This reproduction was printed from a digital file created at the Library of Congress as part of an extensive scanning effort started with a generous donation from the Alfred P. Sloan Foundation. The Library is pleased to offer much of its public domain holdings free of charge online and at a modest price in this printed format. Seeing these older volumes from our collections rediscovered by new generations of readers renews our own passion for books and scholarship.
I do wish each poem in this collection had a date by it to show exactly when it was written. The book as a whole was published in 1918, so it is easy to imagine that the horrors of World War One shaped most of the work here. That is obvious in offerings such as The Cornishman:
At sunset, when the high sea span About the rocks a web of foam, I saw the ghost of a Cornishman Come home. I saw the ghost of a Cornishman Run from the weariness of war, I heard him laughing as he ran Across his unforgotten shore. The great cliff, gilded by the west, Received him as an honoured guest. The green sea, shining in the bay, Did drown his dreadful yesterday.
Come home, come home, you million ghosts, The honest years shall make amends, The sun and moon shall be your hosts, The everlasting hills your friends. And some shall seek their mothers’ faces, And some shall run to trysting places, And some to towns, and others yet Shall find great forests in their debt. Oh, I would siege the golden coasts Of space, and climb high heaven’s dome, So I might see those million ghosts Come home.
The Dog Tupman was a hymn to her childhood pet, the only friend who saw her own soul's truth because he too had a secret, mostly hidden, youthful heart during his entire life: You shared my youth, oh faithful friend, You let me share your puppyhood; So, if I failed you in the end, My friend, my friend, you understood.
But most other works are less clear, and I admit that much of the time I was puzzled about what Benson intended to say. In general she was clearly questioning her place in the world, pondering the validity of organized religion, wondering about women and heir fates, and more than once dealing with anger and depression. The writing is lovely: even at my most confused, I admired her style. But I could rarely ever think 'Oh, I know exactly how she felt!' when I finished the last line of a poem. That is not an absolute requirement for me when reading poetry, but it does help if it happens at least once.
I am going to keep this book link open for a few days so I can re-read (again) the poems. Even if I don't manage to 'get' them all, they are worth the effort. And next month (or Someday soon) I will try to read the two novels of Benson's that are also available at Gutenberg. I hope her prose is as lovely as her poetry.
"Has the past died before this present sin? Has this most cruel age already stonèd To martyrdom that magic Day, within Those halls, enthronèd."
"Yes, I have built To-day, a wall against To-morrow, So let To-morrow knock—I shall not be afraid, For none shall give me death, and none shall give me sorrow."
(TO THE UNBORN) "Oh, bend your eyes, nor send your glance about. Oh, watch your feet, nor stray beyond the kerb. Oh, bind your heart lest it find secrets out. For thus no punishment Of magic shall disturb Your very great content. Oh, shut your lips to words that are forbidden. Oh, throw away your sword, nor think to fight. Seek not the best, the best is better hidden. Thus need you have no fear, No terrible delight Shall cross your path, my dear. Call no man foe, but never love a stranger. Build up no plan, nor any star pursue. Go forth with crowds; in loneliness is danger. Thus nothing God can send, And nothing God can do Shall pierce your peace, my friend."
(TRUE PROMISES) "You promised War and Thunder and Romance. You promised true, but we were very blind And very young, and in our ignorance We never called to mind That truth is seldom kind. You promised love, immortal as a star. You promised true, yet how the truth can lie! For now we grope for hands where no hands are, And, deathless, still we cry, Nor hope for a reply. You promised harvest and a perfect yield. You promised true, for on the harvest morn, Behold a reaper strode across the field, And man of woman born Was gathered in as corn You promised honour and ordeal by flame. You promised true. In joy we trembled lest We should be found unworthy when it came; But—oh—we never guessed The fury of the test! You promised friends and songs and festivals. You promised true. Our friends, who still are young, Assemble for their feasting in those halls Where speaks no human tongue. And thus our songs are sung."