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Yet also within this book, there is a litany of cultural and political references: Eurydice and the Argentine Amnesty, Eric Dolphy and Pablo Neruda, Miles Davis and Marc Chagall, the Zootsuit riots and the assassination of Martin Luther King, Jr.--as well as Dougherty's articulation of the struggles against racism that his own interracial upbringing calls him to engage.
Most of the poems are written in a variety of traditional "closed" forms designed to reflect the reality of economic and social barriers that impede the lives of working people--as if these barriers can be resisted by their appropriation, how they can be changed into a form of singing, a form of song.
79 pages, Paperback
First published January 1, 2000