Pulp's This Is Hardcore

by Scarlett Thomas

From the AllMusic Guide:

"This is the sound of someone losing the plot/you're gonna like it, but not a lot." So says Jarvis Cocker on "The Fear," the opening track on "This Is Hardcore," the ambitious follow-up to Pulp's breakthrough "Different Class," thereby providing his own review for the album. Cocker doesn't quite lose the plot on "This Is Hardcore," but the ominous, claustrophobic "The Fear" makes it clear that this is a different band, one that no longer has anthems like "Common People" in mind. The shift in direction shouldn't come as a surprise Pulp was always an arty band but even the catchiest numbers are shrouded in darkness. "This Is Hardcore" is haunted by disappointments and fear by the realization that what you dreamed of may not be what you really wanted. Nowhere is this better heard than on "This Is Hardcore," where drum loops, lounge piano, cinematic strings, and a sharp lyric create a frightening monument to weary decadence. It's the centerpiece of the album, and the best moments follow its tone. Some, like "The Fear," "Seductive Barry," and "Help the Aged," wear their fear on their sleeves, some cloak it in Bowie-esque dance grooves ("Party Hard") or in hushed, resigned tones ("Dishes"). A few others, such as the scathing "I'm a Man" or "A Little Soul," have a similar vibe without being explicitly dark. Instead of delivering an entirely bleak album, Pulp raise the curtain somewhat on the last three songs, but the attempts at redemption "Sylvia," "Glory Days," "The Day After the Revolution" don't feel as natural as everything that precedes them. It's enough to keep the album from being a masterpiece, but it's hardly enough to prevent it from being an artistic triumph.

144 pages, Paperback

First published August 28, 2014

About the author

Scarlett Thomas was born in London in 1972. Her widely-acclaimed novels include PopCo, The End of Mr Y and The Seed Collectors. As well as writing literary fiction for adults, she has also written a literary fantasy series for children and a book about writing called Monkeys with Typewriters. Her work has been translated into more than 25 languages.

She has been longlisted for the Orange Prize, shortlisted for the South African Boeke Prize and was once the proud recipient of an Elle Style Award. She is currently Professor of Creative Writing & Contemporary Fiction at the University of Kent in the UK. She lives in a Victorian house near the sea and spends a lot of time reading Chekhov and Katherine Mansfield.

She is currently working on a new novel and various projects for TV.