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死亡是一個小會客室:李屏瑤劇本集
李屏瑤
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《死亡是一個小會客室》收錄李屏瑤的四齣劇作:〈無眠〉、〈可寵〉、〈末班車開往凌晨三點〉、〈家族排列〉。四個故事縈繞著同志與社會框架的摩擦,繼而延展至細寫這個群體的家庭與情感生活。當同志不再是不可說的禁忌,李屏瑤選擇將視野拓至個體與血緣親族的關係,向「成家」定義拋出提問:人能不能選擇自己的家人?能不能造自己的家?生老病死,婚喪喜慶,原生家庭未解的死結,劇本集封存了運動抗爭之外的同志日常場景。從創作到出版,過程橫越二〇一九年同婚專法通過的歷史時刻,此時閱讀書中劇作,更顯現另一層重要意涵。死亡是一個小會客室。當我們討論死亡,那就像是召喚術,空間與臺詞的縫隙微微透出彼時彼刻記憶的光。「死亡」作為貫穿全書的核,「面對死亡」即是劇作角色無從迴避的課題。不被社會承認的人選擇自死,仍活著的人該如何與之和解?對留下來的「遺族」而言,至愛之人的離世不僅伴隨悲傷和空缺,「愛的遺棄」更帶來強烈的痛苦和自我質疑,而活著的人如何談論死亡、如何記憶、如何能再次去愛,正是李屏瑤筆下人物於生活奮力碰撞的實踐。心有所愛,人由此變得堅強。李屏瑤提筆的姿態像一名戰士,闢出空間,所有被社會框架拒斥的人可在此安心歇息。
352 pages, Paperback
Published January 1, 2022
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李屏瑤
5 books
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1984年生,臺北蘆洲人,文字工作者。中山女高,台大中文系,目前於關渡妖山攻讀劇本創作。
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