The Edger is a humorous Women’s Fiction about landscape artist Alexandra Newborn’s shocking reunion with her college art professor, Nick Anselmo—once a celebrated Italian artist, now a homeless lawn man—which sows the seeds for murder, mystery and romance. In gratitude for food, art materials and company, Nick, or The Edger, as Alex comes to think of him, drops off a new sketch in front of Alex’s house every week when he comes to do her lawn. Nick’s provocative artwork is the key to revealing a dangerous liaison between Alex’s husband, Mark, and Bitsy Diamond, owner of the gallery where Alex dreams of having a one-woman show. When a deadly hurricane takes a dangerous turn the night of Nick’s opening, Mark’s body washes up behind Bitsy’s beach house, leaving readers to wonder whodunit?
Sharon Goldman is an award-winning artist whose paintings are in private collections and who has exhibited in numerous galleries throughout northeast Florida, including the Haskell Gallery in the Jacksonville International Airport.
As a native Floridian, Sharon strives to create work that captures the spirit of Florida. Her colorful palette, unique cropping, and background as a designer and art director help her envision her novel compositions, which she describes as painterly realism. Sharon has taught art school in her home studio to more than 200 students in her community. Sharon has also written and illustrated a children’s book.
Sharon is on the Dean’s Leadership Council at the University of North Florida’s Thomas G. Carpenter Library, where she gives monthly tours of one of the largest permanent art collections of regional artists in the state.
A graduate of the University of Florida in Fine Arts, Sharon had a long career in the advertising business. After having three children (now college graduates), she has more time to bring her ideas to light.
"The pieces of the puzzle finally fit together as her life began to fall apart." Marilyn Baron, The Edger
The hardest thing about writing a book review is not giving away too much of the story. That's especially the case with The Edger, a women's fiction novel by Marilyn Baron and illustrated by Sharon Goldman. Let's just say that any book opening with a drawing of a rabbit isn't going to be what it seems. Just ask Alice.
The Edger opens with heroine Alexandra (Alex). She's a 40-year-old artist in denial that her marriage and art lack passion. She compulsively fills the void in her life with stuff that turns to clutter, both physical and mental. Who better to show her the worthlessness of the stuff and propel her to rediscover her love of painting than a homeless yardman who was also once a world-famous artist? The Edger of the title, he is named both for a tool of his trade and for the fact that he now lives on the edge of society. The complication is that the Edger, Nick, was a professor with whom Alex once nearly had a relationship.
So, you think that's it. We're going to see these people fall in love. The author does do an admirable job of unfolding the relationship between Alex and Nick without damaging the morals of either character. As much as Alex is stirred by new-found passion, she stays true to a marriage about which she's only slowly learning the truth. Too, the writing in Alex's point of view, often gently humorous, is endearing. In a moment of revelation, Alex comes to see her life in terms of the accumulated stuff around her: "A food processor that blended a homogenous mix of unfulfilled dreams. A food processor that didn't inspire passion."