Barry Gifford is an American author, poet, and screenwriter known for his distinctive mix of American landscapes and film noir- and Beat Generation-influenced literary madness.
He is described by Patrick Beach as being "like if John Updike had an evil twin that grew up on the wrong side of the tracks and wrote funny..."He is best known for his series of novels about Sailor and Lula, two sex-driven, star-crossed protagonists on the road. The first of the series, Wild at Heart, was adapted by director David Lynch for the 1990 film of the same title. Gifford went on to write the screenplay for Lost Highway with Lynch. Much of Gifford's work is nonfiction.
Once my thesis is complete, I will be reading this - it's out-of-print but I found a good copy from alibris.com.
4/7/08 - Couldn't wait to complete the thesis - needed a break from the research. I'm surprised this book is out-of-print - a vital collection of Beat letters. This collection is much more graphic than subsequent collections that have been published.
This book has been on my to-read list since around 2012. Finally, 14 years later I pick it up and give it a try. And I'm glad I did.
The very early letters between Ginsberg and Cassady in the 1940s are not so interesting. Neither of them has yet to find his 'voice.' However, Cassady's letters in the early 50s are superb and Ginsberg's letters from his travels in Mexico around 1954 are beautifully and descriptively written.
As some other reviewers have pointed out, there are some saucy letters between Ginsberg and the bi-curious Cassady here which were left out of the so-called Collected Letters compiled by Carolyn Cassady. Someone really needs to put out a complete 'Collected Letters' of Cassady which includes the full Joan Anderson Letter (since it has now been discovered), these letters to Ginsberg and the letters from prison (collected in Grace Beats Karma). Or, alternatively, if you have this volume, the Collected, Grace Beats Karma, and the separately published Joan Anderson Letter (the one that inspired Kerouac to develop his spontaneous prose method), then you have pretty much most of them.
It's a real pity Neal didn't work harder on his writing because if his letters are any indication to go by, the man had talent.
I got obsessed with the Beats in my teens and early 20s. I was fascinated by why Neal Cassady was so fascinating to both Allen Ginsberg and Jack Kerouac. When I finished, my journal entry from that time says it was good but "kind of depressing."
As usual with reading a book of letters not all are interesting. Overall, interesting to read knowing the histories of the persons writing. Second book I was able to finish post-Eaton Fire. Other books read this year were for class and not worth mentioning.