This is literally the most cringeworthy book on witchcraft I've read, ever.
It starts off pretty mediocre. There's the superficial Wicca 101 stuff, a section on making offerings (fortunately one that discourages glitter, which I've seen seriously suggested in other books) and information or Paracelsus' elementals. There's a fairy-flavoured reinterpretation of the sun signs. All in all, pretty much what you'd expect from such a book like this, nothing special.
It takes a terrible turn in Chapter 6, 'Joy'. In this chapter, the author goes though fairy festivals, lists awful fairy-themed magazines, fills a good 30 pages of the ebook with pictures of tacky fairy costumes, then pens a whole section about making the costumes for the kid's birthday parties she performs at, including pictures of her shopping (no joke).
Frankly, this part of the book frankly made me immensely embarrassed to share the label 'witch' with the author and her renfair friends. Apparently, the 'fairy lifestyle' is a thing, and it involves dressing up in a sexualized version of children's fairy costumes and going to festivals with all the clichés-- fire-twirlers, glowering goth girls in unflattering haircuts, bellydancers, corsets. Clearly, the Craft -- or what little of it there is in this book -- came after the LARPing. It's like everything (well, almost everything) I hate about pagan culture distilled into 50 pages. Even as someone who objects to magicians who deliberately hide their techniques so they can't be used by others, it makes me want to rip the fairy parts from my personal grimoire and bury them in the backyard so that no one who would read this book and think it has good ideas in it might ever mix any of what's in this book with my own work.
Although this chapter, supposedly on 'joy', is just a paper-thin excuse for the author to write about playing dress-up, I find the idea that joy and playfulness is an essential part of having relationships with fairies to be really vapid and infantile, even for the commercialized 20th century 'love-and-light' fairy that this book is about. It indicates to me that the author hasn't though about it with any depth for more than a couple seconds. As much as we like to project our longing for the innocence of both childhood and a bucolic rural past onto fairies, they are but fairy-fires. Nature, (both in the sense of trees, mountains or flowers and human nature) is pretty brutal at times. Even the dandelion so many fairies have perched on delicately in paintings has a dark secret -- dandelions poison the seeds of some other flowers so that they will never grow. Any well-rounded fairy-based witchcraft has to come to terms with this in an intelligent manner. It can't be covered up with glittery face-paint.
The final chapter is just a rather advertorial set of interviews of some artists and practitioners of various kinds of fairy-based 'spirituality' (for lack of a better word). It's fine for what it is, though sometimes it comes across as if the author is trying to wring a spiritual interpretation of their work out of the artists they are interviewing.
I know 'gatekeeping' is frowned upon in online pagan circles and we're all supposed to hold our tongues about other people's practices (witchcraft is, like, personal, man) but some things just do not deserve respect if we are to have any integrity at all. This is one of those things: it's childish, insipid, unintelligent, tacky and clearly born from a desire to play pretend rather than from respect of the spirits she claims to contact. I'm sure the author is a perfectly nice woman, but I can't help feeling intense frustration, even anger, at the fact this was published as if it were a serious pagan book. Even though I really dislike the dressing up, I could at least appreciate it a little if the author would acknowledge that she is playacting and that this isn't real witchcraft at all. But, no, there are no signs of that ever happening.
It shocks me that it has four stars. I hope most of the four and five star ratings are from people who just like the aesthetic and the art. I mean, if you want to know how to design a fairy costume for a festival, then this is the book for you.
Oh yeah, did I mention this book takes otherkin seriously? Oh dear...