First published in 1969, provides a helpful introduction to the study of Absurdist writing and drama in the first half of the twentieth century. After discussing a variety of definitions of the Absurd, it goes on to examine a number of key figures in the movement such as Esslin, Sartre, Camus, Ionesco and Genet. The book concludes with a discussion of the limitations of the term 'Absurd' and possible objections to Absurdity.
This book will be of interest to those studying Absurdist literature as well as twentieth century drama, literature and philosophy.
A great introduction to the Absurd. I read this book between cues during performances of Ionesco's Rhinoceros, so this was particularly topical for me.
I agree with the other reviewer who said that at times the author over-explained things he didn't need to or under-explained things that could have used more depth. Although, in defense of the author, this being intended as a primer on the subject, I found it whetted my appetite for deeper analysis appropriately. I particularly appreciated the bibliography where the author explains which books he recommends for further reading.
Nice simple overview, though it tends to overexplain some things that could be skimmed, and underexplain or refer to another text elsewhere in cases where more detail would be useful.