Travel to the G-Spot--The Guide Book is a novel by Steve Cohen, an award-winning travel writer and photographer. He combines gritty realism, sharp social satire, awkward comedy and a smooth, confident writing style.
Danny Gladstone is a boy like those found in many a Jewish Bildungsroman. Within his family, he is spoiled by a loving but domineering matriarch, Nana Belle. Outside of his family, he is more or less a loser and must do what he can to make his way in the world. And so he does. So far, so good.
He ends up as a canny, if rather jaded, travel writer, one who knows the ropes and can manipulate the system to get all kinds of perks and freebies. Although from the suggestive cover [note: this applies to the first edition] you might expect a recital of sexual conquests by a traveling lothario who finds a willing lover in every port, there is surprisingly little sex in this novel.
The main perk in Danny's world (besides the all-expenses-paid trips, that is) is not sex, but drugs. There are so many instances of him smoking or ingesting various mind-blowing substances, referred to semi-euphemistically as "herb," that it's a wonder he isn't bundled off to a padded room in the Betty Ford Center. But he manages to tell his story with wry coherence.
Danny's family sometimes gets to accompany him on his trips. He is married to a woman whom he refers to as "God"--in fact we never find out her actual name. The implication being, of course, that she issues arbitrary commands which must be obeyed and metes out wrath and punishment when Danny transgresses. (I must confess that the comedic blurring of the distinction between his wife and the Almighty, managed slyly with phrases such as "with God's help," was for my taste pushing the sarcasm too far.)
He also has a son, Yang, whom he loves very much. His attempts at father-son bonding are sometimes successful but often turn out horribly badly. So it is a relief to Danny as well as to the reader when Yang turns out to be normal (more or less), in spite of exposure to his father's foibles, and the traumatic experiences accidentally unleashed on him during some of the trips.
Where Cohen shines is the chapters where he exposes the artificiality of travel writing. The chapters in the middle of the book come in pairs. First we get a nearly ideal trip, where the writer, guided by friendly, obliging and incredibly informative natives, enjoys fascinating adventures. These usually involve breathtaking panoramic views of landscape, an invigorating few days roughing it in the bush or tasting delightfully exotic cuisine, and perhaps also a golden opportunity to experience heartwarming "quality time" with his son.
But we find out that most of these stories, written in a glib, journalistic fashion, peppered with charm, carefully documented geographical features, travel tips and contact information, are fundamentally false. Well, maybe they're not so much false as lacking a firm basis in Danny's own experiences. The contrast between the stories Danny submits (related in the first chapters of the pairs) and what really happened (narrated in the second chapters of the pairs) is what provides the greatest comedy in the novel.
Despite all the bizarre situations, there's also a deeper, more serious side to this story, as Danny worries about Yang and ponders the dreams he couldn't pursue. The burning question for him is why he has embarked on this seemingly endless search for the elusive moment of elation which he calls the the G-spot.
RECENT DEVELOPMENT: A revised and updated edition of this novel is now available on Amazon.