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The Self-Enchanted

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'Christopher's house stood out on its cliff like stages of lunar madness. It was the night of the first storm, not of winter, but of that week before winter which is the last warning to all creatures to dig themselves in...' Christopher Barocco is a self-made man of considerable means who decrees the building of a house in his image, to be carved out of a wild and treacherous Californian hillside in the Sierra Nevada valleys. However, as those who are drawn into his grand design soon discover, Barocco is also a man with a shadowy past; and the house is not destined to be a place where he will find peace but, rather, a catalyst for passion, violence, and death. First published in 1956, The Self-Enchanted was David Stacton's third novel. 'A Gothic extravaganza... [Stacton] seems to participate with so much fervour in the fantasies he describes.' Times Literary Supplement

314 pages, Paperback

First published April 1, 2012

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About the author

David Stacton

50 books10 followers
Aka Bud Clifton

David Derek Stacton (1925–1968) was a U.S. novelist, historian and poet. He was born on 25 April 1925 in Minden, Nevada. Stacton attended Stanford University from 1941–43, and graduated from the University of California, Berkeley in 1951. He served in the Civilian Public Service as a conscientious objector then lived in Europe from 1950–1954, 1960–1962, and 1964–1965. Stacton wrote under the pseudonyms Carse Boyd, Bud Clifton, David Dereksen and David West. Most of his books were originally published in England. He died of a stroke 19 January 1968 in Fredensborg, Denmark.

Stacton's novels are often low in dialogue, and his better novels are instead full of his witty scornful comments on his characters and life. At his best Stacton had an epigrammatic style and enjoyed a sophisticated irony, although antipathetic critics took him to task for pretentious vocabulary, a tendency to florid paradoxes, and anachronistic allusions (i.e. describing a 14th century Zen garden using phrases from Marianne Moore and Peter Pan). In 1963, Time magazine praised his work as "masses of epigrams marinated in a stinging mixture of metaphysics and blood" and suggested that "something similar might have been the result if the Duc de la Rochefoucauld had written novels with plots suggested by Jack London". His other literary influences include Walter Pater, for his choice of characters with frustrated artistic and emotional longings, and Lytton Strachey for his witty attention to history. Several of Stacton's novels feature homosexual characters prominently. Fans of David Stacton include John Crowley, Thomas M. Disch, and Peter Beagle.

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Displaying 1 - 2 of 2 reviews
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97 reviews9 followers
October 28, 2016
Started off very promising - strange, beguiling, and gothic - but about half way began to become increasingly directionless and bland in both plot and character. I understand it was one of Stacton's first books, and that his historical novels are "where it's at", so I'm not discouraged, just disappointed.
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