Monsters, gruesome sacrifices, dark sorcery, swordsmen devoted to honor, and a young woman being driven into the arms of her potent destiny are set loose in The Charnel Prince by Greg Keyes. This second novel of his Kingdoms of Thorn and Born epic fantasy series benefits from the setting developed in the first book, and the characters are really allowed to blossom within the adventure.
For fantasy readers, Keyes delivers a complete bill of goods as he weaves multiple fantasy elements such as magic, religion, unfolding prophecies, romance, quests, palace intrigue, and good old monster fighting into a fast-paced novel. A variety of characters fill the story. Some of the characters I found to be developed very successfully, such as Anne Dare, Neil McVren, Leoff, Cazio, and Muriele, and even the bad guy, the Charnel Prince Robert. Other characters do not hook me as much emotionally such as Aspar White, Winna, and Stephen Darige. Their adventures however remain engaging to me. Their quests are of the Dungeons and Dragons variety in which they fight beasts and track priests awakening dark magic across the land.
The Swordsmen
It just would not be an epic fantasy without some fellows swinging steel, and Keyes excels with his portrayals of two different types of swordsmen. First is Neil. He is a knight accustomed to wearing heavy armor, using a broadsword, mace, lance, and fighting on his feet or on horseback. Within him lurks a bloodlusty berserker rage that he dips into when necessary. Second is Cazio, a character inspired by fighters of a more refined and Renaissance flavor. He uses the rapier or saber. His sword style, known as the dessrata in the book, is an art form. I enjoyed considering the subtleties of combat through the personas of these two characters.
Neil offers fantasy readers a good interpretation of the classic knight. He is utterly driven by his sworn oaths. Even when confronted by a bitter betrayal from Anne Dare when he is trying to save her, he remains firmly committed to his mission to help her. Neil is also sexually frustrated having lost his forbidden love in the first book, so he is knight burdened by the angst of unrequited love.
Cazio takes a more cavalier attitude toward love. His feelings for Anne motivate him to protect her in addition to his honor that demands he help a woman in need. Anne’s clear disdain for his potential affection, however, prompted him to casually begin to court Anne’s handmaiden Austra in an attempt to make Anne jealous. The little love triangle he concocts is usually overrun by the need to fight for their lives, but it adds a nice undercoat of drama to the characters’ lives. As a fighter, Cazio is also charming in his arrogance as he continually boasts about his sword skills and more often than not proves them.
The Queens
The unfolding prophecy in this story is that a queen will save the world, which leaves the bad guys in the story working very hard to kill all potential female heirs to the throne of Crotheny. The surviving female heir is Anne Dare, who is seventeen and, by the end of the book, coming into her supernatural powers. She is a well developed and sympathetic character. The author deftly transforms her from a difficult teenage girl concerned only with freedom and her beau to a maturing young woman who realizes that her responsibilities surmount her petty personal concerns.
The other queen is Anne’s mother, Muriele, who is technically the Queen Mother, so she is not actually a female heir to the throne. Her character is pivotal to this novel. Much of the action swirls around Muriele as she struggles to keep her mentally deficient son on the throne as both the Church and rival kingdoms salivate over her vulnerability. Feeling Muriele’s pain was easy as she coped with the crushing grief of having most of her family murdered. Her cleverness as she rolled her way through dicey palace politics was also endearing.
The Court Composer
Leoff Ackenzal is a new character in this second book of the series. He is a musical genius arriving at the imperial capital only to learn that the emperor who hired him is no longer alive. Because the morale of the populace is low – due to monsters stalking the land and whole villages of people going raving made – Leoff manages to retain his position and is commissioned to produce a rousing musical work for public performance.
The author shows that he either researched music very well to write this character or was already well schooled in music. Keyes reveals marvelous technical detail while describing Leoff’s compositions. Although many aspects of the court composer character appear to be lifted straight from the movie “Amadeus,” Leoff is a pleasing and sympathetic character. And his bumbling nerdiness acts as a nice foil to the swordsmen. The performance of his heretical opera at the end also creates one of the book’s most beautifully written chapters.
A Worthy Opponent
The Kingdoms of Thorn and Bone epic series is shaping up to be a good read. The fantasy world is richly detailed with various languages, folklore, monsters, politics, and sorcery. Keyes created a multitude of characters, many of which are quite pleasing. For the most part, The Charnel Prince rushes along at a captivating pace, although there are several tedious scenes in which the scholarly Stephen Darige blathers on as he cross references some clue through three arcane languages. Also the paths of the characters tend to cross a little too conveniently for the sake of the plot, but this is forgivable. Whatever minor shortcomings exist within the novel are assuaged by an extremely satisfying climatic fight scene in which Neil takes on an enchanted knight that cannot die.
For good action and pleasing characters, I give this fantasy book a four swords rating – two broadswords, a saber, and a rapier.