Jump to ratings and reviews
Rate this book

Cambridge Introductions to Literature

The Cambridge Introduction to Postmodern Fiction (Cambridge Introductions to Literature) by Bran Nicol

Rate this book
Postmodern fiction presents a challenge to the reader: instead of enjoying it passively, the reader has to work to understand its meanings, to think about what fiction is, and to question their own responses. Yet this very challenge makes postmodern writing so much fun to read and rewarding to study. Unlike most introductions to postmodernism and fiction, this book places the emphasis on literature rather than theory. It introduces the most prominent British and American novelists associated with postmodernism, from the 'pioneers', Beckett, Borges and Burroughs, to important post-war writers such as Pynchon, Carter, Atwood, Morrison, Gibson, Auster, DeLillo, and Ellis. Designed for students and clearly written, this Introduction explains the preoccupations, styles and techniques that unite postmodern authors. Their work is characterized by a self-reflexive acknowledgement of its status as fiction, and by the various ways in which it challenges readers to question common-sense and commonplace assumptions about literature.

Paperback

First published November 1, 2009

15 people are currently reading
136 people want to read

About the author

Bran Nicol

18 books

Ratings & Reviews

What do you think?
Rate this book

Friends & Following

Create a free account to discover what your friends think of this book!

Community Reviews

5 stars
19 (26%)
4 stars
38 (53%)
3 stars
12 (16%)
2 stars
2 (2%)
1 star
0 (0%)
Displaying 1 - 6 of 6 reviews
Profile Image for CM.
262 reviews35 followers
June 18, 2022
A decent introduction to the field from the precursors like Beckett and Borges to writers active in the 80s( Delillo and Ellis), the author manages to present his insights on these curious literary works with reference to history, critical theories and philosophical traditions (all given a succinct summary in Chapter 1) without spoon-feeding the readers. It may feel a bit repetitive here and there but it's only a minor inconvenience. I have only read less than half of the authors discussed here but the book as a whole is still very much a delight.

*The majority of authors covered wrote in English, except Borges and Eco.
Profile Image for Jeff.
506 reviews22 followers
May 2, 2013
Excellent academic text for students interested in learning more about Postmodern Literature without feeling night-sticked over the head with death-of-me Ivory Tower rhetoric.

Nicol does a good job identifying what Postmodern Fiction is, differentiates it from Modernism, and offers the Poetics (ways it works) that help to explain to ancient champions of realism why Postmodernism isn't simply about the avant-guard.

Existing here is some Lit Theory but it doesn't necessarily blind the reader, and there's some good looks into why seminal texts constitute the Postmodern movement. I would recommend reading the listed texts first, as you'll get more out of the experience to be "in the know" of the lit he discusses. Except Ballard. Don't read that book. It's so bad I almost quit reading altogether. I mean all books; like, I wanted to train to be a Vet Tech or something.

The others he discusses are all worth reading; even more so, brilliant works that deserve study and thought.
Profile Image for Bradley William Holder.
71 reviews
February 27, 2025
Like weeks I that was to two different I not I much about state the (or for matter) I two ago, at for time I found few interesting to the I tackled its the philosophical (exempli post-structuralism, theory, cetera) is reflexively, (sadly) all reflectively, by cultural of I “armchair” who—let not readily it pattern—seem occupy single of political certain of such concerns technology our with the of (whether or embracing (quasi)logics vice and, a malaise the of naive after seem still today, in exacerbated the book, of very title—authors’ names, could, the were paying enough (as usually not), easily mistaken one (or, the word, is, merely so, the thing)—on, of philosophy, literature with selfsame period. Late never. (Id postmodernism) came modernism as by name, before—to least famous who, retrospect, least me seems unpostmodern—end history.” To subject neither these really topically although am becoming old (help!), have just to closely the outside room. I the of as write here the moment the that ever what more, add to I doubly these are anthologies, I hoped were, are exactly they themselves be: what introductory seem agree the is postmodernism both to sense and—this completely my of fiction as aspiring dropout. Is reassuring slightly I well my but not reach height my until few later. Least of two (I which) the of and as of thinking large not thinking (I have recovered, you.) discussed not cannot I gone a of albeit, things to for incomplete phases high it a but am least better to its and, desired, from those of that prove in formation my art worldview. Read staples Hemingway, Romantics, Beats. Love postmodernism—know began a but because had yet all years what had set to I a of paperback science thrillers. Would proud. Dipped toes lots pools, when asked what liked swim I usually tell “weird scary this be thinking, just misbehaving, one imagine, a of process constructing reading same as single slipshod, in different over over and, having it, something valuable the which, inchoate, true. These together, despite incredibly for and, for too—allowed to the of from vantage simultaneously. Something happened as was myself exit prematurely—not and myself to retail (the marketable I the marketable I the book, the of strange—for distressing—segments at end each (each attempting locate various artifacts constant choice behalf each artist gratia The Lewis Alice), information arranged a of events in according the postmodernism in with death Samuel (and fall the Wall) ends September 2001, the of World Center the of Taliban. Learned and is thing I always suddenly—I not well as had believed. Second written the (while managing cite earlier written its which speak his instead, an chapter is chronological from bird’s-eye arranges chapters genre—instance, postcolonial et et there be of (and both this and these reviews, discuss the nature—this, will pleased know, a postmodern of whether terms the of or styles internet its is attempting, the expertise in alone, look postmodernism a phenomenon, into as and as film, photography, philosophy Theory poststructuralism were initial and historiography. Earliest to (and literature, closely at bizarro-religious of K. (and matters were my mind of most because creative I ever the (the with more focus was by, seems, pretty academic in field) probably most and of two. When asked what liked swim you imagine—I at point in what was I them. Means this was going be that in first mare’s unmade no. First I is postmodernist to nothing postmodernist and—do know—or is experimental, both choice subject its I both these at same and—from general of made book unique—for most unable distinguish information in from information in other. Realize that associate postmodern the wholesale an what important what/that have back I not with interactions modernism, and argument be on side the insofar whether interactions either or (or to seemed as and as never that of two were I expecting to never that failed find I searching were to a psychoanalysis this postadolescent’s stupid processes, might that till unprecedented with meganovels one these authors them) something do his recent his relationship his brother, all-enduring to the of affection, the insecurities were his diminutive and his academic what somewhat (to a recommendation a has into implacable one unfortunately not causes immense each every about sociopolitical we might) in. Are just and to they not distractions opportunities prove it worth just same.) are—a kind person a like dungeons which meaningfully defiantly consistently oneself. Is very foolish. Hope that the who how where look—crack code(s) rescue prisoner the both whom of one the this unfalsifiable. Is little up.) yes, the they from activity always less mine. So immediately three any of could been had been noble less to in at public library. Might better it I they understand social economic in way never they even more their time the of sacred a decade elapse I read all—last being most and, some accounts the books being sorta) only piece them—the (as kind watershed the of reader still-aspiring was, remains, when am around room, a and beverage, those nights I safe to effuse also enough the of precipice sanity it feel I myself most and this after a problem—not enjoy process learning same that do. Many the of early brings quite to precise in (the of individual). Different nonetheless personal or it self-perceived, that am stupid, shallow, indecisive, preternaturally two three) once paths, having at times the of single (read are now and are so the of the can said closely one’s reading assuming are their choices good and, these it hard tell, of places—can a about person looking their
Profile Image for Beverly Larson.
2 reviews
June 14, 2015
This book gave me a deeper understanding of some of my favorite authors ( John Barth, John Fowles, Umberto Eco) and helped me realize why I love their work so much. It also led me to a new list of works to start reading. I now have an historical coat rack on which to place the books I read.
Profile Image for Apoorva.
701 reviews73 followers
May 14, 2013
A very accessible introduction to my favourite genre in literature. Makes it intelligible without dumbing it down.
Displaying 1 - 6 of 6 reviews

Can't find what you're looking for?

Get help and learn more about the design.