'But that, I think, is what love is: an knowable risk taken in the darkness during unsettled weather'
Jasper is a modern-day calligrapher working on a commission to reproduce a selection of John Donne's Songs and Sonnets ... but when he meets Madeleine, has this contemporary rake-about-town met his ultimate nemesis?
This is a wonderfully witty, sly, sharp and clever updating of Donne's poetry, reproduced in a novel alive with literary self-consciousness (in a good way). Jasper, our modern-day Don Juan, remains sympathetic, and his voice is vibrant and eloquent, occasionally even lyrical, as he shuttles between hedonism (oysters, wild salmon, Cristal champagne) and contemporary critique (reality TV), between a careless and exuberant sensuality, and obsession with the enigmatic Madeleine.
Docx is an excellent reader of Donne, alive to the complexities of the shifting narrative voice and avoiding all those tired biographical fallacies that so often get attached to poetry, especially love poetry. Instead, the plot models itself on the ambiguities and spaces that exist in Donne's verse, on the contradictions and complications, the forward movements and the reversals, culminating in a revelation that leads us, as Donne so often does, back in circular fashion to the beginning.
So I would say this is one of the best novels I have read about poetry, about Donne, and about the interactions between literature and life: all done with a light touch that disguises an acute understanding. And it's also a love story set in contemporary London which is acute and engaging, always knowing, and lit with both light and darkness. Oh, and it's clever - very clever.