I've given this an A- at AAR, so 4.5 stars rounded up.
Who Cries for the Lost, the eighteenth book in C.S. Harris’ series of historical mysteries featuring aristocratic sleuth Sebastian St. Cyr, opens as the people of London – and all of England – are holding a collective breath waiting for news of Napoléon’s progress following his escape from Elba.
Sebastian had been planning on returning to his regiment for what he, and many others, hoped would be a final stand that would see Bonaparte defeated once and for all, but after sustaining an injury to his leg at the end of the previous book, he is not fit enough, and is frustrated at being forced to wait on the sidelines.
Of course, being Sebastian St. Cyr, life is never quiet for very long. When the book begins, his friend, former army surgeon Dr. Paul Gibson, is performing a post mortem on the body of a man pulled out of the Thames just that morning. The body is that of a healthy man in his thirties, but his face has been destroyed, possibly, Gibson suspects, to prevent his being identified. But whoever he was, he appears to have been a gentleman, judging from the fact that the shirt in which he’s clad is of excellent quality, and his hands betray signs only of someone used to riding or fencing. Lifting the shirt, Gibson is shocked to discover that it isn’t only the dead man’s face that has been butchered; his genitals have been hacked off, which means his death can’t have been the result of some random attack. Continued examination also some distinctive scarring to the torso – scarring that Alexi Sauvage, Gibson’s lover, recognises as belonging to the man she’d known years earlier as Miles Sauvage. The man she’d married.
When Sebastian arrives at Gibson’s Tower Hill surgery, his friend explains that ‘Miles Sauvage’ was, in fact, Major the Honourable Miles Sedgewick, younger brother to the Marquis of Stamford and formerly an Exploring Officer in Wellington’s army. Sebastian had known him them, and known him to him to be a treacherous, untrustworthy bastard who would do anything to get what he wanted beneath the veneer of good-natured charm he presented to the world. Learning of Alexi’s connection to Sedgewick surprises Sebastian; he and Alexi have never had a particularly warm relationship and he has only begrudgingly accepted her place in Gibson’s life for his friend’s sake. Her cageyness about her past has made him suspicious of her, but now she tells him that Sedgewick had been badly injured while on a mission in the mountains of Portugal, that Alexi had saved his life, and that he had later married her so that she would be taken care of by his family should anything happen to him. In London sometime later, Alexi was told that Sedgewick had died while on a mission in Switzerland – only to see him some weeks later with the woman she realised was his wife… and their two young children. Sebastian knows only too well that this information will likely be seized upon as motive for murder and that it’s a matter of time before Alexi is taken up for the crime and that, as her lover, Gibson may well be in danger, too.
C.S. Harris weaves a clever, complex mystery full of unexpected twists and turns that will keep you guessing until the very last minute. Red herrings abound as Sebastian is confronted with pieces of a puzzle that just don’t seem to fit together, and he even begins to wonder if he’ll ever be able to find out the truth. When another body, this one missing its head, then another, missing both head and feet, are pulled from the river just days later, Sebastian begins to think that perhaps there are two killers at work, and that those later deaths and Sedgewick’s might not be connected at all. The discovery that Sedgewick had recently returned from Vienna and was possibly in possession of a list of names of people in London who used to pass information to Bonaparte (one of whom is actress Kat Boleyn, Sebastian’s former lover) puts a very different spin on things – was he killed in order to obtain it? Could Sebastian’s powerful father-in-law Lord Jarvis have been involved? Is there a deeper political motive? The number of people with reason to want Sedgewick dead grows steadily – perhaps his not-so-grieving widow and her would-be lover had a hand in it, or maybe the angry husband of his latest mistress killed and mutilated him in revenge. And then there are the Weird Sisters (who aren’t really sisters at all), who cast horoscopes, tell fortunes and sell potions from their shop in Seven Dials, and with whom Sedgewick was known to have associated as a result of his fascination with folklore and the occult.
There are a lot of moving parts here, and you’ll have to be really on the ball to keep up! As usual, the author’s detailed knowledge of the period and research into the various aspects of the story shine through, and I especially enjoyed the way she incorporates the early nineteenth century’s renewed scholarly interest in folk tales and legends into the novel. The Brothers Grimm published their first compendium of fairy tales in 1812, reflecting the recognition that many old tales, songs and myths were dying out and the subsequent scramble to record them before they became lost forever. Not so enjoyable, but every bit as accurate, is the description of the plight of the poor, ruined governess, thrown out because she was pregnant and forced onto the streets, and at what punishment was meted out to poor women whose babies died because they were unable to feed or shelter them.
Also very well done is the pervasive atmosphere of what I can only describe as waiting – the sense that everyone is more or less just going through the motions as they wait for decisive news from the continent. Sebastian’s frustration at not being able to fight is palpable, and I was glad, once again, that Hero had a significant role to play in the investigation; their love for one another, the way they support and stand up for one another is always a delight to read.
Because the series’ overarching plotline – Sebastian’s search for the truth about his parentage – has now been brought to a close, it’s possible to read Who Cries for the Lost as a standalone, although I’d still advise backtracking so as to better understand the dynamics of the principal relationships in Sebastian’s life – with Hero, with his acknowledged father, the Earl of Hendon, with Jarvis, with Gibson and, in this story, with Kat. Eighteen books in, and the series shows no sign of running out of steam, which is quite an achievement. Superbly written, full of interesting, well-developed characters and with a marvellously realised and well-researched setting, Who Cries for the Lost is an engrossing and exciting addition to the
Sebastian St. Cyr
mysteries, and a must read for fans of historical mysteries.