Set in England in the 1960s, about one year after the events of ‘The Graveyard Shift’, Nick Miller investigates an apparent suicide in another police procedural novel, the second in the Nick Miller series (‘The Graveyard Shift’; ‘Brought in Dead’; ‘Hell Is Always Today’). Of the three, in my opinion this is the best and most closely resembles the more typical Jack Higgins yarn.
The plot is simple enough: Miller investigates the apparent suicide of a young woman, Joanna Craig, who is discovered to have been corrupted through heroine addiction by the local gangster-cum-businessman, Maxwell Vernon, a former military officer. Complicating matters is Joanna’s father, Colonel Duncan Craig, now a successful businessman at the vanguard of the electronics industry. Seeking vengeance, he wages a one-man war against Vernon, using commando tactics to singlehandedly dismantle Vernon’s criminal empire, piece by piece.
There is greater depth to the characters: Miller returns as the detective with a fierce sense of purpose and strong moral compass; Jack Brady develops as the older policeman, now in full acceptance of Miller’s higher position in the CID; Colonel Craig is a man of discipline, honour, self-control and military skill; Max Vernon cuts a villainous figure with a truly devious nature (far better characterised than Harry Faulkner, the villain in ‘The Graveyard Shift’); Chuck Lazer returns as a reformed drug addict, now a successful casino owner/operator and loyal friend to Miller.
This novel is interesting for two reasons: firstly, it explores how men with money and means engage in manipulation with malevolence (particularly when Vernon reveals that his desire for Joanna was born out of his predilection to twist one’s virtue); secondly, it provides an early illustration of electronic surveillance equipment that, when the novel was written, would have been almost unheard of and therefore very innovative.
Highlights for me include Craig’s fiery destruction of Vernon’s riverside warehouse, references back to events of ‘The Graveyard Shift’ (namely the demise of Harry Faulkner and his Flamingo Club), and the final confrontation in the isolated marshes - the imagery is simply stunning!
The Nick Miller series is a great read, but it does not compare with the Paul Chavasse series.
The Jack Higgins novels often contain numerous similarities: ‘A Prayer for the Dying’ also features a Detective Nick Miller, although it is unlikely to be the same character, as that one is street-smart rather than academically accomplished; the final marsh scene is redolent of similar marsh scenes in ‘Wrath of the Lion’, ‘Toll for the Brave’, ‘Sad Wind from the Sea’, ‘A Prayer for the Dying’; the burning down of Vernon’s warehouse is strikingly similar to the burning down of a farm house in ‘Night Judgement at Sinos’ which describes black silhouettes against bright flames in the night. If you know of other similarities, please comment.
Feel free to read my other reviews.
© François