Fred Wah has been involved with a number of literary magazines over the years, such as Open Letter and West Coast Line. Recent books are the biofiction Diamond Grill (1996), Faking It: Poetics and Hybridity (2000), a collection of essays, and Sentenced to Light (2008), a collection of poetic image/text projects. He splits his time between the Kootenays in southeastern B.C. and Vancouver.
I'm no tree except the part of me as roots now new spring up among the willows on the roadside shoots of older, cherry, maple runners, buds grow at the sky from clay and gravel daily now, each day a fraction of the snow melts up the bank those green plum eyes seep out.
* * *
I imagine it a memory tree birds in my hair snow on the ground the history of trees or rocks of granite spruce and birds up here the wind.
* * *
AMONG
The delight of making inner an outer world for me is when I tree myself and my slight voice screams glee to him now preparing his craft for the Bifrost Kerykeion he said, the shore now a cold March mist moves down through the cow pasture out of the trees among, among
* * *
Where the wind whines I wind with my eyes through the cedar crowns
feather boughs flutter in my mind I imagine the quiet middle air
I remember the forest now dry leaves on the path or was there no path
so much goes on now except I touch the silence floating through it still
* * *
The cones are down bunched near the bottom of the fruit sharp-scaled and bird-beaked three-needle clusters thin out to the tip transparency lying under finger skin conifer iferous condition
* * *
A pasture full of apple trees besides a picture of the World-Tree full of apples. Underspring down to the roots, sweet April waters flowing from the cow- dung hill into my soul a liquid that, and full of apples as it goes.
I recently read this poetry book twice after hearing Fred Wah read some poems from it at a reading benefit for New Star we both participated in at the Western Front.
I thoroughly enjoyed the vernacular poems especially and the others. I was confronted with thoughts about the resonance of this collection at the current time.
The line drawings in it, well one in particular, of the outline of a man reminded me of a book that shall remain nameless but a classic 1970's jiggy title.
The book is a treat. It made me want to read more of the "Woodsy" poets and more work written about logging, forestry and the BC Interior.