This was an enjoyable, light read. The characters were either likeable or loveable, the settings were imaginative and interesting, and the plot was engaging even despite the refreshing lack of interpersonal conflict.
I had three general criticisms. Firstly, the overall structure (or the pacing, if you want to look at it that way) seemed a little uneven. The story is ostensibly about Rogan’s journey towards a new starship and a possible love interest, but we spend a lot of time (about a quarter of the book, maybe?) on his home colony even after he’s made the decision to leave. We spend most of the rest of the book on his journey. It wrongfooted my initial assumptions about which characters i should be investing my attention in, as a reader: Rogan’s attraction towards Nathe is a crucial part of the plot, but we ultimately see hardly anything of him, and hardly ever even read about their messages to one another.
Secondly, there are some typographical errors, and occasional apostrophe abuse (it’s instead of its) and mis-spellings (confusing meters and metres, for example). The actual writing is otherwise of a very high, very readable standard, but there was one fairly glaring continuity glitch where Rogan gives two seemingly-contradictory accounts of how his discussions with Nathe began. It felt as if this book maybe just needs a touch more editing to make it perfect.
Thirdly… the author has a fantastic imagination, but seems to shy away from exploring its full potential, sometimes. The opening setting, Frostbite, is vividly portrayed as a small, isolated community. They need Rogan’s expertise, and his plans to leave clearly shock and upset many people, but ultimately almost everyone is fairly supportive. This seemed like a missed opportunity to explore the psychology, morality, and ethics of weighing up the needs of the community and the desires of the individual. Given Rogan’s preference for men, it’d also be interesting to read about what it would be like to be the ‘only gay on the planet’. That in itself would, in my view, have been a far more compelling reason for his desire to leave – echoing millions of real-life stories in a science-fictional setting – but the author sidesteps this by making Frostbite a freewheeling free-love future where most people seem fairly bisexual. It was an enjoyable exploration of a certain kind of utopianism, but i felt that there was another missed opportunity when the protagonist visits many other worlds and the culture shock is relatively minor – there was no evidence that any of the surviving human societies were less liberal.
All that said, i very much enjoyed reading it. It was pleasing to read something which relied more on the subtle wonders of exploration than the cheap ‘thrills’ of violence to keep the plot moving. I wanted to spend more time with the characters, and to learn a bit more about their world. The overall arc seemed to focus on the protagonist’s internal emotional life, the bittersweet feelings of homesickness and the fear and exhiliration of an uncertain future. ‘Angst’ would be far too strong a word, but having made a few changes in my life myself recently (albeit minor in comparison), the protagonist’s journey seemed very real to me.