Armstrong proposes a theory of the language of 19th- century poetry derived from Romantic philosophy in this highly original and important new study. Partial ^R Wordsworth's Prelude (1805), Book VI; Blakes's Jerusalem , Chapter 1; Shelley's ^R Prometheus Unbound; Browning, the fracture of subject and Sordello , Book III; Tennyson, the collapse of object and ^R In Memoriam