June's newest book has a stronger focus on racial diversity which makes me incredibly nervous, but I'm not subjecting myself to another one of these books. Maybe it's good. I don't know.
This book genuinely drained my sanity, thanks for reading if you got this far. I actually had to leave out a lot (cheating... how insanely preachy it is in every aspect, more nonsensical mer lore, more questionable depictions of people of colour) but I hope you feel... informed anyways I guess.