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Debutante: Rites and Regalia of American Debdom

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It is an institution that seems almost hopelessly out of date, a social relic of bygone times. The very word debutante evokes images of prim, poised beauty, expensive gowns, and sumptuous balls, all of which seem anachronistic in these post-womens liberation times. But as Karal Ann Marling reveals, debdom in America is alive and well and ever evolving.

For thousands of young women every year, the society debut remains a vital rite of passage, a demonstration of female power; debs continue to be viewed as the finest flowers of a distinctive American culture. The debut and its offshoots—the high school prom, the sorority presentation, assorted beauty pageants—continue to emphasize celebrity, class, and community. But why does this peculiar tradition persist? Marling has the answer, as she demystifies debdom and the long-term American hankering after the trappings of royalty.

Debutante presents a penetrating and entertaining look at American debdom from the colonial era to the present day. Debbing has always been a performance art, created by and for women. In its heyday in the nineteenth century, debut signified the formal presentation to elite society of a young woman of substance who was eligible for marriage. During the twentieth century, it evolved from the glamour girl galas of the Great Depression to the charity bashes of the 1980s after the Deb Drought of the 60s and 70s. Marling reviews this colorful history, documenting changes in debdom right up to our own day, when the sisterhood of debs includes African Americans, Latinas, and members of other ethnic groups once carefully excluded: now even economically disadvantaged young women have their coming-out, where the emphasis of the event is on community.

In these pages, aspiring debs and curious readers alike will be taken from teas and cotillions to café society and discover the rich material culture of debdom, with its flowers and favors, gowns and pearls. Theyll also meet famous debs of the 30s like Woolworth heiress Barbara Hutton and glamour girl Brenda Duff Frasier; experience black American high society at the debut of Nat King Coles daughter Cookie; and attend such civic spectacles as Kansas Citys Jewel Ball and St. Louiss Veiled Prophet Ball.

In sparkling prose graced by a gallery of captivating photos, Marling provides an illuminating inside look at debs and a world that continues to celebrate the spirit and diversity of American womanhood.

230 pages, Hardcover

First published April 1, 2004

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About the author

Karal Ann Marling

51 books14 followers
Karal Ann Marling is professor of art history and American studies at the University of Minnesota. She is the author of numerous books on topics including American mural painting of the Depression era, illustration of the 1940s, the architecture of theme parks, and the influence of television on visual culture in the 1950s.

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Displaying 1 - 4 of 4 reviews
3 reviews4 followers
February 17, 2010
I'm sort of reading this for school. I like it a lot, though Marling has a very chatty style that takes a bit of getting used to.
Profile Image for Jimmy.
526 reviews
February 28, 2020
Marling takes the debutante rituals from the early 19th century through modern proms and balls. So much money, extravagance, pretense, chauvinism. Such emphasis on beauty. NO footnotes, only an essay on sources. So she has some juicy quotes but none have references.
Profile Image for Julie.
4 reviews2 followers
March 20, 2010
Okay, I was a debutante, thus my reason for reading this. From my knowledge, this is a fairly accurate history of the whole "sordid" deb scene and was fun to read.
Displaying 1 - 4 of 4 reviews

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