Everyday we talk about the aesthetics of a piece of art or design. But aesthetics goes beyond the simple experience of art. It is also a philosophy, in which perceptions, feelings and emotions combine to form the whole nature of experience. Through clear text and fitting illustrations, Introducing Aesthetics provides a captivating insight into the important issues of modern politics, psychoanalysis and art.
اول کتاب های علوم راهنمایی بخش هایی داشت که میومد نظریه های اتمی و چیز های این مدلی رو با ابری بالای سر هر دانشمند و توضیح کوتاهی مینوشت. این کتاب هم اومده از آغاز تا پستمدرنیسم نظریه های زیبایی شناسی رو با سر و شکل کمیک جمع کرده. اونقدر کامل و مشخص نبود برای من بعضی مطالب اما از اونجایی که از اولش هم نمیخواستم تخصصی خیلی از مطالب رو بدونم و نیازی هم نداشتم؛ در حد آشنایی خوب بود.
demek olar ki,modernizme qeder hamısı bildiklerim idi.amma çox gözel kitabdı.düzü mövzulardan heç xeberi olmayan adam üçün menasız ve çetin ola biler amma men çox sevdim.yene de deyirem karikaturaları meni menden aldı :3
A thorough introduction to a thick soup of contradictory, egotistic and largely unfathomable thought. It seems that since the art of the Greeks, the problem of subjectivity and the Meaning Of Things and their interpretation has become wildly convoluted. Every big name in contemporary philosophy has had a crack at Aesthetics and no one seems to really agree on anything. Ironically, that is probably the greatest testament to the subject. But it also means there is no cohesive school of thought and this lets art critics off the leash and emboldens art dealers to perpetuate myths around overpriced artworks in Christies.
Ntv yayınlarının çizgibilim serisi görselliğiyle okuyucuyu cezbedip konuları basite indirgiyormuş gibi gözükse de gerçek öyle değil. Daha önce Kuantum, Görelilik ve Kapitalizm'le ilgili kitapları da okumaya çalışmıştım ama aynı düşünceye sahip olmuştum. Çizgibilimi anlayabilmek için konuyla ciddi ilgili olmak gerekiyor. Misal bu kitap özelinde; ressam ya da sanat tarihçileri dışındaki meslek gruplarının özel ilgi alanı değilse kitaptan pek şey anlayacaklarını düşünmüyorum. Ayrıca çoğu yerde kötü çeviri olduğunu hissediyorsunuz.
Makes you question whether there is an underlying force majeure which drives our appreciation of life and the world around us. Although, personally, I was a little disillusioned about the existence of any such thing by the end of the book.
Still, a great primer to how aesthetics have evolved since Socrates. Can be used as a platform for diving deeper into the areas that interest you.
This volume is one in a large series of books that provide concise outlines of various subjects using graphics for support. In this case, it examines the philosophy of aesthetics. Aesthetics (the study of perception, sensation, and beauty) is a sub-discipline of axiology (the study of value), which – in turn – is a sub-discipline of philosophy.
The book consists of over one-hundred short (1 to 2 page) sections that present aesthetics from various angles. Some of that chapters focus on philosophers that had a particular impact on the subject, including: Plato, Aristotle, Aquinas, Kant, Hegel, Adorno, Nietzsche, Barthes, Derrida, and Lyotard. Others examine the approaches to evaluating aesthetics during various eras, including: ancient, medieval, Renaissance, the Enlightenment, Romance, Modern, Post-modern. Some define key terms, and others relate the subject to the broader human world. Still others relate the subject to other philosophical concepts, such as: reality, semiotics, or modes of governance and economy. There are sections that explore the subject’s classic questions, such as: “Are truth and beauty synonymous?” and “Should art have a purpose, and – if so – what?”
This entire series uses graphics as a support for the text. As with many of the books in the series, this volume mostly uses cartoon drawings that repeat key lessons from the text, sort of like an elaborate text-box. I can’t say that there was any point at which these graphics made anything easier to understand, but they don’t hurt either.
I found this book useful in getting a basic overview of the topic. There were times when it felt like it was straying from the topic of aesthetics, but I think that was just because so much of philosophy from post-modernism onwards looks at everything through a certain lens, regardless of whether such an examination seems particularly relevant or not (e.g. psychoanalysis, Marxism, etc.) [It’s interesting to think about “Communist Aesthetics” as the very term seems like an oxymoron. If you’ve ever seen the brutalist architecture or sculptures of Cold War Eastern Europe, you might conclude that the absence of aesthetic viewpoint was the prevailing Communist aesthetic viewpoint.] At any rate, while the book is not highly engaging reading, it’s a quick and concise outline of the subject (which is what it’s meant to be.)
I enjoyed this book from the series, and the illustrations were really good. This book debate on aesthetics run from Ancient Greece to postmodernism, and even though I’m pretty sure it ignored some thinkers along the way, it’s still a good place to start.
کتاب از نظرمحتوی یکم سخت شروع می شه ویکم سخت به اتمام میرسه ولی در این بین یعنی بیش از ۸۰ درصد متن، برای خوانندهای که اطلاعات زیادی از عنوان کتاب نداره، مطالب جدید و قابل فهم هست به خصوص اینکه یک سیر تاریخی کاملا قابل مفهوم در پی میگیره- نه تنها این کتاب بلکه تمام کتاب های قدم اول برای مطالعه توصیه میکنم ترجمه هم سعی شده خیلی خوب باشه ولی شاید کمی در اصطلاحات تخصصی به شک بیفتید
One of the more confusing "Graphic Guides" that I've read, but that's partially understandable, since Aesthetics isn't an easy subject. The author and illustrator do a good job when exploring the history of art, perception, and representation. As they gradually approach the modern day, things get a little chaotic. I understand that there's a lot to cover, and that a brief guide like this can't explore every concept in depth, but it's frustrating that the author chooses to skim past certain concepts (such as hermeneutics, or abstract expressionism -- heck, Dada barely gets a mention) to spend more time focusing on art as a criticism of capitalism and consumerism. Definitely could have used an editor to keep the book more on topic. That said, this is a great jumping off point to explore the ideas of many philosophers, artists, and thinkers, and the further reading list at the end is a good springboard for those next steps.
It's a good thing my first book about the philosophy of aesthetics was in comic book format. There's a lot to grasp when it comes to the subject of truth and beauty and our feelings about the nature of experience explored through our perceptions and emotions that I probably would have been totally overwhelmed by it all. This book breaks it all down into little bite-sized chunks that I could swallow without choking. I'd like to explore this topic further, but I think I need to digest it a bit first.
I read this book with no prior knowledge about aesthetics and I found it too difficult. ( I knew about it just from the neuroscience books that talk about the science of beauty and this is why I started reading this book). Introducing series, as I think about it, is a series that summarize the topics that you are interested in and I found it very helpful when I read the books that I knew something about their topics.
I guess I'll read this book again when I read more about aesthetics.
I typically enjoy the "Introducing: ... A Graphic Guide" because the author's try not to confuse the subject with their own opinions. This book is the exception. I cannot recommend it because the author editorializes against capitalism too much to be trusted to give a straightforward and comprehensive take.
Not a fan of this series of books, but the art is good in this one. I especially liked the portrait of Nietzsche, although it symbolizes the problem with the whole enterprise: all moustache and no mouth.
While a general idea can be gotten from reading Introducing Aesthetics: A Graphic Guide, there is just too much material that the author is trying to cover in too few pages. I wouldn't mind looking into the subject of aesthetics again, but with perhaps more room to explore and expand concepts.
The ideas of the philosophers of aesthetics are presented here so concisely that they cannot be clearly understood and their deep profundity cannot be appreciated. The ideas are unclear, confused, tedious, boring, abstract, irrelevant, and often so ridiculous that they are laughable. In short, my impression is that the philosophy of aesthetics is mostly bullshit. This book did not inspire me to want to learn more about aesthetics. I would rather spend the time viewing art and learning about and making art.
This was interesting, but quite dense. Kul-Want attempts to cover a lot of material in this little volume, and I feel that he might have done a better job of organising it. The first half is well done, but the latter half feels somewhat disorderly and fragmented. I'm keen to read more on the subject, though - perhaps I'll pick up the VSI.
O livro fala pouco, quase nada, de muita coisa, o que torna o assunto totalmente hermético para quem o contata pela primeira vez. No fim, o "Graphic Guide" termina não funcionando como guia, pois a superficialidade que trata assunto tão complexo inutiliza toda a informação, tampouco como gráfico, uma vez que o mais importante das ilustrações é o texto que elas encerram.
Aesthetics is a very challenging philosophical topic and the guide doesn't really help me a lot in understanding these abstract and difficult concepts. Certainly need further reading if one wants to have deeper understanding of the topic.
I really enjoyed this graphic novel! I thought it delved past what "aesthetics" is -- but it's rounded out very well. Reminds me of college intro courses.