Another WWI era story starts in a small Cornish village in modern times with a woman who, betrayed by her fiance, has rented a run down boat house where she hopes to write, but has no idea what. Fiction? Biography? A love story? Endless possibilities but nothing stirs her soul.
In 1964, an old man who had converted to Roman Catholicism and became a lay brother in a monastery, is watched over, in his last hours, by a nurse desperate for work. His ravings, however, make her wonder if her pay is worth it as the man cries out pitifully for forgiveness. When Brother Snowe dies, it is a relief for the nurse. He was a wealthy man and has given most of his assets to the monastery to continue their work.
Lowenna, the writer, is led by various discoveries she makes to ask her mother to mail her a box of odds and ends, left once back in her family tree by a mysterious man, where she and Noah are poking around interesting bits they find. Noah, an Australian who has been staying in a caravan doing sketches and sculptures, is keeping the area around the boathouse and the house beside it cleaned up and, for the house - dangerously unstable - making sure no one gets inside. As Noah and Lowenna, aka Wenna, swap stories of what brought them there, and as they explore the flotsam and jetsam of the past, offered up bit by bit by hiding places and such, they use the clues they find to find yet more bits of the past, until - about midway through the book - they're able to rebuild the summers of 1913 & 1914, just before England's entry into WWI. The story, they discover, links up to the story of the War Poet, Kit Rivers, and the traveling photographer, Alex. It adds in the story of all too many boys in this transitional era, of sons of gentry and wealthy sons of industrialists. The sons of industrialists were "tradesmen," viewed as very lower class by the landed gentry - even those so poor that they had to sell valuables just to afford boys' schools, food, and coal or wood to heat the part of the home they could afford to live in. Americam heiresses often traded Daddy's money for the right to a title, and since many lords of the manor were poor businessmen at best and drunks and gamblers deeply in debt at worst, I wonder how often these heiresses regretted their titles. Meanwhile, the "sons of tradesmen" were generally bullied, especially if their grammar, accents, sporting abilities, or scholastic achievements weren't quite up to par.
One such was Gerald Snowe, son of a soap magnate, whose family rented out a manor house in 1904, a house which was entailed and a burden to the family that owned it. The rent would have been most welcome but showing gratitude to a tradesman, whom they believed owed such to their betters, wasn't on the owners' list of things to do. Gerald was a slightly built and physically frail child who had been sick throughout much of his early childhood. He was only home because he had nearly died at the school of a fever, and the Harley Street doctors his father hired had said he should never return to the school but should be tutored at home. Once he had recovered for the most part, he was largely ignored by his parents, who set an old battleaxe of a nanny over him, one who dressed him in fancy clothes, forced cod liver oil down his throat, and limited his activity levels severely. And one day, he sees his chance to escape, possibly to wade at the shore of the river, and he slips away. He gets caught in quickmud, and 2 local boys rescue him, and proceed to show him around their haven - one they're not supposed to frequent as it's trespassing. Gerald, used as he is to being at the bottom of the pecking order, sees his ability to tell on the boys and get them banned and punished as a sort of anti-bullying insurance that they will include him in their games. Not long after, just as Ned - a kind and generous boy who tries to see the best in people - and his not-as-gracious friend Marrick - have about given up on Gerry to have any aptitude at climbing, running, rowing, or swimming, a new person shows up. A girl with a fiery temper and a zest for life, whose aim is to become a famous artist, and who is always sketching something. In Ned, she finds a kindred artistic soul, as Ned wants to be a writer. At 8, they are both smitten with the love of soul mates. And the girl, Madalyn, is actually a poor-relative part of the family from whom Gerry's parents rent the manor house, and thus can pull rank on Gerry's claims that he gets to say who can and can't play there. This makes her an instant hit, as does her talent at mudraking for shells and running and climbing, and her fast learning on rowing and swimming. Many days, as Ned writes his stories, Maddy is beside him, sketching, the 2 happy to be quiet in each other's company.
But soon, Madalyn and Gerry are packed off to various boarding schools, the village children return to work and school, and soon it will be 10 years since they last saw one another. Is the attraction still there between Ned and Maddy, or have they moved on?
This is during the summer of 1914, when Maddy is packed off in tight corsets to teas to meet eligible young men. At one held at Rosecraddock Manor, Maddy meets Kit, who confides his desire to be a poet, and to whom she confides not just her artistic aims, but also tells her of Ned's desire to write prose. At another tea party, she, Gerry, and Kit sneak off, Maddy with a bunch of tea sandwiches and cakes, to see Oyster Bay and meet Ned.
But WWI intervenes. If you read, "The Letter," you can find out what happened to Kit. Read "The Locket" and you find out what happened to the traveling photographer Alex and their mutual friend Rupert.
The book dovetails the individual lives of these characters with the research done by Rowenna, Noah's dead wife Kim and his recently passed mother, both from Australia, and Noah. As the summer of 1914 gets twisted into the violence of a muddy, barbed-wire-laced, machine gun nest filled European countryside filled with the sounds of deafening artillery barrages,
grenades, chemical gas attacks, and an exhorbitantly high loss of young men's lives on both sides, lives are forever changed. Young widows and grieving parents, heartbroken sweethearts and fiancees, casualty lists that aren't complete or accurate for the most part, fallow fields that can't be easily worked by women, famine, pestilence, and deaths - often due to suicides or diseases that sometimes predate combat or else come as a result of it, we see the horrors of war and how it destroys families. As a thought - is it any wonder that, when Hitler broke the Versailles Treaty, no one stopped him? Who was left but the younger generation left fatherless by WWI and the Spanish Flu pandemic that further thinned the ranks of possible soldiers?
Will Gerald Snowe ever find the absolution he sought from his misdeeds? What happens to those who were left behind? Is Wenna's family's box part of the story, and what does the research done by the beloved women in Noah's life have to say about the past...and perhaps the present?
This is an engaging tale that doesn't let you go and, at the last page, leaves you begging for more.