In this sparkling debut, Matthew Hollis immerses us in the undercurrents of our lives. Love and loss are buoyed by a house full of milk, an orchard underwater, the laws of walking on water. Rainwater, floodwater, flux – the liquid landscapes which shift relentlessly in Ground Water – threaten and comfort by turns. Matthew Hollis's poems are brimming with courage in adversity as well as the promise of renewal, culminating in a powerful sequence about a father's struggle with terminal illness. Ground Water is a startling first collection from a remarkable new poet. Shortlisted for the Guardian First Book Award (the first time for a poetry book), Whitbread Poetry Award and Forward Prize for Best First Collection. Poetry Book Society Recommendation.
Some I really liked, some I missed. Didn't all feel like it hung together in the same collection for me.
Some things I noted down:
'like time given back, offered again; // as if all the words they failed to say // were spilled out on the quay and claimed // like undelivered letter finding home; // as if // we'd tapped our own lost tongue' - The Orchard Underwater
'We came with cases packed full of ourselves' - Clerance
'Few of us will touch the landscape in that way' - The Fielder
The River Drivers - liked the last stanza
'What I see in you I cannot live to, // too much the perfect picture of myself. // So I will leave, and leave you // the fragments of the me I seem' - In you more than you
'a causeway made // of temporality and water's Isotasy
'This much is truth, in principle at least.' - Isotasy
"harwonder', a tern of no strict definition, // but intimately ours - // musical, made up of us; // where language was a kind of touch, a pull' - Harwonder
'This day was spinning king before you stirred' - Election
'the rain in our mouth, // where we leave // language behind' - Passing Place
this was lovely! i picked it up by chance and i really enjoyed it. it brings up some really lovely imaginery, and is generally very tender. the last chunk is probably the heaviest and most impactful, but i really enjoyed the lighter, dreamier vibe of the first section as well. here are two of my favorite poem bits:
"not even the leaves can lay down with such gentleness or be touched so lightly as by your touch
in which i am, very simply, uncurling as a leaf uncurls in first spring, or folded, unfolds in your opening palm"
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"(...) because you are my fingertips, my perfect sight, an acre of wheat in a field of stone."