When Jackals Storm the Walls is the 5th book in the Song of the Shattered Sands series that released in July 2020. The book begins with Meryam trying to remove threat of Mirean and Malasani invasion to Sharakhai once and for all but there's a surprise even Meryam had not fathomed. And when Tulathan offers her deepest desire come true with a mere wish, the opportunity is too tempting to pass, but nothing comes free and Meryam knows, that what she has to do now is far more dangerous than anything she's ever done.
Then we come to Çeda and then Ihsan, each taking their own route to save the city. While Ihsan is headed in search of his fellow kings, Çeda comes back to the palace to get a clue on Nalamae's whereabouts.
There's a new character introduced here, Willem and the moment you read a few paragraphs, you know he's going to have a major part too. There's also mention of Enclave, a secret society which was talked about in the previous book when Ramahd approaches them for help. Another player in an already multi layered plot line.
The author has included Maryam's background story, which means her importance as a character just went up a notch.
By now, the author had moved on from Çeda as the only main character to include others like Emre, Brama, Davud, Hamzakir, Ramahd etc. each with their own mission. Emre is on a track to become the shaikh of the allied tribes, Brama is closely working with the Mirean queen while trying to keep Rumayesh from taking over his body, Davud and Esmeray are unravelling the mystery of missing students, Ihsan in coalition with the remaining kings is leading the search for Nalamae to save the city, Ramahd goes in search of Hamzakir to overpower Meryam and bring her to Qaimir to try for her crimes- not to mention the games the lesser gods are playing to fulfil a mission of their own- all these might seem like individual stories but they are closely connected with the overall plot without increasing the complexity.
The series as a whole is about the politics of the region and how it affects the lives of the people involved and the collateral damage incurred. There are quite a number of instances that seem right out of real life, for ex- when Ihsan travels to Sharakhai, he notices the changes that have taken place, these changes are not with regards to commerce or lifestyle or law, but with regards to the attitude of the people towards their own neighbours who have migrated from the kingdoms of Mirea and Malasan, and made Sharakhai their home. He says- “They were demonising all foreigners from the north of the east, even those who’d been living in Sharakhai for generations, even those with only a trickle of blood from those foreign lands running though their veins. Blood runs thick in the desert”- cuts quite close to the current world scenario.
Another excerpt that talks about diversity is my personal favourite- “Men like Hamid would never admit it, but Sharakhai was a melting pot. So was the desert. The tribes were built on trade with other nations. Their culture was not pure as some would claim, nor had it ever been. Purity had always been a fantasy, a way to exert power over others. There wasn’t a tribe in the desert that didn’t count amongst its people those who hailed from the grasslands of Kundhun or the mountains of Mirea or the temperate lands of Malasan or even the shores of the Austral Sea. But it went far beyond that. Whether it was recipes, customs, sailing ships, or the simple joy of being entertained, the lives of the desert’s people had been enriched by neighbouring lands, and those lands had been enriched by the desert. The time when nations could remain of themselves and only of themselves had long since passed.” The amount of maturity on the author’s part that these two excerpts offer is worth mentioning.
The action sequences are brilliant, it’s one thing to see the battle between humans, it’s wholly another thing to see the battle between gods, or a race against time to prevent an ancient crystal from breaking. The artistic standard is high when the higher powers get involved and Bradley P Beaulieu serves the scene to the readers effortlessly.
.
The complexity of each book is higher than its predecessor. Too many POVs’, too many characters, too many branched plotlines all leading to one focal point. The sequence of events are at a much faster pace and a lot is left to the imagination of the reader. One needs to pay close attention to read between the lines. It’s intellectually stimulating.
Generally, surprising me with an ending is rare, I usually know what will happen in the end and how, but this series has kept me guessing even after 5 books when I am completely aware of the character's motives. I don't know how the series will end, until I read the last page, I had no idea how the book would end. Utterly bewitching.
The end will literally blow your mind. The game plan is out in the open, the war between the mortal and the immortal is just beginning. The ancient riddle is going to be solved, time is going to turn back, to the very beginning of elder gods. And by the gods, it's so darn good. We see the end of story as the end of plot, but no… Here is the end of a plot within a plot. Finally when all the mystery regarding Sharakhai's kings is solved, the actual mystery, one that wove the kings’ mystery in the first place is going to be revealed.
Epic in every way, titillating, exciting, feels like an adventure sport in reading. Dark, magical, ancient, complex politics are all brilliantly explained, there are twists and turns in every page. Beaulieu’s epic fantasy has magic, gore, action, gods, love, power, immortality and plenty of other concepts enough to satisfy a reader of any genre.