A play by the co-writer of Moonlight. I saw that American Players Theatre will be performing one of his plays this summer and so was inspired to find a copy of another of his plays in our public library's Hoopla collection.
Sensitive and raw--a play about a young African American man who yearns to know about his father' complicated relationships and his own sexual identity and place in the world. An exploration of shame and love. The language is mythic and lyrical.
Struck me as a little more scattered than the first two parts of the trilogy. Some of the same quick, clever dialogue and its dreams play with the mystical or mythical again, but it felt a little more rushed or superficial. I’d like to see what a production could do to help with developing those moments.
the last of a trilogy of plays by McCraney. i love the idea of connecting characters over 3 distinct stories, and it made very astute arguments about identity and community. i just simply wasn't super engaged by the plot.
This play and its two companions "In the Red and Brown Water" and "The Brothers Size" comprise McCraney's noted trilogy, "The Brother/Sister Plays." They are first-rate theater by someone who experienced first-hand the resistance and opposition that society habitually offers talented Afro-Americans. Inspired work, enjoyable reading.
I am fascinated by the style and dialogue of McCraney's plays, having assisted with the Pittsburgh City Theatre's performance of Brother's Size. The simple, spoke stage directions and imaginative freedom his writing offers make me eager to see all three plays performed in one venue, with one cast some day.