Not as good as his The Girl Who Married the Moon, but it's still very good. This one focuses on stories about monsters of one sort or another.
These are mostly educational stories: Beware that you don't brag too much. Beware that you respect your elders. Beware you stay away from that dangerous river bank or that dangerous bog.
It was interesting how local some of these stories were - especially those warning away from a particular dangerous activity or location.
Retellings of legendary monster stories from the oral traditions of Northeast nations. Most of these tales were told to young children to warn them away from venturing into dangerous territories (like near cliff edges or swampy bogs). Others were told to teach children humility, to respect their elders, the power of intelligence over greed or pride, trust in their parents' stories.
As an adult, there were only 2 that creeped me out. However, each of the illustrations was way creepy and wholly evoked the "monster story" vibe.
When the Chenoo Howls is a collection of children’s scary stories from Indigenous tribes around the Northeastern United States area, printed in 1998. It begins in long-ago folklore and slowly progresses to the modern age, with tales of heros who depend on their wits, monsters that sometimes win, and naughty children. The collection has a good mix of gender representation, but no queer inclusion. There is a very handy pronunciation guide at the end of the book, and an explanation of the monster within the story at the end of each tale- along with sourced materials (some of them are traditional oral tales that have gone unpublished until this collection came out, others come from out-of-print collections decades old). Apparently Joseph Bruchac (Abenaki), the father in this father-son book collaboration, is a traditional oral storyteller and also prolific author of both children and adult stories, including adult horror.
The stories themselves are 12 “tales of terror” aimed at middle schoolers (or younger, if it’s something your kids are really into). The illustrations are simple, yet gorgeous black and white drawings that are good for the pre-”Scary Stories to Tell in the Dark” crowd (read: not that scary!). I was hoping to read these to my nieces or the boy I babysit for before I returned it to my library, but alas, I didn’t get a chance to witness a child’s response to the book. I appreciate that the stories are beyond the generic spirits/ghosts- there are stone giants, animal/human hybrids, mean fairy-like people, frog/toad like monsters, even an all-out war of the animals and humans against mastodon-like creatures. In many cases, the stories are fables- short stories conveying the dangers of swamp lands and strangers, but there is definitely an emphasis against being boastful, inconsiderate, or disrespectful (especially against your family or “all of creation”). Some end sweetly (like the tale the title is taken from), some very badly (at least one entire sibling group is never heard from again), and some very predictably.
This is a great collection for children who enjoy scary stories, especially ones without the typical cast of characters (werewolves, vampires, ghosts). Depending on how easily they are scared, it can be read by themselves (although some might get frustrated with the names of some of the monsters and heros if they aren’t familiar with the languages within) or with someone older. Easily digestible, yet that much more interesting if you didn’t grow up with these particular tribes’ tales, it’s a great collection for kids just beginning to delve into horror.
Joseph Bruchac and his son, James Bruchac, together wrote this wonderful collection of tales of monsters from Native American myths, legends and stories. It is explained in the beginning of the book, that many of these stories were used to teach children lessons and scare them so they wouldn't go near places such as water and fall in.
I'm sure most people wouldn't find these stories very scary, but if you read them and really imagine the monsters as they are described, things begin to feel a bit creepy. In this collection of tales you will find stories of a Man Bear, a cannibal monster, Stone Giants, Ugly Face and many more. This is a very interesting book, very well written and easy to read with lots of great stories. It is a perfect read for Halloween and anyone interested in Native American stories of monsters.
This slim volume is a fine little collection of simply-rendered scares. While considered YA, the steeled adult will find them a delightful bedtime read, while the more sensitive grown-up might still get a chill. In addition, it’s a well-organized overview of Northeastern Native American legends—a great primer for the less informed, as I was. A few of the most frightening were “Ugly Face,” “The Spreaders,” and “Big Tree People.” Some of these tales’ last lines stab where it counts and leave a lasting impression.
Great fun on a cold January night, WHEN THE CHENOO HOWLS is a refreshing reminder that less is more.
I read these to my six year old son before bed. Not too scary, very entertaining. We both loved the stories about Native American monsters, all of them with some sort of moral. It's like Aesop meets Tim Burton, if Tim Burton was a Native American. Also, each tale is followed by notes on the featured monster and credits the tribe for its origin along with other publishings that include the monster in question. Will read again, and I might go out and buy it since this was a library book that will have to be returned soon.
This fun collection of scary stories also gives an introduction to the culture of the Native Americans of the Northeastern United States. Overall, they are not as scary as some of Bruchac's novels (Skeleton Man, etc.) but they would make great choices for storytelling. The book includes source notes, glossary, and an introduction which will also be helpful in understanding these tales or learning more.
I love that every story has a sources at the end, along with a short description of where it comes from! My favorite story is the one about the Chenoo. The illustrations are wonderful, and I really enjoyed learning the stories from so many tribes.
I enjoyed discovering this as an adult, but I know my childhood self would have loved it as well. Stories are short and range in tone from sweet (The Chenoo) to really creepy (The Spreaders).