Even if Yasha has lost everything, look! He keeps finding more to lose. He still has Ashura. ven though Ashura can’t get over their mother’s rejection, Ashura still has Yasha. The loss of the Yasha clan comes back to haunt Yasha again in a return home, a surprising survivor, and a look at Yasha’s youth, revealing that Yasha still had someone to lose. I’m not sure if I understood Rasetsu’s change of heart, but it was beautiful. CLAMP gets away with a lot due the beauty of its artwork. Yasha’s devotion to Ashura, the way it was depicted in stunning, exquisite panels with just a touch of menace was breathtaking. Ashura’s beauty and innocence, their utter devotion to Yasha while their power swirled around both of them was epic. Kujaku continues to support Ashura’s bond with Yasha, or perhaps he’s supporting Ashura. He drops hints about his own past even while comforting the ancient lost child he’s concerned himself with. Kujaku is such an intriguing character. Speaking of intriguing, Taishakuten continues to hint that he’s got a secret, even when he’s being goofy in the omake, even if he’s lost the evil smile. The evil smile is quite hot, especially when it’s enigmatic. I’m imagining all sorts of ways he might appear in Tsubasa Reservoir Chronicles; from comparing shoulder guards with Zagato to playing another engimatic adversary or ally. All in all; I’m once again too smitten with the artwork to object to the problems and drawn in by the mysteries.