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Starstruck #1
Starstruck
A new series set in the golden age of glam . . . Set in Old Hollywood, Starstruck follows the lives of three teen girls as they live, love, and claw their way to the top in a world where being a star is all that matters.
339 pages, Hardcover
First published March 12, 2013
About the author
Rachel Shukert
7 books122 followersRachel Shukert is the author the the critically acclaimed memoirs Everything Is Going To Be Great and Have You No Shame? Her writing has appeared in numerous publications including Salon, McSweeney's, Slate, Gawker, the Daily Beast, Heeb, and Nerve, and been featured on National Public RAdio. She has also contributed to a variety of anthologies, including Click: When We Knew We Were Feminists and Best American Erotic Poetry: 1800 to the Present.
Rachel is also a contributing editor at Tablet Magazine, and an alumnus of Ars Nova's illustrious Play Group. She received a BFA from Tisch School of the Arts, and now lives in New York City with her husband Ben and her bipolar cat, Anjelica Huston.
Rachel is also a contributing editor at Tablet Magazine, and an alumnus of Ars Nova's illustrious Play Group. She received a BFA from Tisch School of the Arts, and now lives in New York City with her husband Ben and her bipolar cat, Anjelica Huston.
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Displaying 1 - 30 of 119 reviews
March 18, 2013
It was one of those nights in Hollywood, the kind that made gossip columnists and newspapermen and the announcers on newsreels say, "It was one of those nights in Hollywood."
The glamour and magic of old Hollywood may be gone, but Rachel Shukert's captured the spirit of the era so perfectly, it's almost as if the Golden Age of film lives on in the pages of Starstruck. My favorite historical fictions are those that feel like magic even though the plot of course calls for no real magic, simply because everything about the subject period, the mood, the atmosphere, the whole works, comes alive as the pages fly by, and Starstruck is definitely such a book. Pure moviemaking magic.
Ok, I have to confess, I’m kind of a film buff. Names like Olivia de Havilland, Katherine Hepburn, and of course Clark Gable mean something to me, but even if theirs create the setting, Starstruck goes much deeper than just a few (famous) name drops. Sure, at its core it’s about three girls trying to make it big, get their names in lights, and the plot when you think about it isn’t so much different than Lauren Conrad’s book of the same name (which I have read, don’t ask), but unlike every other book about girls, fame, and Hollywood, only this Starstruck gives the meaningful insight into a bygone era that qualifies as so much more. And Margaret Frobisher... er Margo Sterling is the best kind of tour guide, because if you want to capture the glamour, tell a story about the movies, well you need a character that reflects the kind of excitement and enthusiasm and energy that’s at the heart of the Hollywood mythos, and hers is an attitude that’s absolutely infectious. Whether she’s excitedly pouring over the pages of the newest issue of Picture Palace, experiencing firsthand the wonder of Olympus Studios that day of her first audition, or even slowly piecing together the dark side behind the fame, I felt like I was there at every moment, and that’s how historical fiction succeeds.
More than that, Rachel Shukert sure knows how to cast a fully immersive spell. It’s not just getting the setting right, making sure the characters are in character, or shoving the anachronisms under the doormat, but it’s like this book lives and breathes 1930s Hollywood. I could approach the effect from many different angles, whether it’s the excitement, the name checking of period cars and designers, perfectly capturing not just the inner workings of a 1930s movie studio, but the atmosphere and tone as well, or even getting the politics of the day just right with characters who are clever reflections of the effects of the then rising Nazism and communism on the movies, but even for those who haven’t watched hours of documentaries on the subject, it’s easy to appreciate that Starstruck is a book that gets Hollywood’s Golden Age. And it’s the little things, Margaret’s father’s rant, director Raoul Kurtzman’s story, that line about the Karps and Goldwyns and the other power players of the movie business not being allowed into the Pasadena Country Club, that really sell it. For a classic movie buff, experiencing all of that is the fun.
If there is a problem, it’s that yeah the plot is still about three would-be starlets trying to make it big in Hollywood. It’s overdone, and Starstruck still follows the same basic pattern of a girl swept up by the glamour before she’s exposed to the dark side beneath the glamour while her not-quite-friends and sometimes rivals deal with their own problems, their stories intersecting at various points. Still, a few things do set Starstruck above the field - Margo’s story, even if overdone, works because hers alone is an exploration of a time most of us can only see in black and white - although she desperately needs a better best friend. And while Starstruck is about Margo, and Gabby, and Amanda, the specter of Margo’s missing predecessor Diana Chesterfield looms over everything, and it works as a reminder that, even as Margo climbs towards fame, something bigger, something from the nasty underbelly of Hollywood, is lurking in the background, waiting for that one slip up.
It’s easy to dismiss Starstruck as just another in a long line of entries starring a trio of would-be Hollywood starlets. It would also be a mistake. Starstruck is really a celebration of Hollywood’s Golden Age, and as a fan, I’m a fan.
March 1, 2014
3.5 stars
Was this book on the verge of trashy? Yes. Did I enjoy every minute of it? Yes.
Starstruck follows three young starlets trying to make it in the Golden Age of Hollywood--the innocent Margo Sterling, who's always dreamed of being in the movies and can't wait to make it out of Pasadena; Gabby Preston, who's a veteran of the vaudeville circuit at sixteen and caught between the studio and her mother; and Amanda Farraday, whose stunning looks hide a dark past that she hopes to erase forever. This book perfectly captures the aura of 30's Hollywood, from the clothing to the stars to the control that the studio exercises over it's stars' lives. It conveys both the glamour, as Margo is discovered reading a magazine in Schwab's Drugstore, and the dark side, as stars are forced to hide their unseemly secrets and Gabby is put on an endless regimen of pills to help her lose weight. The reader is always aware of the thin line that these stars walk and the sense of suspense that it creates, as the author slowly reveals the secrets of the studio, makes Starstruck a page-turner. The plot is fast-moving and full of surprises, some truly surprising.
Margo, Gabby, and Amanda are all intriguing protagonists. You always want them to succeed, but they're far from perfect, propelled by both their own flaws and the pressures of the studio system. Having three different main characters also allows the author to present a broader range of the starlet experience, and to investigate different kinds of narrative arcs and love stories. The supporting characters are also intriguing, if a little less developed. Finally, Starstruck may have some scandalous plot elements but it's also surprisingly (and pleasantly) progressive for a book like this. There's an examination of the kinds of roles women were restricted in during the 30's, a reminder of the conservative isolationists politics that were influential at the time (huzzah for historical accuracy), and a gay character. Overall, a series opener that manages to deliver a satisfying story while still making readers eager for the sequel. Recommended for readers of historical fiction and lovers of Old Hollywood glamour.
Was this book on the verge of trashy? Yes. Did I enjoy every minute of it? Yes.
Starstruck follows three young starlets trying to make it in the Golden Age of Hollywood--the innocent Margo Sterling, who's always dreamed of being in the movies and can't wait to make it out of Pasadena; Gabby Preston, who's a veteran of the vaudeville circuit at sixteen and caught between the studio and her mother; and Amanda Farraday, whose stunning looks hide a dark past that she hopes to erase forever. This book perfectly captures the aura of 30's Hollywood, from the clothing to the stars to the control that the studio exercises over it's stars' lives. It conveys both the glamour, as Margo is discovered reading a magazine in Schwab's Drugstore, and the dark side, as stars are forced to hide their unseemly secrets and Gabby is put on an endless regimen of pills to help her lose weight. The reader is always aware of the thin line that these stars walk and the sense of suspense that it creates, as the author slowly reveals the secrets of the studio, makes Starstruck a page-turner. The plot is fast-moving and full of surprises, some truly surprising.
Margo, Gabby, and Amanda are all intriguing protagonists. You always want them to succeed, but they're far from perfect, propelled by both their own flaws and the pressures of the studio system. Having three different main characters also allows the author to present a broader range of the starlet experience, and to investigate different kinds of narrative arcs and love stories. The supporting characters are also intriguing, if a little less developed. Finally, Starstruck may have some scandalous plot elements but it's also surprisingly (and pleasantly) progressive for a book like this. There's an examination of the kinds of roles women were restricted in during the 30's, a reminder of the conservative isolationists politics that were influential at the time (huzzah for historical accuracy), and a gay character. Overall, a series opener that manages to deliver a satisfying story while still making readers eager for the sequel. Recommended for readers of historical fiction and lovers of Old Hollywood glamour.
August 23, 2012
I really liked this. Definitely more the kind of Hollywood book I've been looking for. And a 30's one! FUN!!!
I liked that it didn't shy away from the negative aspects of Hollywood, especially the ones in the 30's, though I kind of wanted a little more idealism, too. Which might've been solved if there were a more conclusive ending. I can't tell if the loose ends are left for a potential sequel or if I'm just demanding too much. I mean, I don't need everything resolved, but I needed more than this book gave me.
Edit: Okay, looks like a sequel is on the way! I think I still wanted more from this ending, though. Just a little bit more.
I liked that it didn't shy away from the negative aspects of Hollywood, especially the ones in the 30's, though I kind of wanted a little more idealism, too. Which might've been solved if there were a more conclusive ending. I can't tell if the loose ends are left for a potential sequel or if I'm just demanding too much. I mean, I don't need everything resolved, but I needed more than this book gave me.
Edit: Okay, looks like a sequel is on the way! I think I still wanted more from this ending, though. Just a little bit more.
April 4, 2021
all the delicious golden age glitz and glam. a touch trope-y, but renders convincingly enough.
February 13, 2013
Two-second recap: As the first book in the start of a three-part series, Starstruck is everything a historical fiction YA reader could want in a book. It's well-written, romantic and brings the glamour of the golden age of Hollywood to life.
***
Full review:
I grew up on a steady diet of films from the golden age of Hollywood - e.g. Audrey Hepburn's My Fairy Lady; Jimmy Stewart's Mr. Smith Goes to Washington, and Bergman/Bogart's Casablanca.
These films taught me about romance, took me to far off places, and helped me dream big.
So when I learned that Rachel Shukert had written a YA book about the time period, I knew that this was something I had to read immediately.
(Because really - awesome starlets + the glamour of the old studios + YA = win/win, am I right?)
I'm thrilled to say that after reading Starstruck, it's everything that a fan of the era and a fan of YA could want in a book.
***
What worked:
* The characterizations. As the primary protagonist, Margaret - later to be reborn as Margo - is no wilting flower.
Yes, she's lived a very sheltered life in Pasadena, something Shukert illustrates very well with small details - e.g. Margaret's housekeeper; Margaret's nervousness when faced with the opposite sex - but she's also no wilting flower.
At one point, Margaret has to make an incredibly difficult decision involving her future hopes and aspirations. She makes that decision without batting an eye. It's a testament to Shukert's writing and characterization that the reader is instantly able to understand why Margaret's made the difficult choice.
* The multi-perspectives. Shukert makes the extremely clever decision of telling the book through three young women at very different points of their Hollywood career.
By diving the story between Margaret (Margo), Gabby and Amanda, Shukert keeps the narrative moving and avoids a common pitfall for seeking-stardom stories like these - exclusively focusing on the newcomer/young ingenue, which almost always results in the audience actively hating her.
(Smash on NBC, I'm looking at you. Also, considering Shukert writes Smash recaps for Daily Vulture, I'm guessing this is something she actively kept in mind when writing).
* The plotting. Shukert does an excellent job in developing Margaretevolution from innocent schoolgirl to the new Hollywood It Girl, in a logical, believable way. She provides enough detail and explanation for why Margaret is able to ascend so quickly, and at no point, does it feel unbelievable or larger-than-life.
* As part of the plotting - the mystery. There's an ongoing mystery in the book, and it keeps the reader guessing until the very end. The eventual reveal is very heartbreaking, and completely not what I expected.
* On that note, Shukert also incorporates some of the downsides of living a life in the Hollywood spotlight in a thoughtful, respectful manner. In the hands of another writer, some of the plotlines incorporated could have easily veered into melodrama.
(Smash, still looking at you.)
In Shukert's hands, these plotlines make you reflec, and honestly, leave you actually sort of saddened at the price that some people must (and are willing to) pay for fame.
***
What didn't work/Things to consider
Honestly, nothing. Even my usual critique that a multiple-perspective storyline can often take away from overall character development e.g Breathe, doesn't apply here.
The only thing I'd want Shukert to explore more, is Olive Moore's interest in Margaret. It seemed a little out of left field, but I'm guessing there's going to be more to come in the sequels!
***
Final verdict: Starstruck lives up to its title - it's a glamorous, sparkling addition to historical YA books.
I would recommend the book for slightly older YA readers, simply due to the content in the book. However, if you're dealing with a very mature young adult, than by all means - go for it.
***
Full review:
I grew up on a steady diet of films from the golden age of Hollywood - e.g. Audrey Hepburn's My Fairy Lady; Jimmy Stewart's Mr. Smith Goes to Washington, and Bergman/Bogart's Casablanca.
These films taught me about romance, took me to far off places, and helped me dream big.
So when I learned that Rachel Shukert had written a YA book about the time period, I knew that this was something I had to read immediately.
(Because really - awesome starlets + the glamour of the old studios + YA = win/win, am I right?)
I'm thrilled to say that after reading Starstruck, it's everything that a fan of the era and a fan of YA could want in a book.
***
What worked:
* The characterizations. As the primary protagonist, Margaret - later to be reborn as Margo - is no wilting flower.
Yes, she's lived a very sheltered life in Pasadena, something Shukert illustrates very well with small details - e.g. Margaret's housekeeper; Margaret's nervousness when faced with the opposite sex - but she's also no wilting flower.
At one point, Margaret has to make an incredibly difficult decision involving her future hopes and aspirations. She makes that decision without batting an eye. It's a testament to Shukert's writing and characterization that the reader is instantly able to understand why Margaret's made the difficult choice.
* The multi-perspectives. Shukert makes the extremely clever decision of telling the book through three young women at very different points of their Hollywood career.
By diving the story between Margaret (Margo), Gabby and Amanda, Shukert keeps the narrative moving and avoids a common pitfall for seeking-stardom stories like these - exclusively focusing on the newcomer/young ingenue, which almost always results in the audience actively hating her.
(Smash on NBC, I'm looking at you. Also, considering Shukert writes Smash recaps for Daily Vulture, I'm guessing this is something she actively kept in mind when writing).
* The plotting. Shukert does an excellent job in developing Margaretevolution from innocent schoolgirl to the new Hollywood It Girl, in a logical, believable way. She provides enough detail and explanation for why Margaret is able to ascend so quickly, and at no point, does it feel unbelievable or larger-than-life.
* As part of the plotting - the mystery. There's an ongoing mystery in the book, and it keeps the reader guessing until the very end. The eventual reveal is very heartbreaking, and completely not what I expected.
* On that note, Shukert also incorporates some of the downsides of living a life in the Hollywood spotlight in a thoughtful, respectful manner. In the hands of another writer, some of the plotlines incorporated could have easily veered into melodrama.
(Smash, still looking at you.)
In Shukert's hands, these plotlines make you reflec, and honestly, leave you actually sort of saddened at the price that some people must (and are willing to) pay for fame.
***
What didn't work/Things to consider
Honestly, nothing. Even my usual critique that a multiple-perspective storyline can often take away from overall character development e.g Breathe, doesn't apply here.
The only thing I'd want Shukert to explore more, is Olive Moore's interest in Margaret. It seemed a little out of left field, but I'm guessing there's going to be more to come in the sequels!
***
Final verdict: Starstruck lives up to its title - it's a glamorous, sparkling addition to historical YA books.
I would recommend the book for slightly older YA readers, simply due to the content in the book. However, if you're dealing with a very mature young adult, than by all means - go for it.
This entire review has been hidden because of spoilers.
October 3, 2012
For those attracted to the glamour and lights of Hollywood, this will be a perfect read for you. We first meet Margaret, who becomes Margo later on, as she sits in a diner near the flashy streets of Hollywood. We soon learn that she is about to be discovered by one of Hollywood’s biggest names, Larry Julius. Margaret’s story turns into a story about three girls who are all trying to make names for themselves while pushing and shoving their way through the Hollywood lights, camera, and definitely a whole lot of action! When the famous Diana Chesterfield turns up missing everyone starts questioning their positions and who they can really trust.
I will be very honest when I say that this book started off a little slow to me. I have always been intrigued with Hollywood and all the publicity, stars, and mysterious stories that surround it; however, when I first started reading I was getting a little tired of the background information and wanted to cut right to the chase. Things did pick up drastically once we find all three girls in the center of the action. Margo’s life was rather mundane at home and I was tired of reading about her life as a schoolgirl. But when she got to Hollywood and was thrown in the lion’s den, the plot certainly became a lot more interesting and the story took some amazing twists and turns.
Two things in this book were done really well. One was a character. Amanda Farraday was my absolute favorite character and I loved rebellious personality and the fact that she came from a horrible background, but rose above it. She was written with this fire and spark that none of the other characters had and I absolutely loved it. Secondly, I loved the mystery behind the missing Diana Chesterfield. I kept relating her story to Marilyn Monroe, in a way, because that is just how I have always viewed Hollywood in the early and middle 1900’s. Her missing character had me on edge and it was one of the driving aspects that made me get through this novel so quickly!
***A HUGE thank you to the publishers at Delacorte Books for Young Readers for providing me with a copy of this book in exchange for my honest review***
I will be very honest when I say that this book started off a little slow to me. I have always been intrigued with Hollywood and all the publicity, stars, and mysterious stories that surround it; however, when I first started reading I was getting a little tired of the background information and wanted to cut right to the chase. Things did pick up drastically once we find all three girls in the center of the action. Margo’s life was rather mundane at home and I was tired of reading about her life as a schoolgirl. But when she got to Hollywood and was thrown in the lion’s den, the plot certainly became a lot more interesting and the story took some amazing twists and turns.
Two things in this book were done really well. One was a character. Amanda Farraday was my absolute favorite character and I loved rebellious personality and the fact that she came from a horrible background, but rose above it. She was written with this fire and spark that none of the other characters had and I absolutely loved it. Secondly, I loved the mystery behind the missing Diana Chesterfield. I kept relating her story to Marilyn Monroe, in a way, because that is just how I have always viewed Hollywood in the early and middle 1900’s. Her missing character had me on edge and it was one of the driving aspects that made me get through this novel so quickly!
***A HUGE thank you to the publishers at Delacorte Books for Young Readers for providing me with a copy of this book in exchange for my honest review***
February 3, 2013
I absolutely enjoyed reading Rachel Shukert's debut YA novel Starstruck! Set in the 1930s, Rachel Shukert sweeps you away into the glamorous world of Old Hollywood, where dazzling lights flash and future film stars are born seemingly overnight. I hadn't heard too much about Starstruck beforehand, but once I read the plot description, I was immediately captivated and just had to know more.
The lives of Margaret Frobisher, Gabby Preston, and Amanda Farraday are about to intertwine as they chase their dreams and learn that fame always comes with a price. Margaret had a privileged upbringing, but she wants a very different future than the one her strict parents have always expected her to have. She doesn't want a life of country clubs nor settling down to marry a rich man and carrying out the duties of a wife. No, what she wants is freedom and independence, a chance to be in the movies she has loved ever since she was a little girl.
Gabby has been performing acts for years to support her mother and herself, and still feels the pressure to always work harder. She's a well-trained singer and dancer, but her youthful looks have typecasted her into roles which have stopped her from becoming a leading lady. Amanda is determined to forget her past and be more than just the girl with a sultry body that attracts the eyes of men whenever she walks into a room.
Not all that glitters is gold in Old Hollywood though, and at the heart of Starstruck is Margaret's growing curiosity in the mysterious disappearance of Diana Chesterfield, a famous starlet everyone at Olympus Studios only speaks about in whispers. What makes it all the more complicated are Margaret's growing feelings for Dane Forrest, her new co-star who was rumoured to be dating Diana before she suddenly vanished.
If you love reading historical fiction novels with a tantalizing combination of glamour, secrets and mystery, then I would absolutely recommend Rachel Shukert's Starstruck! I have a feeling Starstruck will be underrated by many readers, so I sure hope the novel gets some love and attention because it definitely deserves it!
The lives of Margaret Frobisher, Gabby Preston, and Amanda Farraday are about to intertwine as they chase their dreams and learn that fame always comes with a price. Margaret had a privileged upbringing, but she wants a very different future than the one her strict parents have always expected her to have. She doesn't want a life of country clubs nor settling down to marry a rich man and carrying out the duties of a wife. No, what she wants is freedom and independence, a chance to be in the movies she has loved ever since she was a little girl.
Gabby has been performing acts for years to support her mother and herself, and still feels the pressure to always work harder. She's a well-trained singer and dancer, but her youthful looks have typecasted her into roles which have stopped her from becoming a leading lady. Amanda is determined to forget her past and be more than just the girl with a sultry body that attracts the eyes of men whenever she walks into a room.
Not all that glitters is gold in Old Hollywood though, and at the heart of Starstruck is Margaret's growing curiosity in the mysterious disappearance of Diana Chesterfield, a famous starlet everyone at Olympus Studios only speaks about in whispers. What makes it all the more complicated are Margaret's growing feelings for Dane Forrest, her new co-star who was rumoured to be dating Diana before she suddenly vanished.
If you love reading historical fiction novels with a tantalizing combination of glamour, secrets and mystery, then I would absolutely recommend Rachel Shukert's Starstruck! I have a feeling Starstruck will be underrated by many readers, so I sure hope the novel gets some love and attention because it definitely deserves it!
August 10, 2012
*A copy was provided by Random House for review purposes*
What a star-studded story! I don’t think I’ve ever read a book with this particular focus, and, I must say, I rather enjoyed it! The idea was so awesome, and I really enjoyed how the foreshadowing played into the book, and how the circumstances all lined up. It was really a very well thought through book, with fluid writing, perfect staging, and a few twists to keep the story interesting. Add in a few attractive actors, cut-throat actresses, and crazy producers, and you’ve got yourself a book! One thing that I really loved about this book was the fact that there were multiple points of view, but only one person was the main character really, and the other characters fed into her story (does that make sense? I know I just kind of contradicted myself). I really loved the ending and all the twists that it was made of – I never in a million years saw that one coming! But this was just a very solid book, and I thoroughly enjoyed it. I wonder if there’s going to be a sequel though, because I never found out what happened to the other two supporting characters…
The three points of views that were featured in this book was those of Margo, Amanda, and Gabby. The last two had shadowed pasts, and Margo was a rising star. Perfect! I really liked each of them because they all were a huge part of the story, had such strong personalities, and really made a difference. Margo was a sweet belle who wasn’t used to Hollywood, Amanda was a seasoned – well, let’s call her actress – and was as cut-throut as anyone, and Gabby was having major issues. What a cast! Not to mention Dane, the love interest, who was definitely lovely.
All in all, this book was beautifully written, had awesome characters, and terrible twists. What more could you want????
What a star-studded story! I don’t think I’ve ever read a book with this particular focus, and, I must say, I rather enjoyed it! The idea was so awesome, and I really enjoyed how the foreshadowing played into the book, and how the circumstances all lined up. It was really a very well thought through book, with fluid writing, perfect staging, and a few twists to keep the story interesting. Add in a few attractive actors, cut-throat actresses, and crazy producers, and you’ve got yourself a book! One thing that I really loved about this book was the fact that there were multiple points of view, but only one person was the main character really, and the other characters fed into her story (does that make sense? I know I just kind of contradicted myself). I really loved the ending and all the twists that it was made of – I never in a million years saw that one coming! But this was just a very solid book, and I thoroughly enjoyed it. I wonder if there’s going to be a sequel though, because I never found out what happened to the other two supporting characters…
The three points of views that were featured in this book was those of Margo, Amanda, and Gabby. The last two had shadowed pasts, and Margo was a rising star. Perfect! I really liked each of them because they all were a huge part of the story, had such strong personalities, and really made a difference. Margo was a sweet belle who wasn’t used to Hollywood, Amanda was a seasoned – well, let’s call her actress – and was as cut-throut as anyone, and Gabby was having major issues. What a cast! Not to mention Dane, the love interest, who was definitely lovely.
All in all, this book was beautifully written, had awesome characters, and terrible twists. What more could you want????
April 3, 2013
INSIDE RACHEL CLOVER ... I use that headline because for me Rachel Shukert's novel (the first of a trilogy, which is very good news) compares to one of my favorite books of all time, which is: INSIDE DAISY CLOVER, by Gavin Lambert. Ms. Shukert tells the story of three very different girls
in Hollywood in the 30's, all of them starstruck not only by Hollywood itself but by a fantasized dream of themselves. Shukert knows
her way around the tangled freeways of the show business novel (and her sense of period, and evident love of Hollywood, are
everywhere), but she also keeps just enough distance from the page-turning goings-on of her girls so we can see this is a larger
story about identity, a timeless one about how a young woman struggles to become herself and about the obstacles the world throws in her way.
STARSTRUCK is categorized as a YA, which is both just right and also doesn't do it justice; this could and should become one of those Young Adult novels "That Adults Read, Too!". I look forward to the next book in the series, which I haven't said since the RABBIT books.
in Hollywood in the 30's, all of them starstruck not only by Hollywood itself but by a fantasized dream of themselves. Shukert knows
her way around the tangled freeways of the show business novel (and her sense of period, and evident love of Hollywood, are
everywhere), but she also keeps just enough distance from the page-turning goings-on of her girls so we can see this is a larger
story about identity, a timeless one about how a young woman struggles to become herself and about the obstacles the world throws in her way.
STARSTRUCK is categorized as a YA, which is both just right and also doesn't do it justice; this could and should become one of those Young Adult novels "That Adults Read, Too!". I look forward to the next book in the series, which I haven't said since the RABBIT books.
March 20, 2013
This is the perfect combination of historical fiction and young adult drama. Set in the glamorous Hollywood of the 30's when every little girl's dream was to be a young starlet up on the huge movie screen, Starstruck tells the story of three young hopefuls. Margo, Gabby and Amanda come from different backgrounds and each has to give up something for the price of being a movie star. If you liked the Flapper series, Bright Young Things, or the Luxe series you will enjoy Starstruck. Each girl has to secrets that need to be hidden, each will have to learn the price of fame and each will remind you of someone you know. What is interesting is that their story isn't that different from what you hear about Hollywood today - the press, the studio, the politics and the pressure to be something you are not is all still there.
May 12, 2013
I'm a big fan of historical fiction and Starstruck fit the bill perfectly. Starstruck tells the story of three young women who have been raised in extremely different ways but who all have the same goal, to be a star. Margo Sterling comes from a wealthy, conservative Pasadena family who doesn't support her dreams of being on the big screen. Gabby Preston is the daughter of uber stage mom,Viola who pushes her daughter to the extreme while Amanda Farraday grew up in the dust bowl and moved to California to escape her abusive stepfather. I love the way the author gets the period details right and how she shows that not everything that glitters is gold. I'm excited to see that there is a sequel to this book as the last chapter had a HUGE reveal. Excellent young adult historical fiction! 4 stars!
March 11, 2013
I love, love, loved this book! I was totally swept away in the glamor and excitement of 1930s Hollywood, and all the thrilling insider rivalries and relationships. You really get to go behind the scenes of the movie industry in this fascinating period, and Shukert does a wonderful job balancing the historical details of the era with all the relatable drama of Margo, Gabby, and Amanda's journeys and ambition.
All the main characters were so well-drawn and interesting, and their dynamics were refreshing: this is definitely a book about female friendship and ambition, and although there are fun romantic entanglements, the girls are front and center, which I loved.
I can't wait for the sequel!
All the main characters were so well-drawn and interesting, and their dynamics were refreshing: this is definitely a book about female friendship and ambition, and although there are fun romantic entanglements, the girls are front and center, which I loved.
I can't wait for the sequel!
July 4, 2012
I've read Shukert's adult essay collections and, although the topic of her debut novel is vastly different, I could still recognize her sly humor and eye for detail. "Starstruck" is an amazing book, whether you read YA lit or not - full of all the glitter, glamour, and darkness of old Hollywood! I'm really hoping this is going to be a series, I'm not done with these characters and their world yet!
March 12, 2013
I couldn't put Starstruck down! I loved the period details, the saucy characters, and the DRAMZ! So soapy, so fun. I can't wait for the next one!
March 21, 2013
Read my review on Forever Young Adult:
http://foreveryoungadult.com/2013/03/...
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April 6, 2013
Looking forward to the next two.
September 20, 2014
Un-putdownable. I can't wait to read the second book.
June 10, 2018
This book is more of a 2.5/5 for me. I was entertained in some parts of this book, but I found most of the story boring. It would make a great movie though.
March 5, 2013
Loved, loved, LOVED this book!
March 18, 2023
Starstruck by Rachel Shukert
The scene opens in the Golden Age of Hollywood. Leaving the gilded gates of Pasadena behind, a young aspiring starlet enters the pearly gates of Olympus Studios on a promise to live forever on screen. The story is told from Margaret Frobisher's star-struck perspective. In accordance with the Hollywood star system, Margaret is given a shiny new name and glossy image to go along with it. At first, she observes Olympus with the same idealistic musing she had when spending hours at the soda shop beloved by working actors. Yet, her ideal dissipates to see the reality of the entertainment machine. I had the impression I was discovering these realities alongside her. The story's viewpoint is traded off between three protagonists: a fiery-haired vixen and muse to a screenplay writer with a debaucherous past she would rather keep secret, a pill-popping singer and dancer vying to shed her babydoll image, and Margaret. In my description I have noted these young women as aesthetic ideals, I enjoyed how the book delves into their complexities and struggles within the Hollywood system. By the book's conclusion, the reader will have a better understanding of the girls as individuals rather than the stereotypes of the vixen, the babydoll, and the debutante protege. I also enjoyed that the disappearance of Diana Chesterfield is introduced in the beginning and is tied in nicely throughout the story. Author Rachel Shukert crafts an immersive atmosphere to explore the inner workings of a 1930s movie studio. The minor characters support the era-accurate setting and do not shy away from exploring the “dark side” of this age through their conversations and comments.
For mature readers, themes of desire, Hollywood, and romance. This book is a must-read for anyone who enjoyed The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid.
The scene opens in the Golden Age of Hollywood. Leaving the gilded gates of Pasadena behind, a young aspiring starlet enters the pearly gates of Olympus Studios on a promise to live forever on screen. The story is told from Margaret Frobisher's star-struck perspective. In accordance with the Hollywood star system, Margaret is given a shiny new name and glossy image to go along with it. At first, she observes Olympus with the same idealistic musing she had when spending hours at the soda shop beloved by working actors. Yet, her ideal dissipates to see the reality of the entertainment machine. I had the impression I was discovering these realities alongside her. The story's viewpoint is traded off between three protagonists: a fiery-haired vixen and muse to a screenplay writer with a debaucherous past she would rather keep secret, a pill-popping singer and dancer vying to shed her babydoll image, and Margaret. In my description I have noted these young women as aesthetic ideals, I enjoyed how the book delves into their complexities and struggles within the Hollywood system. By the book's conclusion, the reader will have a better understanding of the girls as individuals rather than the stereotypes of the vixen, the babydoll, and the debutante protege. I also enjoyed that the disappearance of Diana Chesterfield is introduced in the beginning and is tied in nicely throughout the story. Author Rachel Shukert crafts an immersive atmosphere to explore the inner workings of a 1930s movie studio. The minor characters support the era-accurate setting and do not shy away from exploring the “dark side” of this age through their conversations and comments.
For mature readers, themes of desire, Hollywood, and romance. This book is a must-read for anyone who enjoyed The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid.
March 24, 2018
I really enjoyed the first half of this book. I was definitely rooting for Margaret to get what she wanted and felt for her as she tried to navigate though a Hollywood that was completely different from what she'd imagined. Honestly, in many ways, it's a heartbreaking story. I found the storyline with the main love interest to be somewhat lacking. I wasn't really rooting for them to be together, so I got a bit bored toward the end, but I'd say it picked up enough to hold my interest.
As for the other main characters, Amanda Farraday and Gabby Preston, I'd say that each of them had stories that were equally compelling and heartbreaking. The author did a good job fleshing them all out so that I felt and rooted for each of the characters, even as the omnipotent narrator perspective in which the story was told made sure I knew of the complications even before the characters did. Really ramped up the heartbreaking aspect of the story.
There were some questions left unanswered, which initially annoyed me until I realized there was another book, so I'll withhold judgment there until I read the second book. Starstruck was fascinating peak behind the curtain of Hollywood during the Gilded Age. The writing, story, characters were all well done and made this a really enjoyable read. I would definitely recommend this books to people who like reading books about Hollywood.
Final Rating: 3.5
As for the other main characters, Amanda Farraday and Gabby Preston, I'd say that each of them had stories that were equally compelling and heartbreaking. The author did a good job fleshing them all out so that I felt and rooted for each of the characters, even as the omnipotent narrator perspective in which the story was told made sure I knew of the complications even before the characters did. Really ramped up the heartbreaking aspect of the story.
There were some questions left unanswered, which initially annoyed me until I realized there was another book, so I'll withhold judgment there until I read the second book. Starstruck was fascinating peak behind the curtain of Hollywood during the Gilded Age. The writing, story, characters were all well done and made this a really enjoyable read. I would definitely recommend this books to people who like reading books about Hollywood.
Final Rating: 3.5
March 30, 2020
This book needed to be longer. (SPOILERS AHEAD.)
The story itself was interesting enough, but once the mystery of Diana Chesterfield was solved, everything was quickly wrapped up, and there were way to many loose ends. I know there is a sequel that dives into this more, (I was relieved when I found out about the sequel; this book's ending would really suck without it.) but the last chapter with Amanda's point of view ended with her breaking up with Harry in a catastrophic way. Gabby's last chapter ended with her basically succumbing to the drugs. I feel like the author should have at least done two more chapters from their points of view. Those two stories just ended with no resolution. The story itself came to an unsatisfying conclusion. If the author was trying to leave off on a cliffhanger, it was unsuccessful in my opinion. Otherwise, this book was pretty interesting and I enjoyed it.
The story itself was interesting enough, but once the mystery of Diana Chesterfield was solved, everything was quickly wrapped up, and there were way to many loose ends. I know there is a sequel that dives into this more, (I was relieved when I found out about the sequel; this book's ending would really suck without it.) but the last chapter with Amanda's point of view ended with her breaking up with Harry in a catastrophic way. Gabby's last chapter ended with her basically succumbing to the drugs. I feel like the author should have at least done two more chapters from their points of view. Those two stories just ended with no resolution. The story itself came to an unsatisfying conclusion. If the author was trying to leave off on a cliffhanger, it was unsuccessful in my opinion. Otherwise, this book was pretty interesting and I enjoyed it.
April 9, 2026
I love old Hollywood and historical fiction books, but this I did not love.
The writing is fine and the plot sounded like it was right up my alley, but nothing was working for me. I didn't like any of these characters and while I was sympathetic to each of them and their journeys they got on my nerves especially Margo whose naivete bordered on over the top ridiculousness.
And speaking on over the top ridiculousness the plot while it started out fine enough it veered into a soap operaness that had me rolling my eyes and muttering to give me a break because all of it was so over the top it was stupid and pissed me off.
Anyways I think it's safe to say that this is a series I don't plan on continuing with.
The writing is fine and the plot sounded like it was right up my alley, but nothing was working for me. I didn't like any of these characters and while I was sympathetic to each of them and their journeys they got on my nerves especially Margo whose naivete bordered on over the top ridiculousness.
And speaking on over the top ridiculousness the plot while it started out fine enough it veered into a soap operaness that had me rolling my eyes and muttering to give me a break because all of it was so over the top it was stupid and pissed me off.
Anyways I think it's safe to say that this is a series I don't plan on continuing with.
May 17, 2017
Set in 1930's Old Hollywood and centered around three girls, at first, the writing was reminiscent of Anna Godbersen's Bright Young Things trilogy about the 1920's -- which I really enjoyed. However, it seemed to lose its pacing around the 65% mark. Although I didn't particularly love any of the characters, the time period was fun to read about, with the pharmacy, soda fountain, and debutante balls. In fact, I think I preferred the Pasadena setting over the Hollywood one. Eventually I will continue the series to see if a prediction of mine is right.
June 9, 2018
On my birthday last year, my friend gifted me a ton of brand new beautiful books. This was one of them. Looking at the cover, I thought this book was going to be absolute garbage. I was absolutely wrong. This novel is amazing. I have read it 3 times, and I am currently reading it again. The second book in the series is beautiful as well. 10/10
June 17, 2017
Honestly, I didn't have high hopes for this book. It's been sitting on my shelf for years, but I didn't expect much from it so it continued to sit. I'm glad I finally picked it up though, because it was a fun Hollywood read full of glamor, intrigue, drama, and even social commentary.
May 12, 2020
I loved the first 3/4 of the book. The setting of old Hollywood was so much fun to read. The plot twist at the end was surprising but I didn’t like it or how it carries on the the second book.
April 9, 2022
Well written—no. Story and characters that grab you at the beginning and keep you reading until you finish—yes.
October 5, 2013
Starstruck is the story of Margaret Frobisher, a teenager living in 1940’s Pasadena California shortly before the beginning of WWII. But the fact that it is before WWII is not much of a factor. This work of historical fiction aimed at a teenage reading audience is mostly a love letter to the Hollywood industry. As such, the writing style mimics perfectly, if not also tiresomely, the over-blown hyperbolic dialogue of movies of that era. This is especially true when Margaret gets discovered by a big studio executive as she is having a chocolate cream soda at Schwab’s pharmacy, a local hang-out for Hollywood hopefuls.
Let me set the scene: While Margaret sips her soda and discusses her favorite actress, Diana Chesterfield with Wally the soda jerk, in walks Larry Julius, director of the publicity department of the famous Olympus studios, where Diana Chesterfield is a contract player. He tells Margaret, “You got something, some fire under all that finishing-school class. Maybe this is crazy, but if you ever get a yen to see how that little mug of yours would hold up in front of a camera, you let me know.” He offers her a chance to have a screen test and gives her his card. Upon parting, when Margaret is overcome with the shock of finally getting her heart’s desire he asks, “Say duchess, you look pale. You okay?” Words like, “kiddo,” “duchess” and referring to the movies as “the pictures” are all part of a heightened vocabulary that is reflective of the movies of the 1940’s. It’s fun until it gets hard to take, especially when various characters are trying to “pitch some woo,” or “float some sweet talk,” i.e. be romantic. And, although the reading audience for this book may not know it, there’s even a line that is so close to a line in the movie, Gone with the Wind that it’s jarring. The line in the book goes, “Not once, in any emotional crisis since I’ve known you, do you ever seem to have your own handkerchief.” (p.277). The line in Gone with the Wind is, “Here, take my handkerchief. Never, at any crisis of your life, have I known you to have a handkerchief.” I suppose it is meant as an homage, but to me it just seemed like stealing.
In spite of this, it is a pretty engaging story. Margaret does get to be an actress and even a star, changing her name and much about herself in the process. She goes from being a naive finishing-school girl to a glamorous movie star who knows a thing or two about the uglier side of class structure and movie-making wheeling and dealing. Hired at first for her startling resemblance to Diana Chesterfield, she becomes a star in her own right with full studio publicity support. There’s also many interesting side characters, other contract actors with Olympus whose stories are perhaps more compelling than Margaret’s story. Gabby Preston plays the part of an “almost made it,” from vaudeville fame with a shameless stage mother who thinks nothing of pushing uppers and downers on her daughter,unscrupulously prescribed by a studio doctor. Amanda Farraday is in love with Harry Gordon, a “commie” script writer from New York. Harry knows nothing about Amanda’s past working for Olive Moore, a well-known manager of a house of prostitution. This is a dangerous secret to have in the uncertain world of make-or-break instant stardom. Jimmy Moore is the young movie idol that gets paired with Margaret in a romance that’s put on purely for the publicity. He is also a closeted homosexual. None of these character’s stories gets resolved by the book’s conclusion; a disappointment.
Tough issues like pill-pushing, homosexuality, class hypocrisy, prejudice, and even the abdication of King Edward VIII and his despicable support of Hitler are all lightly touched upon. It would have been great if one or two of these things would have been more thoroughly explored, but that would have been another book. This is above all the story of a rich girl who gets her dreams and then discovers that her dreams are not exactly as picture perfect as she would have hoped, all done up in the style of classic movie dialogue.
Let me set the scene: While Margaret sips her soda and discusses her favorite actress, Diana Chesterfield with Wally the soda jerk, in walks Larry Julius, director of the publicity department of the famous Olympus studios, where Diana Chesterfield is a contract player. He tells Margaret, “You got something, some fire under all that finishing-school class. Maybe this is crazy, but if you ever get a yen to see how that little mug of yours would hold up in front of a camera, you let me know.” He offers her a chance to have a screen test and gives her his card. Upon parting, when Margaret is overcome with the shock of finally getting her heart’s desire he asks, “Say duchess, you look pale. You okay?” Words like, “kiddo,” “duchess” and referring to the movies as “the pictures” are all part of a heightened vocabulary that is reflective of the movies of the 1940’s. It’s fun until it gets hard to take, especially when various characters are trying to “pitch some woo,” or “float some sweet talk,” i.e. be romantic. And, although the reading audience for this book may not know it, there’s even a line that is so close to a line in the movie, Gone with the Wind that it’s jarring. The line in the book goes, “Not once, in any emotional crisis since I’ve known you, do you ever seem to have your own handkerchief.” (p.277). The line in Gone with the Wind is, “Here, take my handkerchief. Never, at any crisis of your life, have I known you to have a handkerchief.” I suppose it is meant as an homage, but to me it just seemed like stealing.
In spite of this, it is a pretty engaging story. Margaret does get to be an actress and even a star, changing her name and much about herself in the process. She goes from being a naive finishing-school girl to a glamorous movie star who knows a thing or two about the uglier side of class structure and movie-making wheeling and dealing. Hired at first for her startling resemblance to Diana Chesterfield, she becomes a star in her own right with full studio publicity support. There’s also many interesting side characters, other contract actors with Olympus whose stories are perhaps more compelling than Margaret’s story. Gabby Preston plays the part of an “almost made it,” from vaudeville fame with a shameless stage mother who thinks nothing of pushing uppers and downers on her daughter,unscrupulously prescribed by a studio doctor. Amanda Farraday is in love with Harry Gordon, a “commie” script writer from New York. Harry knows nothing about Amanda’s past working for Olive Moore, a well-known manager of a house of prostitution. This is a dangerous secret to have in the uncertain world of make-or-break instant stardom. Jimmy Moore is the young movie idol that gets paired with Margaret in a romance that’s put on purely for the publicity. He is also a closeted homosexual. None of these character’s stories gets resolved by the book’s conclusion; a disappointment.
Tough issues like pill-pushing, homosexuality, class hypocrisy, prejudice, and even the abdication of King Edward VIII and his despicable support of Hitler are all lightly touched upon. It would have been great if one or two of these things would have been more thoroughly explored, but that would have been another book. This is above all the story of a rich girl who gets her dreams and then discovers that her dreams are not exactly as picture perfect as she would have hoped, all done up in the style of classic movie dialogue.
This entire review has been hidden because of spoilers.
March 19, 2013
This is a difficult review for me to write because I by and large mostly just review young adult books here and, even though this is a young adult book, for the most part I didn’t think it read like a young adult book at all. There were YA themes like figuring out who you want to be, removing your rose-colored glasses, and finding your first love, but all of it was set against the very mature world of 1930′s Hollywood that I thought it read more like an adult novel than a YA novel. All of which is just semantics when you boil it down to the fact that I enjoyed the book.
The story is told mostly from the perspectives of three young girls trying to make it in Hollywood: Margo (formerly Margaret), Gabby, and Amanda. All three come from very different backgrounds and have very different goals. Margo is a debutante from a wealthy Pasadena family who has lusted after movie stars for as long as she can remember. When she’s suddenly “discovered” one day she’s so excited and even though it means giving up a lot she eagerly decides to try to make it in Hollywood. Gabby has been a vaudeville performer her entire life and finally has a chance to break into Hollywood. Unlike Margo Gabby is more the cute girl next door than the classy debutante, but she desperately wants to be treated as an adult and is looking forward to starring in a musical that’s been written exclusively for her. Amanda is a poor orphan from Oklahoma who moved to Hollywood and got caught up in the world of Olive Moore, a famous Hollywood madam. After several lucrative years working for Olive, Amanda finally gets a break in Hollywood thanks to falling in love with the up-and-coming screenwriter, Harry.
In the background is Hollywood it-girl Diana Chesterfield, the huge star that Margo has looked up and who Margo dreams of befriending. Diana has disappeared and no one is talking about what happen to her and Margo isn’t sure she can trust Dane, Margo’s co-star and boyfriend. I didn’t love that the story was told from all three girls’ perspectives, I liked all three of them, but sometimes I thought it broke up the story and made it seem choppy. Plus, most of the story revolved around Margo so at times it seemed like an unnecessary distraction to have to and follow Amanda or Gabby’s story.
The thing that surprised me the most about this book might also be the thing I liked the most: how dark this book was. I went into it thinking it would be a mostly fun story about three young girls in old Hollywood with some mystery and intrigue thrown in, but in reality it was a dark, almost scary story, which is part of what made it hard for me to think of as YA. There’s prostitution, sex, rape, drinking, drugs, and lots of manipulation. Today’s Lindsay Lohans and Justin Biebers are pretty screwed up, but I honestly don’t know if they have anything on these old Hollywood types.
Also, I think the story is a lot more enjoyable if you’re familiar with the real life actors and Hollywood players of this time period. I don’t claim to be an expert, but most of the names in the story were familiar to me and I knew something about each of them. I think if you didn’t know that Carol Lombard and Clark Gable were together or that the actress, Gene Tierney, Leo Karp references competing with Margo for a part went on to be a big star or that Joan Crawford was Mommy Dearest, you lose some of the story.
Bottom Line: If you like old Hollywood or if you’re interested in stories about the dangers of fame I would definitely recommend this book. If you’re looking for a fun historical fiction story about Hollywood I might tell you to think twice. That said, I really ended up enjoying this one, despite a slow start, once I got used to the characters and the somewhat disturbing nature of the story.
This review first appeared on my blog.
The story is told mostly from the perspectives of three young girls trying to make it in Hollywood: Margo (formerly Margaret), Gabby, and Amanda. All three come from very different backgrounds and have very different goals. Margo is a debutante from a wealthy Pasadena family who has lusted after movie stars for as long as she can remember. When she’s suddenly “discovered” one day she’s so excited and even though it means giving up a lot she eagerly decides to try to make it in Hollywood. Gabby has been a vaudeville performer her entire life and finally has a chance to break into Hollywood. Unlike Margo Gabby is more the cute girl next door than the classy debutante, but she desperately wants to be treated as an adult and is looking forward to starring in a musical that’s been written exclusively for her. Amanda is a poor orphan from Oklahoma who moved to Hollywood and got caught up in the world of Olive Moore, a famous Hollywood madam. After several lucrative years working for Olive, Amanda finally gets a break in Hollywood thanks to falling in love with the up-and-coming screenwriter, Harry.
In the background is Hollywood it-girl Diana Chesterfield, the huge star that Margo has looked up and who Margo dreams of befriending. Diana has disappeared and no one is talking about what happen to her and Margo isn’t sure she can trust Dane, Margo’s co-star and boyfriend. I didn’t love that the story was told from all three girls’ perspectives, I liked all three of them, but sometimes I thought it broke up the story and made it seem choppy. Plus, most of the story revolved around Margo so at times it seemed like an unnecessary distraction to have to and follow Amanda or Gabby’s story.
The thing that surprised me the most about this book might also be the thing I liked the most: how dark this book was. I went into it thinking it would be a mostly fun story about three young girls in old Hollywood with some mystery and intrigue thrown in, but in reality it was a dark, almost scary story, which is part of what made it hard for me to think of as YA. There’s prostitution, sex, rape, drinking, drugs, and lots of manipulation. Today’s Lindsay Lohans and Justin Biebers are pretty screwed up, but I honestly don’t know if they have anything on these old Hollywood types.
Also, I think the story is a lot more enjoyable if you’re familiar with the real life actors and Hollywood players of this time period. I don’t claim to be an expert, but most of the names in the story were familiar to me and I knew something about each of them. I think if you didn’t know that Carol Lombard and Clark Gable were together or that the actress, Gene Tierney, Leo Karp references competing with Margo for a part went on to be a big star or that Joan Crawford was Mommy Dearest, you lose some of the story.
Bottom Line: If you like old Hollywood or if you’re interested in stories about the dangers of fame I would definitely recommend this book. If you’re looking for a fun historical fiction story about Hollywood I might tell you to think twice. That said, I really ended up enjoying this one, despite a slow start, once I got used to the characters and the somewhat disturbing nature of the story.
This review first appeared on my blog.
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